“Yesteryear” by Caro Claire Burke has been recognized as one of The New York Times’ Best Books of the Year (So Far). The story follows a traditional American woman, a “tradwife” influencer, who suddenly finds herself in the harsh reality of 1855. She must figure out whether this living nightmare is an elaborate hoax, a twisted reality show, or something far more sinister in this sensational debut novel.

My name was Natalie Heller Mills, and I was perfect at being alive.

Natalie lives a traditional lifestyle. Her charming farmhouse is rustic; her husband, a handsome cowboy; her six children, each more delightful than the last. So what if there are nannies and producers behind the scenes, her kitchen hiding industrial-grade fridges and ovens, her husband the heir to a political dynasty? What Natalie’s followers—all 8 million of them—don’t know won’t hurt them. And The Angry Women? The privileged, Ivy League, coastal elite haters who call her an antifeminist iconoclast? They’re sick with jealousy. Because Natalie isn’t simply living the good life, she’s living the ideal—and just so happens to be building an empire from it.

Until one morning, she wakes up in a life that isn’t hers. Her home, her husband, her children—they’re all familiar, but something’s off. A sputtering fire rather than electricity warms her kitchen, her children are dirty and strange, and her soft-handed husband is suddenly a competent farmer.

Just yesterday, Natalie was curating photos of homemade jam for her Instagram, and now she’s expected to haul firewood and hand-wash clothes until her fingers bleed. Has she become the unwitting star of a ruthless reality show? Could it really be time travel? Is she being tested by God? By Satan? When Natalie suffers a brutal injury in the woods, she realizes two things: This is not her beautiful life, and she must escape by any means possible.

A gripping, electrifying novel that is as darkly funny as it is frightening, Yesteryear is a gimlet-eyed look at tradition, fame, faith, and the grand performance of womanhood.

Caro Claire Burke earned her Master’s in Fine Arts from the Bennington Writing Seminars. She co-hosts Diabolical Lies, a politics and culture podcast. Yesteryear is her debut novel.

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“Transcription” by Ben Lerner has been named one of The New York Times’ Best Books of the Year (So Far). Hailed as “the most talented writer of his generation” by The New York Times Magazine, Lerner presents a gripping emotional drama that also serves as a brilliant exploration of the digital and literary devices we use to store or erase our memories.

The narrator of Ben Lerner‘s new novel has traveled to Providence, Rhode Island, to conduct what will be the final published interview with Thomas, his ninety-year-old mentor and the father of his college friend Max. Thomas is a giant in the arts who seems to hail from the future and the past simultaneously and who reenchants the air when he speaks. But the narrator drops his smartphone in the hotel sink. He arrives at Thomas’s house without a recording device, a fact he is mysteriously unable to admit.

What unfolds from this dreamlike circumstance is the unforgettable story of the triangle formed by Thomas, Max, and the narrator, as well as an exploration of fathers and sons, male friendship and rivalry, and the challenges of parenting in a burning world. One of the first great novels about the early days of COVID, it is also a brilliant meditation on those technologies that enrich or impoverish our connection to one another, that store or obliterate memory. Full of startling insight, but summoning the intensity of a séance, Lerner’s writing shows us how the air is full of messages, full of ghosts. Ultimately, Transcription demonstrates what only a work of fiction can record.

Ben Lerner is the author of several poetry and prose books, as well as collaborative works with visual artists. He has received fellowships from the Fulbright, Guggenheim, and MacArthur Foundations. Lerner has been a finalist for the National Book Award for Poetry and the Pulitzer Prize for Fiction, along with many other honors. He is a Distinguished Professor of English at Brooklyn College.

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Max Porter‘s extraordinary debut, “Grief Is the Thing with Feathers,” is a unique blend of novella, polyphonic fable, and essay about grief. Combining compassion with a bold writing style, it delivers a powerful impact. Filled with sharp humor and deep insights, this haunting and original work introduces an important new talent. The book will be released as a major motion picture titled “The Thing with Feathers,” starring Benedict Cumberbatch.

Here he is, husband and father, scruffy romantic, a shambolic scholar–a man adrift in the wake of his wife’s sudden, accidental death. And there are his two sons, who, like him, struggle in their London apartment to face the unbearable sadness that has engulfed them. The father imagines a future of well-meaning visitors and emptiness, while the boys wander, savage and unsupervised.

