I started reading "The Book of Love: A Novel" by Kelly Link today. The book showcases her exceptional writing skills, where she channels different forms of love, including friendships, romance, and family ties, with her trademark compassion, wit, and literary prowess. Readers can expect to experience joy, a little terror, and an affirmation that love endures despite challenges.
by Kelly Link
I started reading “The Book of Love: A Novel” by Kelly Link today. The book showcases her exceptional writing skills, where she channels different forms of love, including friendships, romance, and family ties, with her trademark compassion, wit, and literary prowess. Readers can expect to experience joy, a little terror, and an affirmation that love endures despite challenges.
The story revolves around Laura, Daniel, and Mo, who mysteriously vanished from their hometown in Lovesend, Massachusetts, and were presumed dead. However, almost a year later, they find themselves in a high school classroom with their unremarkable music teacher. The teacher seems to know why they disappeared and what brought them back. They agree to undertake magical tasks to reclaim their lives, allowing them to return to their families and friends, but they can’t reveal where they’ve been. The tasks would lead to winners and losers.
Their resurrection attracts the attention of other supernatural beings with their agendas, which puts the community in danger and chaos. As Laura, Daniel, and Mo try to piece their lives together, and Laura’s sister Susannah tries to make sense of what she remembers, they must solve the mystery of their deaths to prevent a looming disaster.
The story takes place in Lovesend, where readers will experience love and loss, laughter and dread, magic, karaoke, and some delicious pizza.
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by Robert Seethaler
Today, I started reading The Café with No Name by Robert Seethaler, translated by Katy Derbyshire. It’s a vibrant story of love, companionship, and renewal in 1960s Vienna. With warm prose and tender humor, Seethaler has created a delightful parable about human existence, brought to life by unforgettable characters and a rich tapestry of narratives.
In the summer of 1966, Robert Simon was in his early thirties and had a dream. Raised in a home for war orphans, he has grown into a warm-hearted, hard-working, and determined man. When the former owners of the corner café in Carmelite Market Square close the business, Robert sees an opportunity to realize his dream.
The café, dark and dilapidated, is located in an impoverished neighborhood of the Austrian capital. However, a new energy is beginning to fill the air, signaling a desire for renewal. In the newspapers that fishmongers use to wrap char and trout from the Danube, one can read about the great things to come, heralding a bright future emerging from the shadows of the past.
Inspired by this optimism, Robert refurbishes the café. His efforts pay off as customers arrive, drawn to a congenial space where they can gather, talk, read, or sit and reflect. Each visitor brings their passion, friendship, loss, and heartache stories. Some search for companionship, while others long for love or a place to feel understood. As the city transforms, Robert’s café becomes a haven—a refuge from which to observe life, mourn, and rejoice.
Robert Seethaler was born in Vienna in 1966 and is the author of eight novels. In 2017, he was a finalist for the Man Booker International Prize with A Whole Life (FSG, 2016). He also works as an actor, most recently in Paolo Sorrentino’s Youth. He lives in Berlin.
Katy Derbyshire translates contemporary German writers, including Christa Wolf, Heike Geissler, and Olga Grjasnowa. Her translation of Clemens Meyer‘s While We Were Dreaming was longlisted for the 2023 International Booker Prize. She was born in London and has been based in Berlin for over twenty years.
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by Ben Markovits
The Rest of Our Lives by Ben Markovits is a beautifully crafted, tender, and insightful story that depicts the journey of starting anew. Tom Layward, the protagonist, chooses not to return home after dropping his daughter off at college. This life-affirming road trip novel explores themes of marriage, middle age, and a man confronting a pivotal moment. It was a finalist for the 2025 Booker Prize.
When Tom Layward’s wife had an affair twelve years ago, he resolved to leave her as soon as his youngest child left the nest. Now, while driving his college-bound daughter to Pittsburgh, he remembers his promise to himself. He is also on the run from his own health issues and a forced leave from work.
So, rather than returning to his wife in Westchester, Tom keeps driving west, with the vague plan of visiting people from his past—an old college friend, his ex-girlfriend, his brother, his son—en route, maybe, to California. He’s moving towards a future he hasn’t even envisioned, while he considers his past and the choices he’s made that have brought him to this moment.
Ben Markovits was born and raised in Texas, and later lived in London and Berlin. He studied at Yale University and the University of Oxford. After graduating, he became a professional basketball player in Landshut, Germany, where he played against a young Dirk Nowitzki.
