Living and Grieving

Estimated reading time: 10 minutes, 14 seconds

Four Years After Loss: Grieving and Living in a Community

As I was about to say “Shabbat Shalom” to Roger and head upstairs, he mentioned that it had not yet been four years—a fact that neither of us could fully comprehend. I told him I missed her and acknowledged that I was who I was because of our shared love. However, I knew I could not let my sorrows overwhelm me.

Big Climb

Reflecting on the past forty-eight months, I told Roger that I believed I had grown and managed my grief better than I had anticipated. It felt more like a statement than a question, but Roger quickly agreed. He added that my “successful journey through grief, as well as your willingness to share it, had helped many people.” His words resonated deeply, and I was amazed by how well he understood my experience navigating my journey of loss.

We kept chatting, and I found it challenging to end the conversation, even though I knew it was time to go. As I unbuckled my seatbelt and opened the door, we shook hands and simultaneously said, “Shabbat Shalom.” As I closed the door, Roger mentioned we would do this again next week, and I nodded in agreement.

As I climbed the stairs, the only word that echoed in my mind was “Amen.” I repeated it several times as I entered my apartment. After asking Siri to stop the music, I removed my coat and hat, then reached for my copy of “The Amen Effect.” I wanted to verify Rabbi Borus‘s definition of amen, which she wrote:

That single word—amen—conveys a world of meaning. It’s powerful and ancient, appearing thirty times in the Hebrew Bible. For thousands of years, this word has echoed through Jewish, Christian, and Muslim religious practice, with a similar resonance to the African Yoruba tradition of Ashe or Ase. It’s a verbal affirmation, a kind of sacred witness: “Yes!” we’re saying. I’m with you.” In the Jewish tradition, saying “Amen” to someone else’s blessing is an act of cosmic significance because the very nature of the word indicates a relationship between seekers, an affirmation of one person’s blessing by another. It derives from the Hebrew word emunah, meaning belief or trust. As in, ‘I believe you.! see you.'”

The Amen Effect‘ by Rabbi Sharon Brous

I am believed; I am seen. I believe in others and see them for who they are. Although I may reside within my home, I live, grieve, and thrive within my community.

Shalom, Love, and Hope! Amen!


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The Unfolding

Read: October 2022

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The Unfolding: A Novel

by A.M. Homes

The Unfolding by A.M. Homes is a darkly comic political parable braided with a Bildungsroman that takes us inside the heart of a divided country. The Unfolding is an alternative history that is terrifyingly prescient, profoundly tender, and devastatingly funny. Will this novel help me to understand how we became a nation that no longer shares the same definitions of truth, freedom, and democracy, much less a shared vision of the future?

Although I understand more clearly the crisis facing the US, I highly recommend this novel.

Ms. Homes has written a must-read book that compliments the January 6th Committee report and should make us all more vigilant.

The characters are so well defined that at the end of the novel, I wanted to continue to read about them, especially Meghan.

The Goodreads summary provides an overview,

The Big Guy loves his family, money, and country. Undone by the 2008 presidential election results, he taps a group of like-minded men to reclaim their version of the American Dream. As they build a scheme to disturb and disrupt, the Big Guy also faces turbulence within his family. His wife, Charlotte, grieves a life not lived, while his 18-year-old daughter, Meghan, realizes that her favorite subject–history–is not exactly what her father taught her.

In a story that is as much about the dynamics within a family as it is about the desire for those in power to remain in force, Homes presciently unpacks a dangerous rift in American identity, prompting a reconsideration of the definition of truth, freedom, and democracy–and exploring the explosive consequences of what happens when the exact words mean such different things to people living together under one roof.

In her first novel since the Women’s Prize award-winning May We Be Forgiven, A.M. Homes delivers us back to ourselves in this stunning alternative history that is both terrifyingly prescient, deeply tender, and devastatingly funny.


The Jan Lilien Education Fund sponsors ongoing sustainability and environmental awareness programs. Gifts made this month; I will match dollar-for-dollar. All donations are tax-deductible.

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Zenith Man

Read: February 2023

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Zenith Man, Inheritance #4

by Jennifer Haigh

Tonight I read Zenith Man by Jennifer HaighA 911 call begins the story. A man reports his wife had died, but no one knew he had a wife. For thirty-two years, they had been married, and only one person had seen her, but only for a minute when she said: “supper was ready.” I read the first page and immediately found myself with a short page-turner that I could not stop reading. I recommend Zenith Man.

Actual events inspired this story. For many decades, many acquaintances of Jan and mine had no idea we were married. Once they found out, the response was, “we should have known as the two of you are perfect for each other.” But they knew we were married and had met both of us.

Being a widow, I found this phrase in the story emotional and very moving.

“She was a good woman,” Harold told Cob Krug. “I was lucky to have her. I promised to keep her in sickness and in health, and that’s what I did.”

Is there anything more that can summarize the love between two people?

