“One of Us,” written by Elizabeth Day, delivers sharp commentary on the hypocrisies of the elite. This engaging ensemble drama explores the dynamics among old friends entangled in dazzling wealth, highlighting the delicate balance between personal ambition and collective responsibility. With its gripping narrative and insightful themes, “One of Us” is a page-turner that combines elements of “The Wedding People” and “Succession.” It’s darkly comic and incisive, yet it also carries an unexpected sense of hope.

When Fliss, the eccentric adult daughter of the powerful Fitzmaurice clan, is found dead on a beach in Bali, what appears to be a tragic accident raises more suspicions than it resolves for those who have long engaged in a web of favors within her family.

Ben, Fliss’s brother, is eager to downplay his sister’s death, as it becomes evident he is the next in line to become Prime Minister. Meanwhile, Martin—Ben’s former best friend—sees Fliss’s memorial as an opportunity to reinsert himself into the Fitzmaurice circle, motivated by a desire for both revenge and acceptance. He also observes that Ben’s wife, Serena, has come to realize in middle age that her privileged life resembles more of a gilded cage. Additionally, Ben and Serena’s daughter, Cosima, has become an environmental activist, opposing everything her parents represent—a change her late aunt would have wholeheartedly supported.

Richard Take, Ben’s disgraced colleague who is determined to make a comeback, adds another layer of complexity to the situation. Lastly, Andrew Jarvis, a figure entwined with the family, raises questions about his role: has he been their loyal supporter, or has he manipulated his influence to keep them all in line?

Elizabeth Day is the author of “The Party” “The Vaster Wilds“, and several other books, and one of the most influential podcasters today. Her show, “How to Fail“, has become a major success, helping authors like Meg Mason and Glennon Doyle reach the UK bestseller list. She splits her time between London and Los Angeles.

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Today, I enjoyed immersing myself in the captivating and thought-provoking world of Sarah Crossan‘s novel ‘Hey, Zoey.’ As Sarah Dunn eloquently puts it, this book is a masterful blend of brilliance and dark humor. The story revolves around Dolores O’Shea, whose life turns surprising when she discovers her husband’s AI sex doll, Zoey, in the garage.

A profound and heartfelt journey of self-discovery unfolds for Dolores as she and ‘Zoey‘ develop an unconventional bond, unearthing deeply buried emotions and memories. Dolores O’Shea, a 43-year-old woman, is a beacon of strength, juggling her job, ailing mother, and social life with remarkable efficiency.

Her marriage with an anesthesiologist, David, is in turmoil, but she’s determined to confront the issues. Her world is completely upended when she uncovers Zoey, the $8,000 AI sex doll that David had been concealing in the garage. At first, Dolores’ response to Zoey is a whirlwind of anger and confusion, throwing her meticulously organized life into chaos.

As the narrative unfolds, Dolores and Zoey embark on a series of conversations that unearth unexpected emotions and memories, profoundly influencing all of Dolores’ relationships, particularly her relationship with herself. Dolores’ journey is a rollercoaster of events and emotions that resonates with us all. ‘Hey, Zoey‘ is a novel that enthralls and challenges our perception of modern-day connections and the diverse forms that love can assume in a lifetime.

Today, I started reading “Jaded: A Novel” by Ela Lee. The main character’s name is Jade, which isn’t even her real name. Jade began using it as her Starbucks name because all children of immigrants have a Starbucks name. “Jaded” is a must-read book for fans of “Queenie” and “I May Destroy You.” It offers a blistering—and sometimes darkly funny—account of consent, power, race, sexism, and identity in a broken society.

Jade has accomplished everything she ever wanted.

She’s a successful lawyer, a dutiful daughter, a beloved girlfriend, and a loyal friend. However, everything starts to crumble when she wakes up the morning after a work event, naked and alone, with no idea how she got home. Jade is caught between her parents, who can’t understand, her boyfriend, who feels betrayed, and her job, which expects silence.

Jade thought she was everything she ever wanted to be. But now she feels like nothing at all.

I started reading Jesmyn Ward‘s novel Sing, Unburied, Sing today. The New York Times selected it as one of the best books of the 21st century and awarded it the National Book Award. According to The New York Times, Jesmyn Ward‘s historic second National Book Award winner is “perfectly poised for the moment.” It’s an intimate portrait of three generations of a family and an epic tale of hope and struggle.

Jojo is thirteen years old and is trying to understand what it means to be a man. He has several father figures to learn from, including his Black grandfather, Pop. However, Jojo’s understanding is complicated by other men in his life: his absent White father, Michael, who is being released from prison; his absent White grandfather, Big Joseph, who refuses to acknowledge him; and the memories of his deceased uncle, Given, who died as a teenager.

