I began reading “The Extinction of Irena Rey” by Jennifer Croft today. The novel is about eight translators searching for a world-famous author, Irena Rey, who has gone missing in a primeval Polish forest. The translators have come from eight different countries and share a deep admiration for Irena Rey. Their mission is to translate her masterpiece, “Gray Eminence,” but their task takes an unexpected turn when Irena disappears within days of their arrival.

The translators begin to investigate where Irena may have gone while continuing to work on her book. They explore the ancient wooded refuge, with its intoxicating slime molds and lichens, and study Irena’s exotic belongings and layered texts for clues. However, their search reveals secrets and deceptions that they are unprepared for. As they grow increasingly paranoid in this isolated and obsessive fever dream, the translators are forced to confront their differences, and their rivalries and desires threaten not only their work but also the fate of Irena Rey herself.

This debut novel is a brilliant exploration of art, celebrity, the natural world, and the power of language. It is a thought-provoking narrative blends humor and adventure, taking readers on an unforgettable journey with a small yet diverse cast of characters. These characters, shaken by the shocks of love, destruction, and creation, find themselves in one of Europe’s last great wildernesses, where the fate of their beloved author hangs in the balance.

Today, I began reading Amor Towles‘s “Table for Two: Fictions.” As a fan of his previous work, “A Gentleman in Moscow,” I was excited to delve into some of his shorter fiction. The book contains six stories from New York City and a novella from Golden Age Hollywood. Table for Two is another captivating addition to Towles’s collection of stylish and transporting fiction written with his signature wit, humor, and sophistication.

The New York stories, set primarily in the year 2000, explore the profound consequences that can result from fleeting encounters and the intricate dynamics of compromise that underpin modern marriages. These narratives are sure to evoke strong emotions and leave a lasting impression.

In the novel “Rules of Civility,” the resilient Evelyn Ross departs from New York City in September 1938, intending to return to her home in Indiana. However, as her train reaches Chicago, where her parents eagerly await her, she spontaneously decides to extend her journey to Los Angeles. “Eve in Hollywood,” narrated from seven different perspectives, reveals how Eve forges a new path for herself and others in a gripping noirish tale that traverses the movie sets, bungalows, and dive bars of Los Angeles.

“The True True Story of Raja the Gullible (and His Mother)” is a wonderfully unique and vibrant celebration of love. Written by Rabih Alameddine, a National Book Award finalist and winner of the PEN/Faulkner Award for Fiction, “The True True Story of Raja the Gullible (and His Mother)” is a tragicomic love story set in Lebanon. It explores the modern saga of family, memory, and the unbreakable bond between a son and his mother.

In a small apartment in Beirut, sixty-three-year-old Raja and his mother live side by side. A beloved high school philosophy teacher and “the neighborhood homosexual,” Raja enjoys books, meditative walks, order, and solitude. Meanwhile, his octogenarian mother, Zalfa, feels that Raja’s desire for privacy is a personal affront. She demands to know every detail of his work and love life, disregarding his boundaries.

When Raja receives an invitation to an all-expenses-paid writing residency in America, it couldn’t come at a better time. It arrives on the heels of a series of personal and national disasters that have left him longing for peace, away from his mother and the turmoil of Lebanon. However, what initially seems like a stroke of luck soon forces Raja to confront and relive the very disasters and past betrayals he wishes to forget.

Told in Raja’s irresistible, wickedly funny voice, the novel traverses six decades, narrating the unforgettable story of a singular life and its absurdities—a tale of mistakes, self-discovery, trauma, and perhaps even forgiveness.

Rabih Alameddine is the author of several acclaimed works, including the novels “The Wrong End of the Telescope“, “Angel of History“, “An Unnecessary Woman“, “The Hakawati“, “I, the Divine“, and “Koolaids“. He also wrote a collection of stories titled “The Perv” and a nonfiction work called “Comforting Myths”.

