Erika Veurink's debut novel, Exit Lane, is a deeply personal and engaging romance filled with humor, passion, and intense longing. It's an ideal read for fans of "You Again," "One Day," and "People We Meet on Vacation." After a road trip from Iowa City to New York City following their graduation, Teddy and Marin are ready to put their past behind them.
by Erika Veurink
Erika Veurink‘s debut novel, Exit Lane, is a deeply personal and engaging romance filled with humor, passion, and intense longing. It’s an ideal read for fans of “You Again,” “One Day,” and “People We Meet on Vacation.” After a road trip from Iowa City to New York City following their graduation, Teddy and Marin are ready to put their past behind them.
However, their lives continue to intersect over the next eight tumultuous years, marked by chance encounters and trips across the Atlantic. Ultimately, their journey leads them back to where it all began.
Erika Veurink is a writer, founder of EV Salon, and brand consultant who lives in Brooklyn by way of Iowa. She has an MFA from Bennington College and is a contributor to Vogue, New York Magazine, WSJ, and GQ. She writes the fashion newsletter, Long Live. Exit Lane is her debut novella.
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by Toni Morrison
Today, I started reading “A Mercy” by Toni Morrison. The acclaimed Nobel Prize winner explores the complexities of slavery in this novel. Like “Beloved,” it tells the poignant story of a mother and her daughter—a mother who abandons her child to protect her and a daughter who struggles with that abandonment. “A Mercy” is also recognized as one of The New York Times’s 100 Best Books of the 21st Century.
In the 1680s, a tumultuous period in the Americas, the slave trade is still in its infancy. Jacob Vaark, an Anglo-Dutch trader and adventurer, navigates this harsh landscape with a small holding in the North. Despite his distaste for dealing in “flesh,” he takes a small slave girl in part payment for a bad debt from a plantation owner in Catholic Maryland. She is Florens, a girl who can read and write and might be helpful on his farm. Rejected by her mother, Florens embarks on a journey for love, first seeking it from Lina, an older servant woman at her new master’s house, and later from the handsome blacksmith, an African, never enslaved, who comes riding into their lives.
by Erin Somers
“The Ten Year Affair” by Erin Somers is a witty and emotionally charged exploration of marriage, family life, and the paths not taken, ultimately asking: Do we really want our fantasies to come true? This hilariously sharp novel weaves a sliding doors narrative around a chance meeting between two young parents, both happily married (just not to each other), that sparks a will-they-won’t-they romance—perfect for fans of “Big Swiss” and “Acts of Service.”
When Cora meets Sam at a baby group in their small town, the chemistry between them is undeniable. Both are content in their marriages and have two kids, and neither sees themselves as the type to engage in an affair. Yet, their connection deepens, and as their lives intertwine, the romantic tension becomes all-consuming—until their worlds unravel into two parallel timelines. In one, they pursue their feelings; in the other, they resist.
As reality splits, the everyday details of Cora’s life—her unfulfilling marketing job, her daughter’s newfound fascination with the afterlife, and her husband’s obsession with podcasts about the history of rope—gain fresh perspective. The intersecting and diverging timelines blur the boundaries between reality and fantasy, questioning what might have been and what truly matters.
Erin Somers is a reporter and news editor at Publishers Lunch. Her debut novel, “Stay Up with Hugo Best“, was recognized as a Vogue Best Book of the Year in 2019. Her work has appeared in esteemed publications such as The New Yorker, The Paris Review, The New York Times Book Review, The New Republic, New York magazine, The Atlantic, Esquire, GQ, and Best American Short Stories, among others.
Somers has received an Emerging Writer Fellowship from the NYC Center for Fiction, a fellowship from the Millay Colony, and was a finalist for a National Magazine Award in 2020. She resides in New York’s Hudson Valley with her family.
