What's Mine and Yours by Naima Coster is about a community in the Piedmont of North Carolina rising in outrage as a county initiative draws students from the primarily Black east side of town into predominantly white high schools. For two students, Gee and Noelle, the integration sets off a chain of events that will tie their two families together in unexpected ways over the next twenty years.
by Naima Coster
What’s Mine and Yours by Naima Coster is one of the best books I have read in the last few years. At this moment in my life, family means more than ever. This book explores how families can collapse and find ways to reunite. Although my life circumstances are the polar opposite of the protagonists, the book’s central themes resonated with me.
The focus on integration in this Millenium is a subject that needs to be discussed openly and honestly. The racist response of some of the parents is told in a way that clarifies the pain that that can cause.
Even the parents who favor integration have their flaws, which are passed on to their children.
The children, especially Noelle and Gee, oppose their parent’s actions. The sins of their parents are sowed upon them as well.
I have placed this book on my list of novels for reading later this year or n 2023. Its themes are so strong that a second reading is required to engage with its multiple levels fully.
This is a Goodreads summary.
A community in the Piedmont of North Carolina rises in outrage as a county initiative draws students from the primarily Black east side of town into predominantly white high schools on the west. For two students, Gee and Noelle, the integration sets off a chain of events that will tie their two families together in unexpected ways over the next twenty years.
The debate is Jade, Gee’s steely, ambitious mother, on one side of the integration. In the aftermath of a severe loss, she is determined to give her son the tools he’ll need to survive in America as a sensitive, anxious, young Black man. On the other side is Noelle’s headstrong mother, Lacey May, a white woman who refuses to see her half-Latina daughters as anything but white. She strives to protect them as she couldn’t protect herself from the influence of their charming but unreliable father, Robbie.
When Gee and Noelle join the school play meant to bridge the divide between new and old students, their paths collide, and their two seemingly disconnected families begin to form deeply knotted, messy ties that will shape the trajectory of their adult lives. And their mothers-each determined to see her child inherit a better life-will make choices that will haunt them for decades to come.
As love is built and lost, and the past never too far behind, What’s Mine and Yours is an expansive, vibrant tapestry that moves between the years, from the foothills of North Carolina to Atlanta, Los Angeles, and Paris. It explores every family’s unique organism: what breaks them apart and how they come back together.
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by Julia Armfield
From Julia Armfield, the beloved and award-winning author of Our Wives Under the Sea, comes a speculative reimagining of King Lear. Private Rites centers on three sisters navigating queer love and loss in a world that is drowning. It has been raining for so long that the landscape has reshaped itself, and old rituals and religions are beginning to resurface. Sisters Isla, Irene, and Agnes have not spoken to each other in some time.
However, when their father—an architect who was both cruel and revered—passes away, their lives are forever changed. His death offers the sisters an opportunity to come together in a new way. In the grand glass house they grew up in, their father’s most famous creation, the sisters sort through the secrets and memories he left behind, until a revelation in his will shatters their fragile bond.
The sisters are more estranged than ever, and their lives spin out of control: Irene’s relationship is straining at the seams, Isla’s ex-wife keeps calling, and cynical Agnes is falling in love for the first time. But something even more sinister might be unfolding, something related to their mother’s long-ago disappearance and the strangers who have always seemed unusually interested in the sisters’ lives. Soon, it becomes clear that the sisters were chosen for a very particular purpose, one with shattering implications for their family and their imperiled world.
Julia Armfield is the author of the novels Private Rites and Our Wives Under the Sea, which was a finalist for the Lambda Literary Award and the 2022 Goodreads Choice Award for Best Horror and Best Debut Novel, and the story collection salt slow. Her work has appeared in Granta, Lighthouse, Analog Magazine, Neon, and Best British Short Stories 2019 and 2021. She is the winner of the White Review Short Story Prize and a Pushcart Prize, and shortlisted for the Sunday Times Young Writer of the Year Awards in 2019. She lives and works in London.
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by Claudia Dey
I started reading “Daughter: A Novel” by Claudia Dey today. According to Mona Dean, to be loved by your father is to be loved by God. Mona is a playwright, actress, and daughter of a man who is famous for a great novel. However, her father’s needs and insecurities significantly impact the women in his family, including Mona, her sister, her half-sister, and their mothers.
