Yesterday, I went to the cemetery for the High Holidays, the first time I did the visit without Jan. In the past, I could hold her hand, hug her when her body language indicated she needed one, and give her a kiss when we were leaving.
The High Holidays have helped me to think more clearly, and having cast out my sins that I may or may not have committed against the love of my life allowed for a franker discussion.
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by Hisham Matar'
Today, I started reading Hisham Matar’s “My Friends: A Novel.” It is a finalist for the 2024 National Book Award for Fiction and the winner of the Orwell Prize for Political Fiction. This novel explores themes of friendship, family, and the harsh realities of exile. Hisham Matar is also the Pulitzer Prize-winning author of “The Return.” The pages on my Kindle App on my iPad fly like autumn’s falling leaves.
One evening, a young boy named Khaled, growing up in Benghazi, hears a captivating short story read aloud on the radio. The story, about a man being eaten alive by a cat, leaves an indelible mark on Khaled, igniting a lifelong fascination with the power of words and the enigmatic author, Hosam Zowa. This transformative experience sets Khaled on a journey that will lead him far from home to the University of Edinburgh to pursue a life of the mind.
In a new and unfamiliar environment, Khaled finds himself far from his familiar life in Libya. His resilience is tested when he attends a protest against the Qaddafi regime in London. The event turns into a tragedy, leaving Khaled injured and unable to leave Britain. Despite the danger posed by monitored phone lines, his determination to communicate his situation to his parents is a testament to his strength.
When Khaled has a chance encounter with Hosam Zowa, the author of a life-changing short story, at a hotel, Khaled begins the most profound friendship of his life. This friendship sustains him and eventually compels him, as the Arab Spring unfolds, to confront complex tensions between revolution and safety, family and exile, and how to define his sense of self concerning those closest to him.
A profound exploration of friendship and family and how time can test and fray these bonds, ‘My Friends‘ is a work of literature that resonates with its readers. Hisham Matar’s novel is not just a story but an achingly beautiful reflection on life and relationships crafted by an author at the peak of his powers.
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by Margaret Atwood
Surfacing by Margaret Atwood was a book I picked up on a random walk around the house. I had read The Handmaid’s Tale but was not ready to read The Testaments.
This book is a detective novel as well as a psychological thriller. A talented woman artist goes in search of her missing father on a remote island in northern Quebec. She had grown up on the island, and the journey includes her lover and another young married couple. When they arrive, the isolation and obsession of the artist shape all of their lives in unexpected ways. The marriage begins to fall apart, violence and death lurk just beneath the surface, and sex becomes a catalyst for conflict and dangerous choices.
Goodreads describes the book as,
Surfacing is a work permeated with an aura of suspense, complex with layered meanings, and written in brilliant, diamond-sharp prose. Here is a rich mine of ideas from an extraordinary writer about contemporary life and nature, families, and marriage, and about women fragmented… and becoming whole.
I also found myself captivated by the many layers of the book the search for her father, and the psychological impact on all four of them.
by Brit Bennett
The Vanishing Half by Brit Bennett was a true page-turner, and I did not want to stop reading it even when I got to the last page. I am not a fan of sequels, but if I was ever going to change my mind, this is the book I would want to read a sequel.
Ms. Bennett focuses on two twins who run away from home at age 16. They have grown up in Mallard, a fictional town in Louisiana. “In Mallard, nobody married dark,” Bennett writes starkly. Over time, its prejudices deepened as its population became lighter and lighter, “like a cup of coffee steadily diluted with cream.” The twins, with their “creamy skin, hazel eyes, wavy hair,” would have delighted the town’s founder. One of the women chooses to pass as white while the other does not.
The Vignes twin sisters will always be identical. But after growing up together in a small, southern black community and running away at age sixteen, it’s not just the shape of their daily lives that is different as adults, it’s everything: their families, their communities, their racial identities. Many years later, one sister lives with her black daughter in the same southern town she once tried to escape. The other passes for white, and her white husband knows nothing of her past. Still, even separated by so many miles and just as many lies, the fates of the twins remain intertwined. What will happen to the next generation, when their own daughters’ storylines intersect?