Alameddine has received numerous awards for his writing, including the PEN/Faulkner Award for Fiction, and he was a finalist for the National Book Award. In 2019, he was honored with the Dos Passos Prize, received a Lannan Award in 2021, and was awarded the Bill Whitehead Lifetime Achievement Award in 2025.

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This morning, I completed reading Octavia E. Butler‘s acclaimed post-apocalyptic novel Parable of the Sower and immediately started reading its sequel, Parable of the Talents, initially published in 1998. This second book is even more relevant today than it was back then. The novel’s timely message of hope and resistance in the face of fanaticism is shockingly prescient.

In 2032, Lauren Olamina survived the destruction of her home and family. She envisioned a peaceful community in Northern California, which she established based on her newly founded faith, Earthseed. This new settlement provides a haven for outcasts who face persecution following the election of an ultra-conservative president. The new president pledges to “make America great again,” but the country becomes increasingly divided and dangerous. Lauren’s subversive colony, a minority religious faction led by a young black woman, becomes a target for President Jarret’s oppressive regime characterized by terror and discrimination.

In the future, Asha Vere discovers the journals of her mother, Lauren Olamina, whom she never met. As she delves into her mother’s writings, she grapples with the conflict between Lauren’s responsibilities to her chosen family and her mission to guide humanity toward a brighter tomorrow.

The Jan Lilien Education Fund sponsors ongoing sustainability and environmental awareness programs. Gifts made this month; I will match dollar-for-dollar. All donations are tax-deductible.

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“Mother Mary Comes to Me,” Arundhati Roy‘s first memoir, is an intimate and inspiring account of how she became the person and writer she is today. It explores how her life was shaped by various circumstances, particularly her complex relationship with her extraordinary mother, whom she describes as “my shelter and my storm.” The book has been named one of the New York Times Book Review’s Top Ten Books of 2025 and is a finalist for the Kirkus Prize.

Devastated by her mother Mary’s death in September 2022, Roy experienced a mix of confusion and shame over the depth of her emotions. She began writing to understand her feelings for the mother she had distanced herself from at eighteen, not out of a lack of love, but to preserve her ability to love her. Her writing marks the beginning of an astonishing, often disturbing, and surprisingly humorous memoir that chronicles the author’s journey from her childhood in Kerala, India, where her single mother founded a school, to her accomplishments as a prize-winning novelist and essayist, and continues to the present day.

With the scope, richness, and emotional depth characteristic of her novels, “The God of Small Things” and “The Ministry of Utmost Happiness“, as well as the passion, political insight, and warmth found in her essays, “Mother Mary Comes to Me” serves as an ode to freedom and a tribute to complicated love and fierce grace—a memoir unlike any other.

Arundhati Roy is the author of “The God of Small Things,” which won the Booker Prize in 1997, and “The Ministry of Utmost Happiness,” a novel translated into more than 40 languages and longlisted for the Man Booker Prize in 2017. Roy has also published several nonfiction works, including “The End of Imagination,” “The Doctor and the Saint,” “My Seditious Heart,” and “Azadi.” In 2023, she received the prestigious European Essay Prize for lifetime achievement, and in 2024, she received the PEN Pinter Prize for telling “urgent stories of injustice with wit and beauty.” She resides in Delhi.

Discover your next favorite book and dive into a world of curated, exciting reads by purchasing through my links. You’ll have access to a diverse selection of books that I’ve personally vetted to ensure quality and enjoyment. Additionally, by supporting these selections, you’ll help me continue to provide you with more personalized recommendations. I earn a small commission from your purchase, which allows me to buy and share even more books with you. Your support truly makes a difference!

Today, I began reading “All the Water in the World” by Eiren Caffall. Like Station Eleven, this novel is a literary thriller set partly in New York’s American Museum of Natural History in a flooded future. In the spirit of “From the Mixed-Up Files of Mrs. Basil E. Frankweiler” and “Parable of the Sower,” this adventurous journey offers hope that the most important things—love, work, community, and knowledge—will endure.