In this moment of violent despair, they are visited by Crow–antagonist, trickster, goad, protector, therapist, and babysitter. This self-described “sentimental bird,” at once wild and tender, who “finds humans dull except in grief,” threatens to stay with the wounded family until they no longer need him. As weeks turn to months and the pain of loss lessens with the balm of memories, Crow’s efforts are rewarded, and the little unit of three begins to recover: Dad resumes his book about the poet Ted Hughes; the boys get on with it, grow up.

Max Porter is a publishing professional who lives in South London with his wife and children. “Grief Is the Thing with Feathers” is his debut book.

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“The Ending Writes Itself” is a captivating debut mystery by Evelyn Clarke, masterfully created by Cat Clarke and V.E. Schwab. Stephen King has described it as “a contender for the best mystery of 2026. The book features an abundance of beloved mystery tropes and wonderfully evokes the charm of Agatha Christie.” In this story, six authors are on a private island, where they have seventy-two hours to write an ending that will change their lives.

Arthur Fletch, one of the world’s bestselling novelists, is a reclusive genius known for his iconic protagonists and fiendish twists. When six struggling authors are invited to spend a weekend on his private Scottish island, they arrive to discover a shocking secret: Arthur Fletch is dead . . . and his last book is unfinished.

Desperate to publish the novel, Fletch’s agent and editor have summoned these writers in the hope that one of them will imagine a worthy ending for this final book. To sweeten the deal, they are offering an irresistible prize: in addition to ghost-writing the last chapter––for a mind-boggling sum––they will also help the lucky writer successfully re-launch their own career, guaranteeing future bestsellers. The catch: the writers have just seventy-two hours to finish Fletch’s magnum opus.

It’s the perfect plot. All it needs is a killer ending.

On an unusually warm evening in Edinburgh, Scotland (contrary to the cliché of a dark and stormy night), New York Times bestselling author V.E. Schwab proposed a bold idea to her longtime friend and screenwriter, Cat Clarke: that they should write a book together.

V.E. Schwab had already made a significant name for herself, having written more than twenty books, including the Shades of Magic series, The Invisible Life of Addie LaRue, and Bury Our Bones in the Midnight Soil. She had previously vowed never to co-write a novel, especially one outside the realm of fantasy.

Meanwhile, Cat Clarke, who had experienced a tumultuous career as an editor and had authored several young adult novels, including Girlhood and Entangled, had left the publishing industry for the even more unpredictable world of film, swearing she would never return to writing books. However, fate—and an irresistible idea—turned them both into liars that night.

As they transitioned from tea to something stronger, Evelyn Clarke was born.

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“The Future Is Peace: A Shared Journey Across the Holy Land” explores the experiences of two lifelong peace activists, Aziz Abu Sarah and Maoz Inon, who serve as guides in Israel and Palestine. Both have personally endured loss due to the ongoing conflict. They lead readers on a profound and transformative journey through this sacred yet tumultuous land, revealing the historical, political, and personal narratives that both divide and connect their communities and peoples.

“We do not see ourselves as Palestinians and Israelis, or as Jews and Arabs, but as human beings who believe in fostering a culture of dialogue, a culture of forgiveness, and a culture of peace. To those who see only division lines, we say: If you must divide us, let it be as those who believe in peace and equality and those who don’t… yet.”

Palestinian Aziz Abu Sarah and Maoz Inon forged a bond of brotherhood when the world expected them to be enemies. Both have lost family to the conflict. Both have known the bitterness of righteous anger. Yet, they chose a different path.

In The Future Is Peace, Sarah and Inon take readers on a transformative weeklong journey across a sacred and bloodstained land. Facing competing narratives, they explore how compassion and unity can pull humanity back from the precipice of blind hatred. Throughout their travels, they have been asked again and again: In the face of so much loss, how can we ever find hope? Their answer is always the same. One cannot find hope. We must create it.

This book is a rebuttal to a broken world and a bold challenge to the belief that more violence can ever bring security. Told with unflinching honesty, their story is proof that peace is not a naive dream, but a courageous choice—for reconciliation to heal the wounds of revenge, for partnerships to change a destiny of war, and for empathy to save us from drowning in sorrow.

Pairing unapologetic candor with inspirational prose, Sarah and Inon are sending an urgent message: the people have the power to make change. Peace is inevitable. For Palestinians, for Israelis, and for the world that awaits their example, it is not just possible—it is the future.

Aziz Abu Sarah serves as Co-CEO of InterAct International, a nonprofit organization dedicated to promoting peace in the Middle East. He is a peacebuilder, entrepreneur, National Geographic Explorer, TED Fellow, and a respected speaker and trainer in conflict resolution and responsible travel.

