The Guest by Emma Cline is a highly recommended book, recognized as one of the top releases for May by The New York Times. At first, I assumed it was just another typical summer romance novel I usually don’t enjoy. However, I was surprised that it was unlike any other beach read I had encountered.

The protagonist, Alex, finds herself in a difficult situation after making a mistake at a dinner party in the East End of Long Island towards the end of summer. The man she’s been staying with dismisses her and sends her back to the city. With limited resources and a waterlogged phone, Alex decides to stay on Long Island and explore her surroundings. She wanders through exclusive neighborhoods and beaches, leaving a trail of destruction behind her.

According to The New York Times, Alex’s days and nights waiting for Labor Day might be “an entertaining series of misguided shenanigans interrupting the upper class’s summer vacation. However, under Cline’s command, every sentence is as sharp as a scalpel, portraying a woman who toes the line between welcome and unwelcome guest and becomes a fully destabilizing force for her hosts and the novel itself.

Although the book has no experience with themes, such as using sex to secure what she desires, as soon as I started reading it, I could not stop. Regardless of my unfamiliarity with the topics, I highly recommend The Guest.

The Jan Lilien Education Fund sponsors ongoing sustainability and environmental awareness programs. Gifts made this month; I will match dollar-for-dollar. All donations are tax-deductible.

Subscribe

Contact Us

I receive a commission when you buy a book or product using a link on this page. Thank you for supporting Sharing Jan’s Love blog.

A house is a treasured possession, and “The Safekeep,” a debut novel by Yael van der Wouden, presents a gripping story of desire, suspicion, and obsession between two women staying in the same house in the Dutch countryside during the summer of 1961. The novel provides a profound exploration of the legacy of World War II and the darker elements of our shared history.

It is 1961, and the rural Dutch province of Overijssel is quiet. Bomb craters have become lakes, buildings have been repaired or rebuilt, and the war is truly over. Living alone in her late mother’s country home, Isabel knows her life is as it should be—led by routine and discipline. But all is upended when her brother Louis brings his graceless new girlfriend Eva, leaving her at Isabel’s doorstep as a guest, to stay for the season.

Eva is the complete opposite of Isabel: she sleeps late, stomps around the house, and handles things she shouldn’t. In response, Isabel becomes increasingly obsessed and furious, especially as items begin to go missing around the house—a spoon, a knife, a bowl. As her suspicions grow, Isabel’s paranoia eventually leads to infatuation, culminating in a revelation that shatters everything she has ever known. It seems that the war might not truly be over, and neither Eva—nor the house they inhabit—is what they appear to be.

For my house will be called a house of devotion for all,” in Isaiah 56:7, serves as a closing that reminds us that a house not open to all is not a home.

Yael van der Wouden is a writer and a teacher. The Safekeep, her debut novel, was a finalist for the 2024 Booker Prize and has been longlisted for the 2025 Aspen Words Literary Prize. It was also named a New York Times Notable Book of the Year and a best book of the year by The Washington Post, Time, The Economist, Kirkus Reviews, The Times (London), The Independent, BookPage, and others. She lives in Utrecht, Netherlands.

When you purchase a book through one of my links, I earn a small commission that helps support my passion for reading. This contribution allows me to buy even more books to share with you, creating an incredible cycle of discovering great reads together! Your support truly makes a difference!

Enjoy a limited-time offer of 20% off your next book purchase at Bookshop.org!

As an amateur historian, I have always enjoyed historical fiction, especially when It helps us redefine the past to be more accurate. Lone Women: A Novel by Victor LaValle is a haunting new vision of the American West from the award-winning author of The Changeling. Blue skies, empty land—and enough room to hide away a horrifying secret. Or is there? I recommend this book.

When I began reading this novel, I was unsure where it was going or what might be hidden in the steamer trunk. I was unaware of this story and found this book a well-written account of forgotten history that must be told and shared with all readers. Stay the course as Lone Women: A Novel reveals the secrets in the Trunk and the fantastic story of lone women who lived in and prospered in the old West.

