Wind Sculpture
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by Marlen Haushofer
Yesterday, I read “Killing Stella,” written by Marlen Haushofer and translated by Shaun Whiteside, which is a domestic horror story that culminates in an apocalyptic ending. This novella captures many of the themes present in Haushofer’s acclaimed novel, “The Wall,” presenting them within a claustrophobic, gothic, and striking narrative. It offers a gripping and incisive exploration of a fractured marriage, highlighting the remarkable talent of the author of “The Wall,” now available in English for the first time.
Main description: Left alone for the weekend while her husband and two children visit her in-laws, the narrator of “Killing Stella” recounts the addition of her friend’s daughter, Stella, to their already tense and tumultuous household. As she stares out the window at her garden, she worries about a baby bird in the linden tree, her husband Richard, who flits from one adulterous affair to another, her son’s gloomy demeanor, and her daughter’s obliviousness to everything. Most of all, she worries about Stella, a confused teenager who has met a sudden and disastrous end.
Marlen Haushofer (1920–1970) was an Austrian author known for her short stories, novels, radio plays, and children’s books. Her work has significantly influenced many German-speaking writers, including Nobel Prize winner Elfriede Jelinek, who dedicated one of her plays to Haushofer. One of her most notable works, “The Wall“, was adapted into a film in 2012, directed by Julian Pölsler and starring Martina Gedeck.
Shaun Whiteside is known for his translations of classic works from German, including those by Freud, Musil, and Nietzsche.
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by Andrea Cohen
Today, I explored “The Sorrow Apartments,” the eighth collection of poems by poet Andrea Cohen. Renowned poet Christian Wiman accurately describes Cohen’s work as a “cumulative force,” showcasing her deep attention, genuine intelligence, and soul. Cohen’s distinctive talents are featured in this collection, complemented by her characteristic sly humor, unwavering conciseness, and surprising moments of profound wisdom.
It’s astonishing how swiftly Cohen transports us:
Bunker
What would I
think, coming
up after
my world
had evaporated?
I’d wish
I were water.
The Sorrow Apartments house a collection of sparse and haunting poetry, each piece a captivating narrative of mystery, grief, and awe. These poems transport us not just across time but also through a spectrum of emotions. Cohen’s unique approach to illumination is evident in “Acapulco,” where an unanticipated companion muses, “as men tend to, / the stars comprising Orion’s belt — / as if it were the lustrous sparks and not / the leveling dark that connects us.” For a poet often deemed unfashionable, Cohen’s work proves that unfashionable can be beautiful.
by Ann Patchett
Today, I began reading Tom Lake by Ann Patchett. The novel beautifully explores family, love, and growing up. Patchett once again proves herself as one of America’s finest writers. Both hopeful and mournful, it explores happiness even when the world falls apart.
The story follows Lara’s three daughters as they return to the family’s orchard in Northern Michigan in the spring of 2020. While picking cherries, they ask their mother about Peter Duke, a famous actor with whom she had a romance years before at a theater company called Tom Lake.
As Lara reminisces, her daughters confront their own lives and relationships with their mother, leading them to reevaluate everything they thought they knew. With its hopeful and mournful tone, the novel is a testament to the transformative power of understanding what happiness truly means, even amid chaos. Patchett’s compelling narrative artistry and profound insights into family dynamics weave a rich and luminous story, showcasing why she is one of our time’s most revered and acclaimed literary talents.
I have also read Patchett’s Bel Canto, a compelling tale that explores themes of strength, vulnerability, love, and confinement. It ultimately tells an inspiring story of transcendent romance.
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by Philip Roth
Today, I started reading The Human Stain: A Novel by Philip Roth. This book is considered a masterpiece and has earned its place among The New York Times’ 100 Best Books of the 21st Century. The story takes place in 1998, a significant year marked by a presidential impeachment that affected the entire nation. In a peaceful New England town, the respected classics professor Coleman Silk is forced into retirement due to false accusations of racism by his colleagues.