Markovits has authored eleven novels, including Fathers and Daughters, You Don’t Have to Live Like This, and The Sidekick. In addition to his books, he has published essays, stories, poetry, and reviews in notable publications such as The Guardian, Granta, The Paris Review, and The New York Times.
In 2013, Granta recognized him as one of their Best of Young British Novelists. He received the Eccles British Library Writer in Residence Award and the James Tait Black Memorial Prize in 2015. Currently, he lives in London and teaches creative writing at Royal Holloway, University of London.
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by Hillary Jordan
Aftermirth by Hillary Jordan is a book about grief as the two protagonists take a road trip that is a darkly funny journey of healing that takes them deep into the heart of their suffering and others, and then beyond it, to a place of peace and laughter. I had just finished reading When She Woke by Ms. Jordan and having enjoyed that book, reading a second one by the same author seemed reasonable.
When I selected this short novel to read, I questioned if it was a good choice for me.
I found it easier to read and, in some ways, helpful. It was like meeting fellow widows from my Zoom grief groups in person at Camp Widow. The ability to laugh about our loss and cry openly is essential to meeting fellow benefits.
Michael Larssen, the narrator, raised a question I have not and still do not want to consider. What if I am still alive, Jan was a great love but is not the love of my life?
“You can’t know that he was the love of your life, and do you know why? Because guess what, you aren’t dead yet. You may feel dead right now, and believe me I’ve been there, but the fact is, until you’re lying under a tombstone of your own you can’t be sure about anything. You could prick your finger on one of your roses tomorrow, and as you’re climbing the stairs to get a Band-Aid, you trip over one of the pugs and tumble to your death. Or you could meet a man in the checkout line at the grocery store–hell, you could meet a woman even and fall madly in love with her and end up with six kids and twenty grandkids. Michael looks over at Elena, then back at George. You just don’t know, George. That’s the thing. None of us does.”— Aftermirth (Kindle Single) by Hillary Jordan
Despite my anxiety about considering this disturbing question, I highly recommend Aftermirth by Hillary Jordan.
The Goodreads summary provides an overview.
I stopped being funny the day my wife was electrocuted by her underwire bra.” So begins “Aftermirth,” a dark comedy that explores the absurdity of death through the eyes of thirty-one-year-old comedian, writer, and actor Michael Larssen. What is funny to the rest of the world is devastating to Michael, who loves his wife deeply, exceptionally her bright, rippling, abandoned laughter, which captivated him from the first time he heard it. In the aftermath of her death, he loses his sense of humor and his career.
Then, after two years of mourning her, he sees an article in the paper about a factory worker named Julio Santiago who fell into a giant vat of dough and was kneaded to death. For reasons Michael doesn’t understand, he decides to go to the man’s wake. There he meets and bonds with Julio’s twenty-nine-year-old daughter Elena, a law student who is reeling from her father’s unexpected and preposterous death.
Three months later, she calls him out of the blue and suggests that the two of them drive to North Carolina to speak with another survivor like themselves Elena has found on the Internet. Their road trip is a darkly funny journey of healing that takes them deep into the heart of their grief and others and then beyond it to a place of peace and laughter.
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by Salman Rushdie
Victory City: A Novel by Salman Rushdie is an epic tale of a woman who breathes a fantastical empire into existence, only to be consumed by it over the centuries from the transcendent imagination of Booker Prize-winning, internationally bestselling author Salman Rushdie. It is well written and was a page-turner from page one to the end. I highly recommend this novel and encourage everyone to read it.
Brilliantly styled as a translation of an ancient epic, this is a saga of love, adventure, and myth that is a testament to storytelling’s power. After witnessing her mother’s death, the grief-stricken Pampa Kampana becomes a vessel for the goddess Parvati, who begins to speak out of the girl’s mouth. I was hooked when Pampa Kampana provided the seeds that created Victory City out of thin air.
David Remnick’s interview with Salman Rushdie in The New Yorker provided background I would have missed.
“The first kings of Vijayanagara announced, quite seriously, that they were descended from the moon,” Rushdie said. “So when these kings, Harihara and Bukka, announce that they’re members of the lunar dynasty, they’re associating themselves with those great heroes. It’s like saying, ‘I’ve descended from the same family as Achilles.’ Or Agamemnon. And so I thought, Well, if you could say that, I can say anything.”
