I highly recommend reading "The Unsettled: A Novel" by Ayana Mathis. It's a brilliant, explosive, and vitally crucial new work from one of America's most fiercely talented storytellers. The story follows Ava Carson and her ten-year-old son, Toussaint, arriving at the Glenn Avenue family shelter in Philadelphia in 1985. From the outset, Ava is already thinking of a way to escape.
by Ayana Mathis
I highly recommend reading “The Unsettled: A Novel” by Ayana Mathis. It’s a brilliant, explosive, and vitally crucial new work from one of America’s most fiercely talented storytellers. The story follows Ava Carson and her ten-year-old son, Toussaint, arriving at the Glenn Avenue family shelter in Philadelphia in 1985. From the outset, Ava is already thinking of a way to escape.
She is disgusted by the shelter’s squalid conditions, including a room infested with cockroaches, barely edible food, and an untrustworthy night security guard. She is resolute in her mission to rescue her son from the shelter’s dangers and humiliations and free herself from the complex past that led them there.
Ava and her mother, Dutchess, have been estranged for many years since Ava left her Alabama home as a young woman. Despite the miles between them, mother and daughter are still deeply connected. However, Ava finds it hard to forgive her mother for her sharp tongue, intractability, and bouts of despair that led to neglect and hunger during her childhood.
Ava wants to be a better mother to her son, Toussaint. However, when Toussaint’s father, Cass, suddenly reappears, Ava is drawn to his charisma and radical vision to dismantle systems of racial injustice and establish a new communal living.
Meanwhile, in Alabama, Dutchess is facing a difficult challenge. She is struggling to prevent the sale of Bonaparte to white developers, who are rapidly encroaching on the land. Bonaparte has been a beacon of Black freedom and self-determination, and it is now in the hands of its last five Black residents – families who have lived there for generations. Dutchess is fighting to preserve the venerable history of Bonaparte and the land, which she has worked hard to keep as Ava’s inheritance.
As Ava approaches Cass, Toussaint begins to sense danger around him. He worries about his mother’s erratic behavior and his father’s intense and volatile nature. Toussaint dreams of returning to Bonaparte and Dutchess, where he was born and raised. He hopes to find his way back there soon.
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by Emily Mester
In a series of deeply personal essays, Emily Mester‘s “American Bulk” examines how the things we buy, eat, accumulate, and discard become integral parts of our lives. We often guiltily watch Amazon boxes pile up on the porch, sift through countless reviews to find the perfect product, and crave the familiar comfort of a chain restaurant. With humor and sharp insight, Mester reflects on the joys and anxieties of Costco trips, how a seasonal job at Ulta Beauty taught her the subtle art of sales, and what it means to feel “mall sad.”
In a nuanced exploration of diet culture and body image, Mester shares her experience at a fat camp during her teenage summer and the unexpected sense of liberation she discovered there. Finally, she travels to Storm Lake, Iowa, to confront her grandmother’s abandoned hoard, unraveling the dysfunction at the heart of her family’s obsession with material possessions. American Bulk introduces readers to an impressive new literary voice from the American heartland, urging us to view consumption not with guilt, but with grace and empathy.
Emily Mester is a writer from the suburban Midwest, where her family shopped at Costco every Sunday. She earned an MFA in nonfiction from the University of Iowa, where she received the Prairie Lights Nonfiction Prize. Currently, she resides in New York.
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by James Goodhand
Today, I began reading “The Day Tripper: A Novel” by James Goodhand. The story centers around Alex Dean, who can travel through time but, unfortunately, always ends up in the wrong place at the wrong time. This book is a perfect read for a rainy April day. The story moves quickly in just the first few pages, with time flying by faster than it does for Alex.
It’s 1995, and Alex Dean has it all: a spot at Cambridge University next year, the love of a fantastic woman named Holly, and all the time ahead of him. That is, until a brutal encounter with a ghost from his past sees him beaten, battered, and almost drowning in the Thames.
The next day, he wakes to find himself in a messy, derelict room he’s never seen before, in grimy clothes Alex doesn’t recognize, with no idea how he got there. A glimpse in the mirror tells him he’s much older and has been living a hard life, his features ravaged by time and poor decisions. He snatches a newspaper and finds it’s 2010—fifteen years since the fight.
After finally drifting off to sleep, Alex wakes the following morning to find it’s now 2019, another nine years later. But the next day, it’s 1999. Never knowing which day is coming, he begins to piece together what happens in his life after that fateful night by the river.
But what exactly is going on? Why does his life look nothing like he thought it would? What about Cambridge and Holly? In this page-turning adventure, Alex must navigate the years to learn that small actions have an untold impact. And that might be all he needs to save the people he loves and, equally importantly, himself.
by Colin Barrett
Today, I started reading “Wild Houses: A Novel” by Colin Barrett and was impressed by the author’s ability to blend dark humor and intense emotions. Colin Barrett, the award-winning author of “Homesickness” and “Young Skins,” has crafted a debut novel that takes readers on a rollercoaster ride of crimes committed out of desperation, abandoned dreams, and small-town secrets that won’t stay hidden. The story is presented with a wry wit that adds to its appeal.
The story is set in the quaint town of Ballina, located in picturesque west Ireland, as it prepares for its biggest weekend of the year. The simmering feud between small-time dealer Cillian English and County Mayo’s fraternal enforcers, Gabe and Sketch Ferdia, spills over into violence and an ugly ultimatum, painting a vivid picture of the town’s underbelly.
