"Angel Down" by Daniel Kraus immerses readers in World War I, weaving a complex tale of survival, supernatural wonder, and moral conflict. Five soldiers on a mission to venture into the perilous No Man's Land to euthanize a wounded comrade. Instead, they discover a fallen angel. "Angel Down" was recognized as one of the New York Times' 100 Notable Books of 2025.
by Daniel Kraus
“Angel Down” by Daniel Kraus immerses readers in World War I, weaving a complex tale of survival, supernatural wonder, and moral conflict. Five soldiers on a mission to venture into the perilous No Man’s Land to euthanize a wounded comrade. Instead, they discover a fallen angel. “Angel Down” was recognized as one of the New York Times’ 100 Notable Books of 2025.
Private Cyril Bagger has survived the unspeakable horrors of the Great War by relying on his wits and deception, swindling fellow soldiers at every opportunity. However, his survival instincts are put to the ultimate test when he and four other soldiers are given a deadly mission: to venture into No Man’s Land to end the suffering of a wounded comrade.
What they find amidst the ruined battlefield, however, is not a man in need of mercy, but a fallen angel, seemingly struck down by artillery fire. This celestial being may hold the key to ending the brutal conflict, but the soldiers must suppress their individual desires and work together. As jealousy, greed, and paranoia take hold, the group is torn apart by their inner demons, threatening to transform their angelic encounter into a descent into hell.
Daniel Kraus is a New York Times bestselling author known for his novels, television, and film work. His novel Whalefall received a front-cover review in The New York Times Book Review, won the Alex Award, and was a finalist for the LA Times Book Prize. Recognized as one of the Best Books of 2023 by NPR, The New York Times, the Chicago Tribune, and several other publications.
Kraus coauthored The Shape of Water with Guillermo del Toro, based on the idea they developed for the Oscar-winning film. He also collaborated with del Toro on Trollhunters, which was adapted into the Emmy-winning Netflix series. Additionally, Kraus co-wrote The Living Dead and Pay the Piper with the legendary filmmaker George A. Romero. His novel The Death and Life of Zebulon Finch was named one of Entertainment Weekly’s Top 10 Books of the Year.
Throughout his career, Kraus has received numerous accolades, including the Bram Stoker Award, the Scribe Award, and two Odyssey Awards (for both Rotters and Scowler). He has been featured multiple times as a Library Guild selection and recognized by YALSA as a Best Fiction for Young Adults. His works have been translated into over twenty languages. Daniel Kraus resides in Chicago with his wife. Visit him at DanielKraus.com.
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by Tess Gunty
My sixtieth book this year, The Rabbit Hutch, was a page-turner that I highly recommend. The Rabbit Hutch by Tess Gunty is a debut novel that won the 2022 National Book Award for fiction. It is a novel about four teenagers—recently aged out of the state foster-care system—living together in an apartment building in the post-industrial Midwest, exploring the quest for transcendence and the desire for love.
As Viktor Frankl wrote in Man’s Search for Meaning, “love is the ultimate and highest goal to which man can aspire. Then I grasped the meaning of the greatest secret that human poetry and human thought and belief have to impart: The salvation of man is through love and in love.
Ms. Gunty’s book focuses on that ultimate and higher goal. If you can read only one book this year, I recommend The Rabbit Hutch!
“This week is the ceremony for the National Book Award, and one of the finalists is Tess Gunty, whose debut novel, The Rabbit Hutch, is a finalist in the fiction category,” said Kerry Nolan as she spoke with Ms. Gunty.
The Goodreads summary provides an overview,
The automobile industry has abandoned Vacca Vale, Indiana, leaving the residents behind, too. In a run-down apartment building on the edge of town, commonly known as the Rabbit Hutch, several people now reside quietly, looking for ways to live in a dying city. Apartment C2 is lonely and detached. C6 is aging and stuck. C8 harbors a great fear. But C4 is of particular interest.
Here live four teenagers who have recently aged out of the state foster-care system: three boys and one girl, Blandine, who The Rabbit Hutch centers around. Hauntingly beautiful and unnervingly bright, Blandine is plagued by the structures, people, and places that not only failed her but actively harmed her. Now all Blandine wants is an escape, a true bodily escape like the mystics describe in the books she reads.
Set across one week and culminating in a shocking act of violence, The Rabbit Hutch chronicles a town on the brink, desperate for rebirth. How far will its residents—especially Blandine—go to achieve it? Does one person’s gain always come at another’s expense? Tess Gunty’s The Rabbit Hutch is a gorgeous and provocative tale of loneliness and community, entrapment and freedom. It announces a major new voice in American fiction, one bristling with intelligence and vulnerability.
The Jan Lilien Education Fund sponsors ongoing sustainability and environmental awareness programs. Gifts made this month; I will match dollar-for-dollar. All donations are tax-deductible.
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by Susan Minot
Today, I began reading “Don’t Be a Stranger: A Novel” by Susan Minot, a captivating new work by the author of ‘Evening.’ Known for her lyrical prose and exploration of complex human relationships, Minot’s latest novel revolves around a woman involved in a love affair during midlife. It is a radiant tale that explores themes of erotic obsession, the desire for intimacy, communication, and oblivion, which will resonate with fans of Miranda July‘s ‘All Fours,’ a book I have also read.
Ivy Cooper is 52 years old when Ansel Fleming first enters her life. Twenty years her junior, a musician newly released from prison on a minor drug charge, Ansel’s beguiling good looks and quiet intensity instantly seduce her. Despite the gulf between their ages and experience, their physical chemistry is overpowering. Over the heady weeks and months that follow, Ivy finds her life bifurcated by his presence: On the surface, she is a responsible mother, managing the demands of friends, an ex-husband, and home, but emotionally, psychologically, sexually, she is consumed by desire and increasingly alive only in the stolen moments-out-of-time, with Ansel in her bed.