Discover your next favorite book and dive into a world of curated, exciting reads by purchasing through my links. You’ll have access to a diverse selection of books that I’ve personally vetted to ensure quality and enjoyment. Additionally, by supporting these selections, you’ll help me continue to provide you with more personalized recommendations. I earn a small commission from your purchase, which allows me to buy and share even more books with you. Your support truly makes a difference!
by Salman Rushdie
Victory City: A Novel by Salman Rushdie is an epic tale of a woman who breathes a fantastical empire into existence, only to be consumed by it over the centuries from the transcendent imagination of Booker Prize-winning, internationally bestselling author Salman Rushdie. It is well written and was a page-turner from page one to the end. I highly recommend this novel and encourage everyone to read it.
Brilliantly styled as a translation of an ancient epic, this is a saga of love, adventure, and myth that is a testament to storytelling’s power. After witnessing her mother’s death, the grief-stricken Pampa Kampana becomes a vessel for the goddess Parvati, who begins to speak out of the girl’s mouth. I was hooked when Pampa Kampana provided the seeds that created Victory City out of thin air.
David Remnick’s interview with Salman Rushdie in The New Yorker provided background I would have missed.
“The first kings of Vijayanagara announced, quite seriously, that they were descended from the moon,” Rushdie said. “So when these kings, Harihara and Bukka, announce that they’re members of the lunar dynasty, they’re associating themselves with those great heroes. It’s like saying, ‘I’ve descended from the same family as Achilles.’ Or Agamemnon. And so I thought, Well, if you could say that, I can say anything.”
Above all, the book is buoyed by the character of Pampa Kampana, who, Rushdie says, “just showed up in my head” and gave him his story, his sense of direction. Rushdie’s pleasure in writing the novel was in “world building” and, at the same time, writing about a character building that world: “It’s me doing it, but it’s also her doing it.” The pleasure is infectious. “Victory City” is an immensely enjoyable novel. It is also an affirmation. At the end, with the great city in ruins, what is left is not the storyteller but her words:
The Goodreads summary provides a brief overview,
In the wake of an insignificant battle between two long-forgotten kingdoms in fourteenth-century southern India, a nine-year-old girl has a divine encounter that will change the course of history. After witnessing her mother’s death, the grief-stricken Pampa Kampana becomes a vessel for the goddess Parvati, who begins to speak out of the girl’s mouth. Granting her powers beyond Pampa Kampana’s comprehension, the goddess tells her that she will be instrumental in the rise of a great city called Bisnaga–literally victory city–the wonder of the world.
Over the next two hundred and fifty years, Pampa Kampana’s life becomes deeply interwoven with Bisnaga’s, from its literal sowing out of a bag of magic seeds to its tragic ruination in the most human of ways: the hubris of those in power. Whispering Bisnaga and its citizens into existence, Pampa Kampana attempts to make good on Parvati’s task: giving women equal agency in a patriarchal world. But all stories have a way of getting away from their creator, and Bisnaga is no exception. As years pass, rulers come and go, battles are won and lost, and allegiances shift, the very fabric of Bisnaga becomes an ever more complex tapestry–with Pampa Kampana at its center.
The Jan Lilien Education Fund sponsors ongoing sustainability and environmental awareness programs. Gifts made this month; I will match dollar-for-dollar. All donations are tax-deductible.
I receive a commission when you buy a book or product using a link on this page. Thank you for supporting Sharing Jan’s Love blog.
by Claire Adam
Love Forms, a novel by Claire Adam that is longlisted for the 2025 Booker Prize, is a profoundly moving story about a woman’s journey of self-discovery. This novel stands out with its unique exploration of a mother’s life, emphasizing the enduring bonds of love, family, and home. The protagonist’s search for the daughter she gave up for adoption at sixteen challenges her to reconsider every life decision she has made.
For much of her life, Dawn has felt as if something is missing. Now, at the age of fifty-eight, with a divorce behind her and her two grown-up sons busy with their own lives, she should be trying to settle into a new future for herself. But she keeps returning to the past and to the secret she’s kept all these years. At just sixteen, Dawn found herself pregnant, and—as was common in Trinidad back then—her parents sent her away to have the baby and give her up for adoption.
More than forty years later, Dawn yearns to reconnect with her lost daughter. But tracking down her child is not as easy as she had thought. It’s an emotional journey that leads Dawn to retrace her steps—from Trinidad to Venezuela and then to London—and to question not only that fateful decision she’d made as a teenager but every turn in the road of her life since.