“All the Water in the World” is narrated by a girl who profoundly appreciates water. In the years following the melting of the glaciers, Nonie, along with her older sister, parents, and their researcher friends, remains in a nearly deserted New York City. They have established a settlement on the roof of the American Museum of Natural History with a strict rule: they may only take from the exhibits in cases of dire need. They hunt and grow their food in Central Park while also working to preserve the collections of human history and science.

When a superstorm breaches the city’s flood walls, Nonie and her family must escape northward along the Hudson River. They carry a book containing records of the lost collections. As they race down the swollen river for safety, they encounter communities that have adapted in various, sometimes frightening, ways to the new reality. Despite the challenges, they are determined to create a new world that honors everything they have saved.

Inspired by the stories of curators in Iraq and Leningrad who worked to protect their collections during wartime, “All the Water in the World” mediates what we strive to preserve from collapse and an adventure filled with danger, storms, and a fight for survival.

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I started reading “Do You Remember Being Born?” by Sean Michaels, a writer who won the Scotiabank Giller Prize. The novel is about an aging poet named Marian Ffarmer, a legend in the world of poetry. However, despite her success, she struggles with financial issues and her son’s inability to buy a house. Marian has sacrificed her personal relationships and happiness to pursue her career but questions whether it is worth it.

One day, she receives an invitation from a Tech Company to travel to California and work with their poetry AI, Charlotte. The company wants her to co-author a poem with their bot in a historic partnership, which clashes with Marian’s beliefs about the individual pursuit of art. However, she decides to take this opportunity, even though it makes her feel like a sell-out and a skeptic. The encounter in California changes her life, work, and understanding of kinship.

The book explores the nature of language, art, labor, capital, family, and community. It’s a response to some of the most disquieting questions of our time. The author, Sean Michaels, is a winner of the Scotiabank Giller Prize, and his book is a love letter to and interrogation of the creative legacy. It’s a joyful recognition that belonging to one’s art must mean belonging to the world to survive meaningfully.

The Jan Lilien Education Fund sponsors ongoing sustainability and environmental awareness programs. Gifts made this month; I will match dollar-for-dollar. All donations are tax-deductible.

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Today, I started reading “The Annual Banquet of the Gravediggers’ Guild” by Mathias Énard. The book has been translated into English by Frank Wynne. This novel is full of Mathias Énard‘s characteristic humor and extensive knowledge. It is a lively book where the boundaries between past and present are constantly blurred, set against a backdrop of excess reminiscent of Rabelais’ writing.

David Mazon, an anthropology student, moves from Paris to La Pierre-Saint-Christophe, a village in the marshlands of western France, to research his thesis on contemporary agrarian life. He is determined to understand the essence of the local culture and spends his time scurrying around on his moped to interview the residents.

David must be made aware of the extraordinary events in an ordinary location. This place, where wars and revolutions once occurred, is now a dancefloor for Death. When something dies, its soul is recycled by the Wheel of Life and thrown back into the world as a microbe, human, or wild animal – sometimes in the past and sometimes in the future. Once a year, Death and the living agree to a temporary truce, during which gravediggers indulge in a three-day feast filled with food, drink, and conversation.

Mathias Énard’s novel, The Annual Banquet of the Gravediggers’ Guild, is a riotous and exciting comic masterpiece that won the prestigious Prix Goncourt award. The novel is set in the French countryside and is filled with Énard’s characteristic wit and encyclopedic brilliance. Against a backdrop of excess, the story blurs the lines between past and present, creating a Rabelaisian world of chaos and humor.

The Jan Lilien Education Fund sponsors ongoing sustainability and environmental awareness programs. Gifts made this month; I will match dollar-for-dollar. All donations are tax-deductible.

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I receive a commission when you buy a book or product using a link on this page. Thank you for supporting Sharing Jan’s Love blog.