His mother, Leonie, is inconsistent in her and her toddler daughter’s lives. She is a flawed mother in constant conflict with herself and those around her. She is Black, and her children’s father is White. She wants to be a better mother but struggles to prioritize her children over her own needs, particularly her drug use. Tormented and comforted by visions of her deceased brother, which only come to her when she’s high, Leonie is embattled in ways that reflect the harsh reality of her circumstances.

When their father is released from prison, Leonie takes her kids and a friend in her car and drives north to Mississippi and Parchman Farm, the State Penitentiary. At Parchman, there is another thirteen-year-old boy, the ghost of a deceased inmate who carries the ugly history of the South with him in his wanderings. With his supernatural presence, this ghostly figure also has something to teach Jojo about fathers and sons, legacies, violence, and love.

Described as a majestic and unforgettable family story, ‘Sing, Unburied, Sing‘ is rich with Ward‘s distinctive, lyrical language. As noted by The Philadelphia Inquirer, her unique narrative style takes readers on ‘an odyssey through rural Mississippi’s past and present.’

Anxious People by Fredrik Backman, a poignant comedy about a crime that never occurred. A would-be bank robber disappears into thin air, and eight highly anxious strangers find they have more in common than they ever imagined. Anxious People is a novel that Jan and I would have both enjoyed reading. It jumped off the e-book shelf while looking for a new book to read.

Although Anxious People is a humorous comedy, it is really about the enduring power of friendship, forgiveness and hope, which are the key to our survival as individuals, couples and communities. It is the core of what made the love that Jan and I shared special and unique, but it is also what I gain from my participation in my various grief groups as well as Friday night Shabbat services.

I highly recommend this book.

The Goodreads summary provides an overview.

Viewing an apartment usually doesn’t turn into a life-or-death situation. Still, this particular open house becomes just that when a failed bank robber bursts in and takes everyone in the apartment hostage. As the pressure mounts, the eight strangers slowly open up to one another and reveal long-hidden truths.

First is Zara, a wealthy bank director who has been too busy to care about anyone else until tragedy changed her life. Now, she’s obsessed with visiting open houses to see how ordinary people live—perhaps, setting an old wrong to the right. Then there’s Roger and Anna-Lena, an Ikea-addicted retired couple who are on a never-ending hunt for fixer-uppers to hide the fact that they don’t know how to fix their failing marriage. Julia and Ro are a young lesbian couple and soon-to-be parents who are nervous about their chances for a successful life together since they can’t agree on anything. And there’s Estelle, an eighty-year-old woman who has lived long enough to be unimpressed by a masked bank robber waving a gun. And despite the story she tells them all, Estelle hasn’t come to the apartment to view it for her daughter, and her husband isn’t outside parking the car.

As police surround the premises and television channels broadcast the hostage situation live, the tension mounts, and even deeper secrets are slowly revealed. Before long, the robber must decide which is the terrifying prospect: going out to face the police or staying in the apartment with this group of impossible people.

Rich with Fredrik Backman’s “pitch-perfect dialogue and an unparalleled understanding of human nature” (Shelf Awareness), Anxious People’s whimsical plot serves up unforgettable insights into the human condition and a gentle reminder to be compassionate to all the anxious people we encounter every day.

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Today, I started reading The Vegetarian: A Novel by Han Kang, Winner of the 2024 Nobel Prize in Literature. The novel also won The International Booker Prize and is one of The New York Times’s 100 Best Books of the 21st Century. Celebrated by critics worldwide, The Vegetarian is a darkly allegorical, Kafka-esque tale of power, obsession, and one woman’s struggle to break free from the violence both without and within her.

Before the nightmares began, Yeong-hye and her husband lived an ordinary, controlled life. But the dreams—invasive images of blood and brutality—torture her, driving Yeong-hye to purge her mind and renounce eating meat altogether. It’s a small act of independence, but it interrupts her marriage and sets into motion an increasingly grotesque chain of events at home.

As her husband, her brother-in-law, and her sister each fight to reassert their control, Yeong-hye obsessively defends the choice that’s become sacred to her. Soon, their attempts turn desperate, subjecting first her mind and then her body to ever more intrusive and perverse violations, sending Yeong-hye spiraling into a dangerous, bizarre estrangement, not only from those closest to her but also from herself.

Han Kang was born in 1970 in South Korea. She is the author of The Vegetarian, which I have read, and winner of the International Booker Prize,  Human Acts, The White Book, Greek Lessons, and We Do Not Part. In 2024, she received the Nobel Prize in Literature.

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