Mona’s father’s infidelity shattered her childhood, causing her to be in opposition to her stepmother, who also suffered from his actions. Mona’s father begins a new affair, and he confides in her. She enjoys his attention painfully and parasitically. When he confesses to his wife, Mona is blamed for the disruption, punished for her father’s actions, and kicked out of the family.
Mona’s life is chaotic, and she struggles to regain stability. Only when she experiences a profound and defining loss does she begin to replace absent love with real love? Pushed to the brink, she must decide how she wants to live, what Mona needs to say, and the risks she’s willing to take to say it.
Claudia Dey provides penetrating insight and devilish humor to chronicle our most intimate lives in “Daughter.” It’s an obsessive and blazing examination of the forces that drive us to become, create, and break free.
by Jessica Shattuck
I started reading “Last House: A Novel” by Jessica Shattuck today. She is an esteemed New York Times bestselling author known for her work “The Women in the Castle.” This sweeping narrative, perfect for “The Dutch House” and “Great Circle” fans, explores a nation’s rise to power and a family’s complex ties to the resources that shaped their wealth. It also delves into the events that led to their greatest tragedy, a secret that threatens to tear them apart.
In 1953, a World War II veteran turned company lawyer, Nick Taylor, saw oil as the key to the future. He commutes to the city for work and returns to the peaceful suburbs to be with his wife, Bet, a former codebreaker now a housewife, and their two children, Katherine and Harry. Nick, who comes from humble origins, can provide for his family, including their secluded country escape called Last House, thanks to his work for American Oil. Last House, deep in the Vermont mountains, offers the Taylors a retreat from the stresses of modern life. Bet no longer worries about the Russian H-bombs that haunt her dreams, and the children can roam freely in the woods. Last House is a place that seems capable of surviving the end of the world.
1968, a turning point in American history, where the nation teeters on the brink of transformation. The streets pulsate with protestors challenging everything from the Vietnam War to racism and even the country’s reliance on Big Oil. As Katherine enters adulthood, she finds herself caught in the era’s tide, struggling to reconcile her ideals with the privileged upbringing her parents, part of the Greatest Generation, toiled to provide. But when the Movement takes a secure, more radical turn, each member of the Taylor family must face the repercussions of their choices for the causes they believed in. This rich historical backdrop infuses the Taylor family’s narrative with depth and intrigue, leaving us hungry for more about this transformative era.
“Last House” spans multiple generations and nearly eighty years, telling the story of one American family during a time of grand ideals and significant downfalls. It explores themes of family dynamics, the impact of wealth, and the societal changes that shaped America. Set against the backdrop of our nation’s history, this emotional tour de force delves deeply into questions of inheritance and what we owe each other. It captures the gravity of time, the double edge of progress, and the hubris of empire to stunning effect.
by Ocean Vuong
In “The Emperor of Gladness,” Ocean Vuong explores the interconnected themes of history, memory, and time, revealing how love, labor, and loneliness are the foundation of American life. At its core, the narrative presents a courageous epic that examines what it means to live on the margins of society and confront the wounds that affect our shared humanity. It highlights the lengths we are willing to go to grasp one of life’s most fleeting gifts: a second chance.
One late summer evening in the post-industrial town of East Gladness, Connecticut, nineteen-year-old Hai stands on the edge of a bridge in pelting rain, ready to jump, when he hears someone shout across the river. The voice belongs to Grazina, an elderly widow succumbing to dementia, who convinces him to take another path. Bereft and out of options, he quickly becomes her caretaker. Over the year, the unlikely pair develops a life-altering bond, one built on empathy, spiritual reckoning, and heartbreak, with the power to transform Hai’s relationship with himself, his family, and a community on the brink.
Hallmarks of Ocean Vuong‘s writing—formal innovation, syntactic dexterity, and the ability to twin grit with grace through tenderness—are on full display in this story.