This accusation triggers a series of events that bring to light shocking revelations about Coleman, revelations that carry a profound societal significance. Coleman Silk harbors a secret, a secret that is not about his affair with Faunia Farley, a woman half his age with a troubled past, or the alleged racism that led to his downfall at the college where he was once a respected dean. It’s not even about misogyny, despite Professor Delphine Roux’s attempts to portray him as such. Coleman’s true secret, a secret he has guarded for fifty years from everyone in his life, including his wife, children, colleagues, and friends, is a defining aspect of his character and his relationships.
The Human Stain is a compelling portrayal of 1990s America, a time of clashing moralities and ideological divisions. Through public denunciations and rituals of purification, it delves into how the nation’s destiny and the ‘human stain’ that marks human nature shape the lives of postwar Americans. This potent and captivating novel is a fitting continuation of Philip Roth‘s earlier works, each set in a distinct historical period.
by Rabih Alameddine
“The True True Story of Raja the Gullible (and His Mother)” is a wonderfully unique and vibrant celebration of love. Written by Rabih Alameddine, a National Book Award finalist and winner of the PEN/Faulkner Award for Fiction, “The True True Story of Raja the Gullible (and His Mother)” is a tragicomic love story set in Lebanon. It explores the modern saga of family, memory, and the unbreakable bond between a son and his mother.
In a small apartment in Beirut, sixty-three-year-old Raja and his mother live side by side. A beloved high school philosophy teacher and “the neighborhood homosexual,” Raja enjoys books, meditative walks, order, and solitude. Meanwhile, his octogenarian mother, Zalfa, feels that Raja’s desire for privacy is a personal affront. She demands to know every detail of his work and love life, disregarding his boundaries.
When Raja receives an invitation to an all-expenses-paid writing residency in America, it couldn’t come at a better time. It arrives on the heels of a series of personal and national disasters that have left him longing for peace, away from his mother and the turmoil of Lebanon. However, what initially seems like a stroke of luck soon forces Raja to confront and relive the very disasters and past betrayals he wishes to forget.
Told in Raja’s irresistible, wickedly funny voice, the novel traverses six decades, narrating the unforgettable story of a singular life and its absurdities—a tale of mistakes, self-discovery, trauma, and perhaps even forgiveness.
Rabih Alameddine is the author of several acclaimed works, including the novels “The Wrong End of the Telescope“, “Angel of History“, “An Unnecessary Woman“, “The Hakawati“, “I, the Divine“, and “Koolaids“. He also wrote a collection of stories titled “The Perv” and a nonfiction work called “Comforting Myths”.
Alameddine has received numerous awards for his writing, including the PEN/Faulkner Award for Fiction, and he was a finalist for the National Book Award. In 2019, he was honored with the Dos Passos Prize, received a Lannan Award in 2021, and was awarded the Bill Whitehead Lifetime Achievement Award in 2025.
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by Helen Garner
Today, I began reading Monkey Grip: A Novel by Helen Garner. It’s a book that launched the career of one of Australia’s most celebrated writers. The story follows the infatuations of a young, single mother fascinated by the excesses of Melbourne’s late-70s counterculture. Monkey Grip is a seminal novel about Australia’s turbulent 1970s, including communal households, music, friendships, children, love, drugs, and sex.
Helen Garner is a renowned novelist, short-story writer, and journalist. She’s best known for her frank, unsparing, and intricate portrayals of Australian life, often drawn from the pages of her journals and diaries. A new US edition of her debut novel, which establishes Garner’s masterful and quietly radical literary voice, is now available.
The novel is set in Australia during the late 1970s and tells the story of Nora, a single mother and writer. Nora navigates Melbourne’s bohemian underground with her young daughter, Gracie, in tow. Nora falls in love with Javo, a flighty man trapped in his addiction. As their relationship disintegrates, Nora struggles to wean off a love that feels impossible to live without.
When Monkey Grip was first published in 1977, it caused a sensation. Critics praised Garner for her craft, but many criticized her gritty depictions of the human body, frankness about sex and drugs, the mess of motherhood, and her unabashed use of her own life as inspiration. Today, such criticism feels old-fashioned and glaringly gendered, and Monkey Grip is considered a modern masterpiece.