Claire Adam‘s debut novel, Golden Child, was published by Sarah Jessica Parker’s SJP for Hogarth. It was listed as one of the BBC’s “100 Novels That Shaped Our World” and was awarded the Barnes & Noble Discover Prize, the Desmond Elliott Prize, the Authors’ Club Best First Novel Award, and the McKitterick Prize. She was born and raised in Trinidad and Tobago. She studied physics at Brown University and later received an MA in creative writing at Goldsmiths, University of London. Adam lives in London.
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by Michael Stephen Daigle
A Game Called Dead by Michael Stephen Daigle is the sequel to “The Swamps of Jersey,” the first Frank Nagler Mystery. Having read the fourth one – The Red Hand, I recently read the first one and thought this was an excellent time to read the second in this impressive deceptive series.
Reading the Frank Nagler Mysteries is rare when this reviewer knows the author. Mr. Daigle wrote this is the overview of A Game Called Dead.
Nagler is called to investigate the brutal attack on two women at the local college. It begins a tale of urban terror, which seems to be directed at Nagler and his associates.
The story introduces the mysterious terrorist #ARMEGEDDON, who taunted the police from cyberspace.
The story also digs deeper into Nagler’s past, especially the old Charlie Adams serial-killer case, and his relationship with Lauren Fox, who played a crucial role in exposing the political corruption in “Swamps.” She is back and steps into the front of Nagler’s life.
The story also introduced Harriet Waddley-Jones, a college dean, Nagler’s nemesis, and later ally.
Each book is a challenge to write a “better” book. In this case, I wanted tighter, faster action to develop a theme and flow to help carry the story. Sound and the description of sound are keys.
I also wanted Nagler to confront aspects of his past. Can he reconcile them, or will they always haunt him?
This reviewer’s opinion was a more substantial plot than the first book in the Frank Nagler Mysteries. Like all good mysteries, the suspense built page by page, and I figured out who the villain was late in the novel.
The one part that was difficult for me to read was the ending and the potential reigniting of the relationship with Lauren Fox. Having lost Jan, my wife, this year, I am aware of Frank Nagler’s pain in the first book about losing his wife. Ms. Fox only appeared in The Swamps of Jersey as a lost friend. I understand that some widows need to find love again to feel happy, which is not what I need or am seeking. The next book may provide some difficult moments on this topic, but I look forward to reading the next Frank Nagler Mystery.
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by Mohsin Hamid
The Last White Man by Mohsin Hamid is a story of love, loss, and rediscovery in a time of unsettling change. One morning, Anders, the novel’s protagonist, wakes to find that his skin has turned dark, his reflection a stranger to him. At first, he tells only Oona, an old friend, newly a lover. Soon, reports of similar occurrences surface across the land.
In Mohsin Hamid’s “lyrical and urgent” prose (O Magazine), The Last White Man powerfully uplifts our capacity for empathy and the transcendence over bigotry, fear, and anger it can achieve.
I highly recommend this book. It was a page-turner that kept me thinking about love, loss, and rediscovery. All three are subjects close to my heart since Jan’s death.
I decided to read the book after hearing an interview with the author on All of It on WNYC.
One morning, Anders wakes to find that his skin has turned dark, his reflection a stranger to him. At first he tells only Oona, an old friend, newly a lover. Soon, reports of similar occurrences surface across the land. Some see in the transformations the long-dreaded overturning of an established order, to be resisted to a bitter end. In many, like Anders’s father and Oona’s mother, a sense of profound loss wars with profound love. As the bond between Anders and Oona deepens, change takes on a different shading: a chance to see one another, face to face, anew.
Hamid’s The Last White Man invites us to envision a future – our future – that dares to reimagine who we think we are, and how we might yet be together.
The Jan Lilien Education Fund sponsors ongoing sustainability and environmental awareness programs. Gifts made this month; I will match dollar-for-dollar. All donations are tax-deductible.
I receive a commission when you buy a book or product using a link on this page. Thank you for supporting Sharing Jan’s Love blog.