Ocean Vuong is the author of the critically acclaimed poetry collections Night Sky with Exit Wounds and Time Is a Mother, as well as the New York Times bestselling novel On Earth We’re Briefly Gorgeous. A recipient of the MacArthur Fellowship and the American Book Award, he once worked as a fast-food server, which inspired The Emperor of Gladness. Born in Saigon, Vietnam, he currently splits his time between Northampton, Massachusetts, and New York City.
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by Tayari Jones
Tayari Jones, the bestselling and award-winning author of An American Marriage, has crafted a magnificent new novel titled Kin. This unforgettable story sparkles with wit, intelligence, and deep emotion as it explores the lives of two lifelong friends whose paths intersect after many years apart, brought together by a devastating tragedy. The New York Times has listed it as one of “The Novels Everyone Will Be Talking About in 2026.”
Vernice and Annie, two daughters raised without mothers in Honeysuckle, Louisiana, have been best friends and neighbors since childhood. However, they lead very different lives. Vernice, cared for by a strong aunt who aims to provide her with stability after her mother’s death, leaves Honeysuckle at eighteen to attend Spelman College. There, she joins a powerful sisterhood of Black women and enters a world of affluence, manners, ambition, and inequality.
In contrast, Annie, abandoned by her mother as a child, is obsessed with finding her mother and filling the emptiness left by her absence. Her quest leads her into a life filled with danger and challenges, as well as love and adventure, ultimately culminating in a fight for her survival.
Kin is a novel that explores the themes of motherhood, friendship, sisterhood, and the complexities of being a woman in the American South. It is an exuberant, emotionally rich, and unforgettable work by one of contemporary fiction’s most compelling voices. Kin delves into themes of motherhood and daughterhood, friendship and sisterhood, and the complexities of being a woman in the American South.
Tayari Jones is the author of four novels, including her most recent work, An American Marriage. This novel was selected for Oprah’s Book Club and featured on Barack Obama’s summer reading list and his year-end roundup. It has won several prestigious awards, including the Women’s Prize for Fiction, the Aspen Words Literary Prize, and an NAACP Image Award, and published in two dozen countries. Jones serves as the C.H. Candler Professor of English and Creative Writing at Emory University and resides in Atlanta.
Discover your next favorite book and dive into a world of curated, exciting reads by purchasing through my links. You’ll have access to a diverse selection of books I’ve personally vetted for quality and enjoyment. Additionally, by supporting these selections, you’ll help me continue to provide you with more personalized recommendations. I earn a small commission from your purchase, which allows me to buy and share even more books with you. Your support truly makes a difference!
by Walt Hunter
The Singing Word: 168 Years of Atlantic Poetry, edited by Walt Hunter, celebrates the people, land, and spirit of America. This remarkable collection showcases a wide range of contemporary and historical poetry from the 168-year archive of The Atlantic magazine. Since its first issue in 1857, the poetry published in The Atlantic has drawn attention to the nation’s ongoing journey of self-discovery.
The magazine’s verse has featured odes to American leaders and landscapes, laments for the dead, and calls for change, appealing to the enduring ideals of Atlantic readers.
This one-of-a-kind collection selects poems of rousing optimism, clear-eyed realism, and moving lyricism—poems infused with the language of America’s songs, myths, and history, from the Civil War up through the present in three rich parts: National Anthems, Natural Lines, and Personal Mythologies.
Curated by The Atlantic’s Poetry Editor, this anthology features both world-famous poets—from Longfellow to Limón, including Robert Frost, W. S. Merwin, Sylvia Plath, and Adrienne Rich—as well as poets whose work has never before been published outside of the magazine.
Offering readers an essential understanding of American canon and the evolving nation, its poets have yearned to capture—the poetry of The Atlantic is the poetry of America.
Walt Hunter is a professor of twentieth- and twenty-first-century literature and chair of the English department at Case Western Reserve University. He is also the fiction and poetry editor for The Atlantic.
Discover your next favorite book and dive into a world of curated, exciting reads by purchasing through my links. You’ll have access to a diverse selection of books that I’ve personally vetted to ensure quality and enjoyment. Additionally, by supporting these selections, you’ll help me continue to provide you with more personalized recommendations. I earn a small commission from your purchase, which allows me to buy and share even more books with you. Your support truly makes a difference!
