Lucky Us by Amy Bloom is a book that hooked me on the opening line - “My father’s wife died. My mother said we should drive down to his place and see what might be in it for us.” Having surpassed my Goodreads 2022 reading goal, I wanted a lite, historical fiction book and found this one in the e-library. I enjoyed reading it and highly recommend it.
by Amy Bloom
Having surpassed my Goodreads 2022 reading goal, I wanted a lite, historical fiction book and found this one in the e-library. Lucky Us by Amy Bloom is a book that hooked me on the opening line – “My father’s wife died. My mother said we should drive down to his place and see what might be in it for us.” I enjoyed reading it and highly recommend it.
The first section in Hollywood was the one I found less appealing. Partly that is because I identified with Eva, and she does not fulfill her leading role until the last two sections. Its depiction of how people survived the way years by sometimes is a reminder of our inner resilience.
Goodreads provides the following summary.
So begins this remarkable novel by Amy Bloom, whose critically acclaimed Away was called “a literary triumph” (The New York Times). Lucky Us is a brilliantly written, deeply moving, fantastically funny novel of love, heartbreak, and luck.
Disappointed by their families, Iris, the hopeful star and Eva the sidekick, journey through 1940s America in search of fame and fortune. Iris’s ambitions take the pair across the America of Reinvention in a stolen station wagon, from small-town Ohio to an unexpected and sensuous Hollywood, and to the jazz clubs and golden mansions of Long Island.
With their friends in high and low places, Iris and Eva stumble and shine through a landscape of big dreams, scandals, betrayals, and war. Filled with gorgeous writing, memorable characters, and surprising events, Lucky Us is a thrilling and resonant novel about success and failure, good luck and bad, the creation of a family, and the pleasures and inevitable perils of family life, conventional and otherwise. From Brooklyn’s beauty parlors to London’s West End, a group of unforgettable people love, lie, cheat, and survive in this story of our fragile, absurd, heroic species.
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by Elizabeth Strout
Lucy by the Sea: A Novel by Elizabeth Strout is a poignant, pitch-perfect novel about a divorced couple stuck together during lockdown–and the love, loss, despair, and hope that animate us even as the world seems to be falling apart. Having lost Jan during Covid, I was apprehensive about reading this book. However, it was not only a page-turner but also a novel that gave me a new perspective on loss which helped me manage my grief.
With her trademark spare, crystalline prose, Elizabeth Strout turns her exquisitely tuned eye to the inner workings of the human heart, following the indomitable heroine of My Name Is Lucy Barton through the early days of the pandemic.
I highlighted several passages that specifically spoke to me.
We all live with people—and places—and things—that we have given great weight to. But we are weightless, in the end.
Who knows why people are different? We are born with a certain nature, I think. And then the world takes its swings at us.
It has been said that the second year of widowhood is worse than the first—the idea being, I think, that the shock has worn off and now one has to live with the loss, and I had been finding that to be true, even before I came to Maine with William. But now there were times I felt that I was just learning of David’s death again for the first time. And I would be privately staggered by grief. And to be in this place where David had never been (!)—I was really dislocated is what I mean.
And I also understood: Grief is a private thing. God, is it a private thing.
We are all in lockdown, all the time. We just don’t know it, that’s all. But we do the best we can. Most of us are just trying to get through.
The Goodreads summary provides an overview,
As a panicked world goes into lockdown, Lucy Barton is uprooted from her life in Manhattan and bundled away to a small town in Maine by her ex-husband and on-again, off-again friend, William. For the next several months, it’s just Lucy, William, and their complex past together in a little house nestled against the moody, swirling sea.
Rich with empathy and emotion, Lucy by the Sea vividly captures the fear and struggles that come with isolation, as well as the hope, peace, and possibilities that those long, quiet days can inspire. At the heart of this story are the deep human connections that unite us even when we’re apart–the pain of a beloved daughter’s suffering, the emptiness that comes from the death of a loved one, the promise of a new friendship, and the comfort of an old, enduring love.
The Jan Lilien Education Fund sponsors ongoing sustainability and environmental awareness programs. Gifts made this month; I will match dollar-for-dollar. All donations are tax-deductible.
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by Benjamin Wood
Haunting, timeless, and stunningly atmospheric, Seascraper by Benjamin Wood explores the story of a young man whose quiet existence is dramatically altered in just one day. His circumstances confine him, yet he yearns for a sense of fulfillment that extends far beyond the world he knows. The novel has been longlisted for the 2025 Booker Prize.