Above all, the book is buoyed by the character of Pampa Kampana, who, Rushdie says, “just showed up in my head” and gave him his story, his sense of direction. Rushdie’s pleasure in writing the novel was in “world building” and, at the same time, writing about a character building that world: “It’s me doing it, but it’s also her doing it.” The pleasure is infectious. “Victory City” is an immensely enjoyable novel. It is also an affirmation. At the end, with the great city in ruins, what is left is not the storyteller but her words:
The Goodreads summary provides a brief overview,
In the wake of an insignificant battle between two long-forgotten kingdoms in fourteenth-century southern India, a nine-year-old girl has a divine encounter that will change the course of history. After witnessing her mother’s death, the grief-stricken Pampa Kampana becomes a vessel for the goddess Parvati, who begins to speak out of the girl’s mouth. Granting her powers beyond Pampa Kampana’s comprehension, the goddess tells her that she will be instrumental in the rise of a great city called Bisnaga–literally victory city–the wonder of the world.
Over the next two hundred and fifty years, Pampa Kampana’s life becomes deeply interwoven with Bisnaga’s, from its literal sowing out of a bag of magic seeds to its tragic ruination in the most human of ways: the hubris of those in power. Whispering Bisnaga and its citizens into existence, Pampa Kampana attempts to make good on Parvati’s task: giving women equal agency in a patriarchal world. But all stories have a way of getting away from their creator, and Bisnaga is no exception. As years pass, rulers come and go, battles are won and lost, and allegiances shift, the very fabric of Bisnaga becomes an ever more complex tapestry–with Pampa Kampana at its center.
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by John Lanchester
“Look What You Made Me Do” by John Lanchester is a darkly comedic tale that delves deep into the intricate web of love, trust, resentment, and entitlement. The narrative weaves the lives of two women from contrasting generations, drawing them into a thrilling conflict where wits and wills are tested to the limit. As tension mounts and secrets unravel, only one will rise to claim victory in this captivating showdown.
“Every successful marriage has its own private language.” So it is for baby boomer Kate and her beloved architect husband Jack, thirty years into their seemingly idyllic life in metropolitan North London. And so it is for spiky millennial screenwriter Phoebe and her charming loafer of a partner, Tony.
But when Phoebe’s steamy television series, Cheating, becomes the year’s most talked-about show, Kate thinks she sees details and intimacies of her marriage in it that only she and her husband could have known. Who has betrayed whom? Who has stolen whose story―and why?
John Lanchester is the author of five novels, including the best-selling *The Debt to Pleasure* and *Capital*. His works have received several accolades, including the Hawthornden Prize, the Whitbread First Novel Award, and the E. M. Forster Award. His books have also been longlisted for the Booker Prize and translated into more than twenty-five languages. Lanchester is a regular contributor to The New Yorker and The New York Review of Books. He resides in London.
Discover your next favorite book and dive into a world of curated, exciting reads by purchasing through my links. You’ll have access to a diverse selection of books I’ve personally vetted for quality and enjoyment. Supporting these selections not only helps me continue to provide you with personalized recommendations but also ensures you have access to meaningful stories that enrich your life. Your support truly makes a difference in helping me share more books and insights with you!
by Robert A. Caro
Working by Robert A. Caro is a book of evocatively written essays on his life and work. Among the many valuable words of wisdom is his case that one needs to look at every piece of information, not just what we know when we begin. Far too often, people jump to conclusions without having learned all of the facts.
He describes what it was like to interview the mighty Robert Moses and to begin discovering the extent of the political power Moses wielded; the combination of discouragement and exhilaration he felt confronting the vast holdings of the Lyndon B. Johnson Library in Austin, Texas; his encounters with witnesses, including longtime residents wrenchingly displaced by the construction of Moses’ Cross-Bronx Expressway and Lady Bird Johnson acknowledging the beauty and influence of one of LBJ‘s mistresses. He gratefully remembers how, after years of working in solitude, he found a writers’ community at the New York Public Library, and details the ways he goes about planning and composing his books.
Caro recalls the moments at which he came to understand that he wanted to write not just about the men who wielded power but about the people and the politics that were shaped by that power. And he talks about the importance to him of the writing itself, of how he tries to infuse it with a sense of place and mood to bring characters and situations to life on the page. Taken together, these reminiscences–some previously published, some written expressly for this book–bring into focus the passion, the wry self-deprecation, and the integrity with which this brilliant historian has always approached his work.
I found this one of the best books I have read and recommend it to all readers.