Aziz is also the co-founder of MEJDI Tours, a travel company aiming to transform tourism into a powerful tool for citizen diplomacy. He has received numerous accolades, including awards from the United Nations, the Institute of International Education, and the Explorers Club.

Recognized as one of the world’s 500 most influential Muslims by the Royal Islamic Strategic Studies Center in Jordan, Aziz has contributed opinion pieces to prominent publications such as The New York Times, The Washington Post, Al-Quds, and Haaretz.

Maoz Inon is the Co-CEO of InterAct International, a nonprofit organization dedicated to promoting peace in the Middle East. He is a peace activist from Israel and an entrepreneur. In recognition of his efforts, he has received the prestigious Franco-German Human Rights Prize and the Shared Living Award from Abraham Initiatives.

He has spoken before audiences on Capitol Hill, at universities across the United States, and in the European Parliament. Additionally, Inon has contributed articles to various publications, including The Washington Post, Al Jazeera, and Haaretz.

He has also founded several initiatives aimed at fostering peace in Israel and the Middle East, including the Jesus Trail, Fauzi Azar Inn, and the Abraham Hostel & Tour brands.

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“The Witch” by Marie Ndiaye, the recipient of the Gold Medal in the Arts from the Kennedy Center International Committee on the Arts, is shortlisted for the International Booker Prize. In a small, sleepy town, a mediocre witch in a lackluster marriage attempts to pass on her gifts to her twin daughters, who quickly prove to possess abilities far greater than her own.

Lucie comes from a long line of witches, with powers passed down from mother to daughter. Many of them have hidden or repressed their gifts to appease disgusted or fearful men. But against the wishes of her controlling husband, Lucie initiates her twins into their family’s peculiar womanhood when they reach the age of twelve. In a few short months, Maud and Lise are crying rich crimson tears, their powers quickly becoming more potent than their mother’s, opening them to liberation and euphoria beyond what Lucie and her foremothers ever considered.

Equal parts dreamlike and disquieting, The Witch tells a tale as old as time, with a dark twist: Without looking back, children fly the nest, laying bare the tenuous threads of family that have long threatened to snap. With simmering tension and increasing panic, NDiaye’s latest novel in English captures the terror and precarity of motherhood and marriage, and the uncertainty of slowly realizing that your progeny are more dangerous—to the world and to your heart—and freer than you ever could have dreamed.

Marie Ndiaye was born in Pithiviers, France. She is the author of Rosie Carpe, winner of the Prix Femina, and of Three Strong Women, winner of the Prix Goncourt. Her recent novel, Vengeance is Mine, was a finalist for the National Book Critics Circle Award for Fiction. She is also the recipient of the Kennedy Center International Committee on the Arts Gold Medal. She lives in Paris.

Translated by Jordan Stump.

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Annie Ernaux, the winner of the 2022 Nobel Prize in Literature, is the author of “The Young Man,” which chronicles her passionate love affair with A., a man about 30 years her junior, while she was in her fifties. This relationship prompts her to reflect on her own youth while also making her feel ageless, as if she is living her life in reverse.

Amidst talk of having a child together, she feels time running its course, and menopause approaching. The Young Man recalls Ernaux as the “scandalous girl” she once was, but is composed with the mastery and the self-assurance she has achieved across decades of writing. The book was published in France in 2022

Annie Ernaux, the winner of the 2022 Nobel Prize in Literature, is the author of approximately twenty works of fiction and memoir. She received the Prix Renaudot for her book A Man’s Place and the Marguerite Yourcenar Prize for her body of work. Additionally, she has won the International Strega Prize and the French-American Translation Prize and was shortlisted for the Man Booker International Prize for her book The Years. In 2019, Ernaux was awarded the Prix Formentor. She is now recognized as France’s most important literary voice and is the first French woman to win the Nobel Prize in Literature.

Alison L. Strayer is a Canadian writer and translator whose work has been shortlisted for the Governor General’s Award for Literature and Translation, the Grand Prix du livre de Montréal, and the Prix littéraire France-Québec. She currently resides in Paris.

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Today, I dove into “Audition” by Katie Kitamura, and I’m already hooked! This gripping novel explores a woman’s journey as she navigates what could be the performance of her lifetime—and perhaps even two. It’s both exhilarating and disorienting, much like a Möbius strip that challenges our understanding of the people we cherish. I can’t wait to see where this story takes me!