Twenty-year-old Thomas Flett lives a slow, deliberate life with his mother in Longferry, Northern England, working his grandpa’s trade as a shanker. He rises early to take his horse and cart to the drizzly shore to scrape for shrimp, and spends the afternoon selling his wares, trying to wash away the salt and sea-scum, pining for his neighbor, Joan Wyeth, and playing songs on his guitar. At heart, he is a folk musician, but this remains a private dream.
Then a mysterious American arrives in town and enlists Thomas’s help in finding a perfect location for his next movie. Though skeptical at first, Thomas learns to trust the stranger, Edgar, and, shaken from the drudgery of his days by the promise of Hollywood glamour, begins to see a different future for himself. But how much of what Edgar claims is true, and how far can his inspiration carry Thomas?
Benjamin Wood was born in 1981 and grew up in Merseyside. Seascraper is his fifth novel. His previous works were shortlisted for the Costa First Novel Award, the Commonwealth Book Prize, the Sunday Times Young Writer of the Year Award, the RSL Encore Award, the CWA Gold Dagger Award, and the European Union Prize for Literature. In 2014, he won France’s Prix du Roman Fnac.
He is a senior lecturer in creative writing at King’s College, London, and lives in Surrey with his wife and sons.
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by Michelle Huneven
“Bug Hollow” by Michelle Huneven is a decades-spanning family saga that follows the messy yet loving Samuelson clan as they navigate life after the loss of their son, Ellis. When Sally Samuelson was eight years old, her golden boy brother, Ellis, went missing the summer after he graduated from high school. He eventually reappeared at the picturesque Bug Hollow, a final remnant of the beautiful Northern California counterculture of the seventies.
Although he found joy in communal life, his life was tragically cut short in a freak accident just weeks later, leaving the Samuelson family to grapple with their grief. From that point on, the world of the Samuelsons never spun on the same axis, especially after Julia, Ellis’s girlfriend from Bug Hollow, showed up pregnant on their doorstep.
Each member of the Samuelson family has sought their form of solace: Sybil Samuelson pours herself into teaching to numb her pain after losing her beloved son; her husband, Phil, found comfort in a new love that developed while he was working as an engineer in Saudi Arabia; Katie, the high-achieving middle child, comes home to try to make peace with her mother following a cancer diagnosis. Meanwhile, Sally has become the de facto caretaker of Eva, the child Ellis never had the chance to know.
Michelle Huneven is known for her five enthralling novels, which chronicle the lives of middle-class Americans in her vividly portrayed native California. Her characters struggle with addiction, painful romances, and profound losses as they continue to seek meaning and strive to be good. She captures the Samuelson family with remarkable precision and deep empathy as they fracture and rebuild time and again.
Michelle Huneven is the author of Round Rock, Jamesland, Blame, Off Course, and Search. Her books have been New York Times Notable Books and finalists for the Los Angeles Times Book Prize and the National Book Critics Circle Award. She is the recipient of a Whiting Award for Fiction, a Guggenheim Fellowship, a James Beard Award, and a Literature Award from the American Academy of Arts and Letters. She received her Master of Fine Arts degree from the Iowa Writers’ Workshop and teaches creative writing at the University of California, Los Angeles.
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by Kathleen Grisson
The Kitchen House by Kathleen Grissom was a book that I knew very little about who I took from our bookshelf. My wife had encouraged me to read it as it focused on the south, and she knew I ofter read both about that place and enjoyed history.
From the opening pages, It became a book that I could not put down.
Two characters narrate the book. One is Lavinia, an Irish girl orphaned and brought to the plantation by the master, a ship’s captain. She is assigned to the kitchen house to work with Belle, who is the illegitimate child of the master of the estate.
As Lavinia grows under the tutelage of Belle, the story highlights the struggles of a plantation. Lavinia finds family and love from the enslaved even though she is only indentured. The distinction that skin color would have on their lives is one that Lavinia only learns at the end.
Through the unique eyes of Lavinia and Belle, Grissom’s debut novel unfolds in a heartbreaking and ultimately hopeful story of class, race, dignity, deep-buried secrets, and familial bonds.
The Kitchen House is Ms. Grissom’s first novel and impressed me and inspired me even though I have no skills as a writer.