Weaving together multiple strands and generations of this family, from the Deep South to California, from the 1950s to the 1990s, Brit Bennett produces a story that is at once a riveting, emotional family story and a brilliant exploration of the American history of passing. Looking well beyond issues of race, The Vanishing Half considers the lasting influence of the past as it shapes a person’s decisions, desires, and expectations, and explores some of the multiple reasons and realms in which people sometimes feel pulled to live as something other than their origins.
The question of why people choose to live differently than their origins is one that I often ponder. Growing up in a small town and living in a metropolis raises questions for me as to what my life is now and what was once.
I strongly recommend this book.
by Annie Ernaux
Annie Ernaux, the winner of the 2022 Nobel Prize in Literature, is the author of “The Young Man,” which chronicles her passionate love affair with A., a man about 30 years her junior, while she was in her fifties. This relationship prompts her to reflect on her own youth while also making her feel ageless, as if she is living her life in reverse.
Amidst talk of having a child together, she feels time running its course, and menopause approaching. The Young Man recalls Ernaux as the “scandalous girl” she once was, but is composed with the mastery and the self-assurance she has achieved across decades of writing. The book was published in France in 2022
Annie Ernaux, the winner of the 2022 Nobel Prize in Literature, is the author of approximately twenty works of fiction and memoir. She received the Prix Renaudot for her book A Man’s Place and the Marguerite Yourcenar Prize for her body of work. Additionally, she has won the International Strega Prize and the French-American Translation Prize and was shortlisted for the Man Booker International Prize for her book The Years. In 2019, Ernaux was awarded the Prix Formentor. She is now recognized as France’s most important literary voice and is the first French woman to win the Nobel Prize in Literature.
Alison L. Strayer is a Canadian writer and translator whose work has been shortlisted for the Governor General’s Award for Literature and Translation, the Grand Prix du livre de Montréal, and the Prix littéraire France-Québec. She currently resides in Paris.
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by Mary Lawson
Crow Lake by Mary Lawson is set in northern Ontario’s rural “badlands.” The badlands are where heartbreak and hardship are mirrored in the landscape of the farming Pye family. Crow Lake is that rare find, a first novel so quietly assured, so emotionally pitch-perfect, you know from the opening page that this is the real thing – a literary experience in which to lose yourself, by an author of immense talent.
Crow Lake was a page-turner for me once I read the prologue.
Two families dominate the story.
On the one hand, it is the Greek tragedy of the Pye family. On their farm, “the sins of the fathers are visited on the sons, and terrible events occur—offstage.”
Kate Morrison has left her two brothers and sister at the lake to become a zoologist. The four siblings lost their parents and struggled to remain together. Their “tragedy looks more immediate if less brutal, but is, in reality, insidious and divisive.
As Goodreads describes the novel,
In this universal drama of family love and misunderstandings, of resentments harbored and driven underground, Lawson ratchets up the tension with heartbreaking humor and consummate control, continually overturning one’s expectations right to the very end. Tragic, funny, unforgettable, this deceptively simple masterpiece about the perils of hero worship leaped to the top of the bestseller lists only days after being released in Canada and earned glowing reviews in The New York Times and The Globe and Mail, to name a few.
I highly recommend this novel and am looking forward to reading more from Mary Lawson.
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by Sean Michaels
I started reading “Do You Remember Being Born?” by Sean Michaels, a writer who won the Scotiabank Giller Prize. The novel is about an aging poet named Marian Ffarmer, a legend in the world of poetry. However, despite her success, she struggles with financial issues and her son’s inability to buy a house. Marian has sacrificed her personal relationships and happiness to pursue her career but questions whether it is worth it.
One day, she receives an invitation from a Tech Company to travel to California and work with their poetry AI, Charlotte. The company wants her to co-author a poem with their bot in a historic partnership, which clashes with Marian’s beliefs about the individual pursuit of art. However, she decides to take this opportunity, even though it makes her feel like a sell-out and a skeptic. The encounter in California changes her life, work, and understanding of kinship.
The book explores the nature of language, art, labor, capital, family, and community. It’s a response to some of the most disquieting questions of our time. The author, Sean Michaels, is a winner of the Scotiabank Giller Prize, and his book is a love letter to and interrogation of the creative legacy. It’s a joyful recognition that belonging to one’s art must mean belonging to the world to survive meaningfully.
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