Lone Women is the twenty-fifth book I have read in 2023. Although I have surpassed my reading goal, I will continue to read.

The Goodreads summary provides an overview,

Adelaide Henry carries an enormous steamer trunk with her wherever she goes. It’s locked at all times. Because when the trunk is opened, people around her start to disappear…

The year is 1914, and Adelaide is in trouble. Her secret sin killed her parents and forced her to flee her hometown of Redondo, California, in a hellfire rush, ready to make her way to Montana as a homesteader. Dragging the trunk with her at every stop, she will be one of the “lone women” taking advantage of the government’s offer of free land for those who can cultivate it—except Adelaide isn’t alone. And the secret she’s tried so desperately to lock away might be the only thing keeping her alive.

Told in Victor LaValle’s signature style, blending historical fiction, shimmering prose, and inventive horror, Lone Women is the gripping story of a woman desperate to bury her past—and a portrait of early twentieth-century America as you’ve never seen.

The Jan Lilien Education Fund sponsors ongoing sustainability and environmental awareness programs. Gifts made this month; I will match dollar-for-dollar. All donations are tax-deductible.

Subscribe

Contact Us

I receive a commission when you buy a book or product using a link on this page. Thank you for supporting Sharing Jan’s Love blog.

The School for Good Mothers by Jessamine Chan is a searing page-turner that is also a transgressive novel of ideas about the perils of “perfect” upper-middle-class parenting; the violence enacted upon women by both the state and, at times, one another; the systems that separate families; and the boundlessness of love, The School for Good Mothers introduces, in Frida, an everywoman for the ages.

Although it has been forty-two years since I became a parent, I still remember the anxiety of being a father. What if I could not be a good dad? Fortunately, I never had a bad like Frida. or lived in an age where parents would be sent to “a Big Brother-like institution that measures the success or failure of a mother’s devotion.”

Reading The School for Good Mothers was a reminder that solutions like this are possible unless we are willing to invest in families so that the skills and support are there to resolve any issues in the home. As a widow, I found Frida’s inner dialogue comparable to the early stages of my grief journey—the total isolation and fear of failing dominated my first months of mourning.

The School for Good Mothers had been on my book list since the middle of last year. I recommend it without reservations! Jan would have already read it, and we would be debating its fine points.

The Goodreads summary provides an overview,

In this taut and explosive debut novel, one lapse in judgement lands a young mother in a government reform program where custody of her child hangs in the balance.

Frida Liu is struggling. She doesn’t have a career worthy of her Chinese immigrant parents’ sacrifices. She can’t persuade her husband, Gust, to give up his wellness-obsessed younger mistress. Only with Harriet, their cherubic daughter, does Frida finally attain the perfection expected of her. Harriet may be all she has, but she is just enough.

Until Frida has a very bad day.

The state has its eyes on mothers like Frida. The ones who check their phones, letting their children get injured on the playground; who let their children walk home alone. Because of one moment of poor judgment, a host of government officials will now determine if Frida is a candidate for a Big Brother-like institution that measures the success or failure of a mother’s devotion.

Faced with the possibility of losing Harriet, Frida must prove that a bad mother can be redeemed. That she can learn to be good.

Using dark wit to explore the pains and joys of the deepest ties that bind us, Chan has written a modern literary classic.

The Jan Lilien Education Fund sponsors ongoing sustainability and environmental awareness programs. Gifts made this month; I will match dollar-for-dollar. All donations are tax-deductible.

Subscribe

Contact Us

I receive a commission when you buy a book or product using a link on this page. Thank you for supporting Sharing Jan’s Love blog.