I strongly recommend this book.
by Sayaka Murata
Today, I began reading Sayaka Murata‘s Vanishing World, translated by Ginny Tapley Takemori. This novel, from the author of the bestselling literary sensations Convenience Store Woman and Earthlings, presents a surprising and highly imaginative story set in an alternate version of Japan where sexual relations between married couples have disappeared, and all children are conceived through artificial insemination.
Sayaka Murata has established herself as a remarkable observer of society’s peculiarities, delving into our contemporary world with bizarre and unsettling insights. Her portrayals of a contentedly unmarried retail worker in Convenience Store Woman and a young woman who believes she is an alien in Earthlings have resonated with millions of readers globally. In Vanishing World, Murata takes her vision to a bold new level, envisioning an alternative Japan where attitudes toward sex and procreation diverge significantly from our own.
As a girl, Amane is horrified to learn that her parents “copulated” to conceive her rather than using artificial insemination, which became the norm in the mid-twentieth century. She seeks to escape what she perceives as her mother’s indoctrination into this peculiar “system.” Despite her efforts, Amane’s attractions to both anime characters and real people carry an undeniable sexual weight.
As an adult in a suitably sexless marriage—where sex between married couples is regarded as taboo, akin to incest—Amane and her husband, Saku, decide to relocate to a mysterious new town called Experiment City, or Paradise-Eden. In this community, all children are raised collectively, and every person is considered a mother to all children. Men are beginning to experience pregnancy through artificial wombs that exist outside their bodies, resembling balloons, and children are nameless, referred to simply as “Kodomo-chan.” Will this new world finally cleanse Amane of her strangeness?
Sayaka Murata is the author of several books, including Convenience Store Woman, which won the Akutagawa Prize, Earthlings, and Life Ceremony. Freeman has recognized her as a “Future of New Writing” author, and Vogue Japan has honored her as a Woman of the Year.
Ginny Tapley Takemori has translated works from more than a dozen Japanese writers, including Ryu Murakami. She resides at the foot of a mountain in Eastern Japan.
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by Cristina Rivera Garza
Originally written in Spanish by Cristina Rivera Garza, Death Takes Me is a thrilling masterpiece of literary fiction that turns the traditional crime narrative of gendered violence on its head. As sharp as the cuts on the bodies of the victims, the story unfolds with the dreamlike logic of a surreal experience, transitioning from the police station to a professor’s classroom and through the intricate worlds of Latin American poetry and art. It invites readers to explore the unstable terrains of desire and sexuality.
A city is always a cemetery.
In the narrative, a professor named Cristina Rivera Garza stumbles upon the corpse of a mutilated man in a dark alley and promptly reports it to the police. When shown a crime scene photo, she discovers a stark warning written in tiny print with coral nail polish on the brick wall beside the body: “Beware of me, my love / beware of the silent woman in the desert.”
The professor becomes the primary informant in the case, which is led by a detective who is newly obsessed with poetry and haunted by a list of past failures. But what has the professor truly witnessed? As more bodies of castrated men alongside lines of verse, the detective attempts to decipher the meaning of the poems in hopes of stopping the spreading violence throughout the city.
Cristina Rivera Garza is an acclaimed author known for works such as The Taiga Syndrome and The Iliac Crest. Her memoir, Liliana’s Invincible Summer, won the Pulitzer Prize and was a finalist for the National Book Award. She has received the MacArthur Fellowship and the Sor Juana Inés de la Cruz Prize. Currently, Rivera Garza holds the Hugh Roy and Lillie Cranz Cullen Distinguished Chair and serves as director of the PhD program in Creative Writing in Spanish at the University of Houston.
Sarah Booker is a teacher and a literary translator. Her translations include novels by Mónica Ojeda, Cristina Rivera Garza, and Gabriela Ponce. She is also an associate editor at Southwest Review.
Robin Myers is a poet and translator. Her translations encompass Andrés Neuman’s Bariloche, Claudia Peña Claros’s The Trees, Isabel Zapata’s In Vitro, Eliana Hernández-Pachón’s The Brush, and Cristina Rivera Garza’s The Restless Dead: Necrowriting and Disappropriation.
Discover your next favorite book and dive into a world of curated, exciting reads by purchasing through my links. You’ll have access to a diverse selection of books I’ve personally vetted for quality and enjoyment. Additionally, by supporting these selections, you’ll help me continue to provide you with more personalized recommendations. I earn a small commission from your purchase, which allows me to buy and share even more books with you. Your support truly makes a difference!