The story’s protagonist, Dev, is a reclusive man unwillingly drawn into the Ferdias’ revenge fantasy when he answers the door and finds Doll, Cillian’s bruised, sullen teenage brother, in the clutches of Gabe and Sketch. With the help of his dead mother’s dog, Dev is jostled by his nefarious cousins and is struck by spinning lights as he is goaded into their plan.
Meanwhile, seventeen-year-old Nicky can’t shake the feeling that something terrible has happened to her boyfriend, Doll. Hungover, reeling from a fractious Friday night and plagued by ghosts, Nicky sets out to save Doll, even as she questions her future in Ballina.
“Wild Houses“ is a beautifully crafted and thrillingly told story of two outsiders striving to find themselves as their worlds collapse in chaos and violence. It is the long-anticipated debut novel from award-winning and critically acclaimed short story writer Colin Barrett.
by Joyce Carol Oates
Reading Breathe by Joyce Carol Oates was a book I knew I needed to read once Jan was diagnosed. Although the book might trigger negative memories, I finally read Breathe. It was what I needed to read at this point in my journey.
Ms. Oates wrote the book in 2019 after her husband, Charlie Gross, died. The novel is a story of love, loss, and loneliness, topics that I write about on this blog. I needed to read the book both for my mental health and for the readers of Sharing Jan’s Love.
The protagonist, Michaela, loses her husband while they are on a sabbatical in New Mexico. Her husband, Gerard, writes a book and teaches a class on memories. Jan and I never considered relocating before her illness, but this book convinced me that it would have aggravated my grief journey.
One of the parallels I observed while reading the novel is the similarity between Gerard’s reluctance to let family, friends, and co-workers know of his illness. Jan shared that reluctance in the early days, but I convinced her that the only chance of beating cancer was with the help of family and friends.
This dialogue could easily be one that Jan and I had.
Of course you want to summon his family—his (adult) children—but quickly, he says no.
Still waiting.
But – When?
Just not yet.
He is not an alarmist. (You are the alarmist.)
The novel is written in two parts – The Vigil and the Post-Mortem.
The opening paragraphs set the tone.
A Hand is gripping yours. Warm, dry hand gripping your slippery, humid hand.
Whoever it is urging you – Breathe!
Leaning over you begging you – Breathe!
As one mourning the death of the love of his life, I found several phrases in the book helpful in understanding what I have gone through and will continue to confront.
Among them is grief-vise, which I have written about in this stream.
In the grip of the grief vise, all that you will do, all that you even imagine doing, will require many times more effort.. Hardly daring to breathe for the grief-vise will tighten around your chest, squeezing the very air out of your lungs.
In the early stages of grief, the vise was strangling me. Breathing was impossible, and weeping was constant at times.
Michaela struggles with her grief. Seeing her husband every time she sees a man alone, even if they are older or younger than he was. I know I have felt Jan’s presence and still expect her to walk into our apartment.
Her struggles with a grief counselor and overly helpful friends are an experience I have not had but are familiar to those suffering from losing a loved one.
The last chapters are ones in which time becomes confusing and chaotic. At times, I was uncertain about which were real or imagined. The end, like all good novels, was ambiguous.
These are some of the other phrases I have found useful and will include in posts.
What you love most, that you will lose. The price of your love is your loss.
I recommend this book to all readers, even those struggling with grief.
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by Sarah Crossan
Today, I enjoyed immersing myself in the captivating and thought-provoking world of Sarah Crossan‘s novel ‘Hey, Zoey.’ As Sarah Dunn eloquently puts it, this book is a masterful blend of brilliance and dark humor. The story revolves around Dolores O’Shea, whose life turns surprising when she discovers her husband’s AI sex doll, Zoey, in the garage.
A profound and heartfelt journey of self-discovery unfolds for Dolores as she and ‘Zoey‘ develop an unconventional bond, unearthing deeply buried emotions and memories. Dolores O’Shea, a 43-year-old woman, is a beacon of strength, juggling her job, ailing mother, and social life with remarkable efficiency.
Her marriage with an anesthesiologist, David, is in turmoil, but she’s determined to confront the issues. Her world is completely upended when she uncovers Zoey, the $8,000 AI sex doll that David had been concealing in the garage. At first, Dolores’ response to Zoey is a whirlwind of anger and confusion, throwing her meticulously organized life into chaos.
As the narrative unfolds, Dolores and Zoey embark on a series of conversations that unearth unexpected emotions and memories, profoundly influencing all of Dolores’ relationships, particularly her relationship with herself. Dolores’ journey is a rollercoaster of events and emotions that resonates with us all. ‘Hey, Zoey‘ is a novel that enthralls and challenges our perception of modern-day connections and the diverse forms that love can assume in a lifetime.
by Miranda July
Today, I started reading All Fours: A Novel by Miranda July. A semi-famous artist announces her plan to drive cross-country from LA to NY. Thirty minutes after leaving her husband and child at home, she spontaneously exits the freeway, checks into a nondescript motel, and immerses herself in an entirely different journey.
Miranda July’s second novel, a testament to her unique approach to fiction, confirms the brilliance of her storytelling. With July’s wry voice, perfect comic timing, unabashed curiosity about human intimacy, and palpable delight in pushing boundaries, All Fours tells the story of one woman’s quest for a new kind of freedom. Part absurd entertainment, part tender reinvention of the sexual, romantic, and domestic life of a forty-five-year-old female artist, All Fours transcends expectation while excavating our beliefs about life as a woman. Once again, July hijacks the familiar and turns it into something new and thrillingly, profoundly alive.
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