Written with subtle humor and warmth, Bryan Washington‘s Palaver weaves together the past and present across Houston, Jamaica, and Japan. This intricate story explores themes of family, love, and the beauty of coexistence. A finalist for the National Book Award for Fiction, this novel is a life-affirming tale about family, healing, and the ways we learn to love, showcasing the talent of the award-winning Bryan Washington.

In Tokyo, a young man works as an English tutor and spends his nights out with friends at a gay bar. He is involved in a sexual relationship with a married man. Although he has formed a chosen family in Japan, he and his mother, who resides in Houston, are estranged from each other. Her preference for his troubled, homophobic brother, Chris, ultimately pushed him to leave home. Then, in the weeks leading up to Christmas—ten years after they last saw each other—his mother arrives uninvited at his doorstep.

With only the son’s cat, Taro, to mediate, the two clash immediately. The mother struggles with memories of her youth in Jamaica and her complicated relationship with her brother, as she attempts to reconcile her good intentions with past mistakes. Meanwhile, the son grapples with the challenge of forgiveness. However, as life takes unexpected turns—leading the mother to form a tentative friendship with a local bistro owner and the son to connect with a new patron at the bar cautiously—they begin to see each other more clearly.

Through shared meals, conversations, and an eventful trip to Nara, both mother and son try to determine where “home” truly is and whether they can find it in one another.

Bryan Washington is the author of the story collection Lot and the novels Memorial and Family Meal. He is a National Book Award 5 Under 35 Honoree. He has won several prestigious awards, including the Dylan Thomas Prize, the NYPL Young Lions Fiction Award, the Ernest J. Gaines Award, two Lambda Literary Awards, and an O. Henry Prize.

Washington has also been a finalist for various awards, such as the National Book Critics Circle Award for Fiction, the Aspen Words Literary Prize, the Center for Fiction First Novel Prize, the Andrew Carnegie Medal of Excellence, and the James Tait Black Prize. The New York Times referred to his writing as among the 25 Most Influential Works of Postwar Queer Literature, and he was a columnist for the New York Times Magazine.

As a frequent contributor to The New Yorker and The New York Times, his writing has appeared in other notable publications, including Granta, The New York Times Magazine, New York, Time, GQ, and Esquire, among others. He lives in Tokyo.

Discover your next favorite book and dive into a world of curated, exciting reads by purchasing through my links. You’ll have access to a diverse selection of books that I’ve personally vetted to ensure quality and enjoyment. Additionally, by supporting these selections, you’ll help me continue to provide you with more personalized recommendations. I earn a small commission from your purchase, which allows me to buy and share even more books with you. Your support truly makes a difference!

Mariel Franklin‘s debut novel, “Bonding,” is electrifying, sharp, and darkly humorous. It delves into the intersections of sex, technology, and pharmaceuticals in our digitally-driven world. The protagonist, Mary, is weary from a constant cycle of casual relationships and unstable jobs. After facing yet another career setback, she decides to escape to Ibiza.

There, at a party, she meets Tom, a brilliant chemist on the verge of launching a drug made to cure the anxieties of modern life.

Back in London after a heady trip, Mary runs into her volatile and driven sort-of-ex Lara, who has channeled her ambitions into an innovative dating app designed to revolutionize the industry.

When Mary begins working for Lara and falling for Tom, tech and pharma collide with shocking consequences, forcing her to question what love and success mean in a world that is hurtling out of control. A searing, elegiac satire of the way we live and work, Mariel Franklin‘s perceptive and unnerving Bonding heralds the arrival of a blazing new talent.

Mariel Franklin lives and works in London. She has an MA in English from Edinburgh University and later went on to study fine art at Goldsmiths. After graduating, she spent several years working in data administration in the tech industry. Bonding is her first novel.

When you purchase a book through one of my links, I earn a small commission that helps support my passion for reading. This contribution allows me to buy even more books to share with you, creating an incredible cycle of discovering great reads together! Your support truly makes a difference!

Enjoy a limited-time offer of 20% off your next book purchase at Bookshop.org!