The narrative begins with two people meeting for lunch in a Manhattan restaurant. She is an accomplished actress in rehearsals for an upcoming premiere, while he is an attractive, troubled young man—young enough to be her son. What is his relationship to her, and how does she see him?

In this compulsively readable and brilliantly crafted novel, two competing narratives unfold, challenging our understanding of the roles we play in life – whether as partners, parents, creators, or muses – and revealing the truths that each performance conceals, particularly from those who believe they know us best.

Taut and hypnotic, “Audition” showcases Katie Kitamura‘s virtuosic writing at its finest.

Katie Kitamura is the author of four previous novels, most recently A Separation and Intimacies, which was longlisted for the National Book Award and the PEN/Faulkner Award and was a finalist for a Joyce Carol Oates Prize. She is a recipient of the Rome Prize in Literature, a Lannan fellowship, and many other honors, and her work has been translated into twenty-one languages. She teaches in the creative writing program at New York University.

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“Angel Down” by Daniel Kraus immerses readers in World War I, weaving a complex tale of survival, supernatural wonder, and moral conflict. Five soldiers on a mission to venture into the perilous No Man’s Land to euthanize a wounded comrade. Instead, they discover a fallen angel. “Angel Down” was recognized as one of the New York Times’ 100 Notable Books of 2025.

Private Cyril Bagger has survived the unspeakable horrors of the Great War by relying on his wits and deception, swindling fellow soldiers at every opportunity. However, his survival instincts are put to the ultimate test when he and four other soldiers are given a deadly mission: to venture into No Man’s Land to end the suffering of a wounded comrade.

What they find amidst the ruined battlefield, however, is not a man in need of mercy, but a fallen angel, seemingly struck down by artillery fire. This celestial being may hold the key to ending the brutal conflict, but the soldiers must suppress their individual desires and work together. As jealousy, greed, and paranoia take hold, the group is torn apart by their inner demons, threatening to transform their angelic encounter into a descent into hell.

Daniel Kraus is a New York Times bestselling author known for his novels, television, and film work. His novel Whalefall received a front-cover review in The New York Times Book Review, won the Alex Award, and was a finalist for the LA Times Book Prize. Recognized as one of the Best Books of 2023 by NPR, The New York Times, the Chicago Tribune, and several other publications.

Kraus coauthored The Shape of Water with Guillermo del Toro, based on the idea they developed for the Oscar-winning film. He also collaborated with del Toro on Trollhunters, which was adapted into the Emmy-winning Netflix series. Additionally, Kraus co-wrote The Living Dead and Pay the Piper with the legendary filmmaker George A. Romero. His novel The Death and Life of Zebulon Finch was named one of Entertainment Weekly’s Top 10 Books of the Year.

Throughout his career, Kraus has received numerous accolades, including the Bram Stoker Award, the Scribe Award, and two Odyssey Awards (for both Rotters and Scowler). He has been featured multiple times as a Library Guild selection and recognized by YALSA as a Best Fiction for Young Adults. His works have been translated into over twenty languages. Daniel Kraus resides in Chicago with his wife. Visit him at DanielKraus.com.

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I began reading “You Are Here: A Novel” by David Nicholls today. The book, written by the internationally bestselling and Booker Prize-longlisted author of One Day, is an uplifting love story about second chances. It revolves around the idea I learned from grief: sometimes, one must get lost to find their way. The main character, Michael, struggles to cope with the aftermath of his wife’s departure.

He seeks comfort in solitary walks across the English countryside and becomes increasingly reclusive, trying to escape the emptiness of his home.

Meanwhile, Marnie is feeling stuck. She isolates herself in her London flat, avoiding old friends and reminders of her selfish ex-husband. She spends her time with books, battling the feeling that life is passing her by.

A mutual friend and some unpredictable weather bring Michael and Marnie together on a ten-day hike, which both are not thrilled about. However, they find exactly what they’ve been searching for during the journey.

As they stand at the threshold of a promising future, Michael and Marnie’s journey becomes a testament to the resilience of the human spirit.

By bestselling author David Nicholls, “You Are Here” is a hilarious, hopeful, and heartwarming love story. It is a bittersweet and hopeful tale of first encounters, second chances, and finding the way home.

I recently started reading “The Heat Will Kill You First” by Jeff Goodell, which delves into the extreme ways our planet is already changing. The book explores how spring is arriving earlier and fall is arriving later and how this will impact our food supply and disease outbreaks. As I have stated in my Action Alert: EPA’s Carbon Rule, the time to act is now.