Don’t Be a Stranger is a gripping, sensual, and provocative work from one of the most remarkable voices in contemporary fiction.
by Junot Diaz
Today, I started reading Junot Diaz‘s The Brief Wondrous Life of Oscar Wao, one of The New York Times’ 100 Best Books of the Century. The book also won a Pulitzer Prize. Oscar is a sweet but disastrously overweight ghetto nerd who—from the New Jersey home he shares with his old-world mother and rebellious sister—dreams of becoming the Dominican J.R.R. Tolkien and, most of all, finding love.
But Oscar may never get what he wants. Blame the fukú—a curse that has haunted Oscar’s family for generations, following them on their epic journey from Santo Domingo to the USA. Encapsulating Dominican-American history, The Brief Wondrous Life of Oscar Wao opens our eyes to an astonishing vision of the contemporary American experience. It explores the endless human capacity to persevere—and risk it all—in the name of love.
by Liz Moore
I started reading “The God of the Woods: A Novel” by Liz Moore today. Several reviews recommended it as a great summer read. The story is set in August 1975, the same month and year my spouse Jan and I married. Liz Moore weaves a multi-threaded story, inviting readers into a rich and gripping dynasty of secrets and second chances.
The novel begins with a camp counselor discovering an empty bunk at an Adirondack summer camp belonging to thirteen-year-old Barbara Van Laar, who has mysteriously vanished. Barbara is not just any teenager; she is the daughter of the family that owns the camp and employs many residents. What makes this disappearance even more intriguing is that Barbara’s older brother went missing similarly fourteen years ago and was never found.
As the search for Barbara begins, the novel unfolds into a thrilling drama, delving into the deeply buried secrets of the Van Laar family and the blue-collar community working in its shadow. This novel is said to be Liz Moore’s most ambitious and wide-reaching work yet.
by Eiren Caffall
Today, I began reading “All the Water in the World” by Eiren Caffall. Like Station Eleven, this novel is a literary thriller set partly in New York’s American Museum of Natural History in a flooded future. In the spirit of “From the Mixed-Up Files of Mrs. Basil E. Frankweiler” and “Parable of the Sower,” this adventurous journey offers hope that the most important things—love, work, community, and knowledge—will endure.
“All the Water in the World” is narrated by a girl who profoundly appreciates water. In the years following the melting of the glaciers, Nonie, along with her older sister, parents, and their researcher friends, remains in a nearly deserted New York City. They have established a settlement on the roof of the American Museum of Natural History with a strict rule: they may only take from the exhibits in cases of dire need. They hunt and grow their food in Central Park while also working to preserve the collections of human history and science.
When a superstorm breaches the city’s flood walls, Nonie and her family must escape northward along the Hudson River. They carry a book containing records of the lost collections. As they race down the swollen river for safety, they encounter communities that have adapted in various, sometimes frightening, ways to the new reality. Despite the challenges, they are determined to create a new world that honors everything they have saved.
Inspired by the stories of curators in Iraq and Leningrad who worked to protect their collections during wartime, “All the Water in the World” mediates what we strive to preserve from collapse and an adventure filled with danger, storms, and a fight for survival.
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by Jessamine Chan
The School for Good Mothers by Jessamine Chan is a searing page-turner that is also a transgressive novel of ideas about the perils of “perfect” upper-middle-class parenting; the violence enacted upon women by both the state and, at times, one another; the systems that separate families; and the boundlessness of love, The School for Good Mothers introduces, in Frida, an everywoman for the ages.
Although it has been forty-two years since I became a parent, I still remember the anxiety of being a father. What if I could not be a good dad? Fortunately, I never had a bad like Frida. or lived in an age where parents would be sent to “a Big Brother-like institution that measures the success or failure of a mother’s devotion.”
Reading The School for Good Mothers was a reminder that solutions like this are possible unless we are willing to invest in families so that the skills and support are there to resolve any issues in the home. As a widow, I found Frida’s inner dialogue comparable to the early stages of my grief journey—the total isolation and fear of failing dominated my first months of mourning.
The School for Good Mothers had been on my book list since the middle of last year. I recommend it without reservations! Jan would have already read it, and we would be debating its fine points.
The Goodreads summary provides an overview,
In this taut and explosive debut novel, one lapse in judgement lands a young mother in a government reform program where custody of her child hangs in the balance.
Frida Liu is struggling. She doesn’t have a career worthy of her Chinese immigrant parents’ sacrifices. She can’t persuade her husband, Gust, to give up his wellness-obsessed younger mistress. Only with Harriet, their cherubic daughter, does Frida finally attain the perfection expected of her. Harriet may be all she has, but she is just enough.
Until Frida has a very bad day.
The state has its eyes on mothers like Frida. The ones who check their phones, letting their children get injured on the playground; who let their children walk home alone. Because of one moment of poor judgment, a host of government officials will now determine if Frida is a candidate for a Big Brother-like institution that measures the success or failure of a mother’s devotion.
Faced with the possibility of losing Harriet, Frida must prove that a bad mother can be redeemed. That she can learn to be good.
Using dark wit to explore the pains and joys of the deepest ties that bind us, Chan has written a modern literary classic.
The Jan Lilien Education Fund sponsors ongoing sustainability and environmental awareness programs. Gifts made this month; I will match dollar-for-dollar. All donations are tax-deductible.
I receive a commission when you buy a book or product using a link on this page. Thank you for supporting Sharing Jan’s Love blog.