The book also predicts the consequences of summer days in cities like Chicago and Boston, reaching temperatures as high as 110°F. Goodell explains that heat waves are used only to affect the most vulnerable people, but as they become more intense and familiar, they will affect everyone.

It is becoming increasingly clear that the world is facing a new reality. In California, wildfires are now seasonal, while the Northeast is experiencing less and less snow each winter. Meanwhile, the Arctic and Antarctic ice sheets are melting alarmingly. Heat is the primary threat that is driving all other impacts of the climate crisis. As temperatures rise, it exposes weaknesses in our governments, politics, economy, and values.

The basic science is straightforward: If we stop burning fossil fuels tomorrow, the global temperature will also stop rising. However, if we wait for 50 years to stop burning them, the temperature will continue to rise, making parts of our planet uninhabitable. The responsibility to act is in our hands. The hotter it gets, the more our underlying issues will surface and expand.

Jeff Goodell has been an award-winning journalist in the field of environmental reporting for several decades. His latest book explains how extreme heat will cause significant changes in the world. The book is an excellent blend of scientific insights and on-the-ground storytelling, and Goodell explores some of the most significant questions surrounding the topic. He reveals that extreme heat is a force we have yet to comprehend fully.

The Jan Lilien Education Fund sponsors ongoing sustainability and environmental awareness programs. Gifts made this month; I will match dollar-for-dollar. All donations are tax-deductible.

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“The Book of I” by David Greig is a remarkable debut novel from Scotland, shortlisted for both the Highland Book Prize and the Bookmark Book Festival Book of the Year. This unique work offers a philosophical exploration of themes such as guilt, redemption, humanity, love, and the beliefs we hold dear. Told with humor and enhanced by sharply vivid dialogue, David Greig skillfully bridges the gap between our contemporary world and the past.

Set in the year 825 CE, the story unfolds in the aftermath of a brutal attack by northern raiders, leaving an unlikely trio as the sole survivors on a remote Scottish island. The survivors include Brother Martin, a young monk who is the only member of the local monastery to escape martyrdom; Una, a beekeeper and mead maker who has freed herself from her violent husband during the chaos; and Grimur, an aging Norseman who digs himself out of a makeshift grave where his fellow raiders had left him, believing him to be dead.

As the seasons change in this wild and isolated environment, their initial distrust of one another evolves into a complex exploration of the distances and connections among them. “The Book of I” is a unique novel that serves as a philosophical commentary on guilt, redemption, humanity, love, and the beliefs we choose to embrace.

David Greig is a renowned Scottish writer whose plays have been performed extensively across the UK and internationally. His notable works for the theatre include The Strange Undoing of Prudencia Hart, Touching the Void, Midsummer, The Events, Charlie and the Chocolate Factory, Local Hero, and Macbeth (also known as Dunsinane). He served as the Artistic Director of Edinburgh’s Lyceum Theatre from 2015 to 2025. The Book of I marks his debut novel.

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Today, I began reading The Covenant of Water, the long-awaited new novel by Abraham Verghese, the author of the significant word-of-mouth bestseller Cutting for Stone, which has sold over 1.5 million copies in the United States alone and remained on the New York Times bestseller list for over two years. The Covenant of Water was a holiday gift from Mike, Elyssa, Nick, and Wes.

From 1900 to 1977, The Covenant of Water is set in Kerala, on South India’s Malabar Coast. It follows three generations of a family that suffers a peculiar affliction: in every generation, at least one person dies by drowning—and in Kerala, water is everywhere. At the turn of the century, a twelve-year-old girl from Kerala’s long-existing Christian community, grieving the death of her father, is sent by boat to her wedding, where she will meet her forty-year-old husband for the first time. From this unforgettable new beginning, the young girl—and future matriarch, known as Big Ammachi—will witness unthinkable changes throughout her extraordinary life, full of joy and triumph as well as hardship and loss, her faith and love the only constants.

A shimmering evocation of a bygone India and of the passage of time itself, The Covenant of Water is a hymn to progress in medicine and human understanding and a humbling testament to the difficulties undergone by past generations for the sake of those alive today. It is one of the most masterful literary novels published in recent years.

The Jan Lilien Education Fund sponsors ongoing sustainability and environmental awareness programs. Regarding gifts made this month, I will match dollar for dollar. All donations are tax-deductible.

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