I highly recommend Zenith Man, part of Inheritance, a collection of five stories about secrets, unspoken desires, and dangerous revelations between loved ones. Each Inheritance piece can be read or listened to in a single setting. By yourself, behind closed doors, or shared with someone you trust. Zenith Man is the fourth one in the series I have read. The previous three were Everything My Mother Taught Me, Can You Feel This?, and The Lion’s Den.

I have enjoyed all four and look forward to reading the final one.

Now that I have read Ms. Haigh’s short story, I have added her newest novel, Mercy Streetto my queue.

The Goodreads summary provides an overview,

Whatever had been going on inside the shuttered old house, the couple who lived there kept it to themselves. Among the locals, there’s only chilling speculation.

Neighbors are shocked when Harold Pardee reports his wife dead. No one even knew the eccentric TV repairman was married. Within hours, horrible rumors spread about what that poor woman must have endured for thirty years. Until the Pardees’ carefully guarded world is exposed. New York Times bestselling author Jennifer Haigh delivers an endearing short story about our misguided perception of strangers, the nature of love, and the need for secrets.


The Jan Lilien Education Fund sponsors ongoing sustainability and environmental awareness programs. Gifts made this month; I will match dollar-for-dollar. All donations are tax-deductible.

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Grand Rapids: A Novel

Read: January 2026

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Grand Rapids: A Novel

by Natasha Stagg

Natasha Stagg‘s “Grand Rapids” is a coming-of-age story set in the Michigan suburbs in the early 2000s. Alexander Calder’s public sculpture, “La Grande Vitesse”, installed alongside the Grand River in downtown Grand Rapids, has become a symbol of the city. Tess moved there from Ypsilanti, Michigan, in 2001—the same year her mother passed away, marking the beginning of a time when everything felt like it was moving in slow motion for her.

Thrust into adolescence nearly rudderless, fifteen-year-old Tess is intoxicated, angsty, and sexually awake. A decade later, inspired by diary entries and TV reruns, she remembers this summer in the suburbs as the one that redefined her. Its echoes of death are frozen in time, like the waves represented in Calder’s sculpture or the concrete steps leading down to the churning river. She sees Grand Rapids as a collection of architecture and emblems, another home to which she cannot return.


Natasha Stagg is the author of Surveys: A Novel (2016), Sleeveless: Fashion, Image, Media, New York 2011–2019 (2019), and Artless: Stories 2019–2023 (2023). She lives in New York City.



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Killing Stella

Read: July 2025

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Killing Stella

by Marlen Haushofer

Yesterday, I read “Killing Stella,” written by Marlen Haushofer and translated by Shaun Whiteside, which is a domestic horror story that culminates in an apocalyptic ending. This novella captures many of the themes present in Haushofer’s acclaimed novel, “The Wall,” presenting them within a claustrophobic, gothic, and striking narrative. It offers a gripping and incisive exploration of a fractured marriage, highlighting the remarkable talent of the author of “The Wall,” now available in English for the first time.

Main description: Left alone for the weekend while her husband and two children visit her in-laws, the narrator of “Killing Stella” recounts the addition of her friend’s daughter, Stella, to their already tense and tumultuous household. As she stares out the window at her garden, she worries about a baby bird in the linden tree, her husband Richard, who flits from one adulterous affair to another, her son’s gloomy demeanor, and her daughter’s obliviousness to everything. Most of all, she worries about Stella, a confused teenager who has met a sudden and disastrous end.


Marlen Haushofer (1920–1970) was an Austrian author known for her short stories, novels, radio plays, and children’s books. Her work has significantly influenced many German-speaking writers, including Nobel Prize winner Elfriede Jelinek, who dedicated one of her plays to Haushofer. One of her most notable works, “The Wall“, was adapted into a film in 2012, directed by Julian Pölsler and starring Martina Gedeck.

Shaun Whiteside is known for his translations of classic works from German, including those by Freud, Musil, and Nietzsche.



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Neighbors and Other Stories

Read: February 2024

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Neighbors and Other Stories

by Diane Oliver

Today, I began reading Diane Oliver‘s Neighbors and Other Stories. It’s a powerful and eerie debut collection of stories that portrays the struggles of different characters as they face the everyday dangers of racism during the Jim Crow era. The book features an introduction by Tayari Jones.

Diane Oliver is an important yet often overlooked figure in African American literature of the 20th century. She was a gifted writer, ahead of her time, whose talent was cut short by her untimely death at 22 in 1966. Nevertheless, she left behind a remarkable collection of crisply written and often chilling tales that delve into race and racism in America during the 1950s and 60s. Oliver’s insightful stories remain relevant today; this is the only existing collection of her works. She has rightfully earned her place in the literary canon as a masterful storyteller.

The passage below describes several short stories with different themes. The first story, “The Closet on the Top Floor,” tells the story of Winifred, the first Black student in a newly integrated college. In this story, Winifred begins to disappear, creating a nightmarish scenario. The second story is titled “Mint Juleps not Served Here.” It’s about a couple who live deep in a forest with their son. They will go to bloody lengths to protect him from any danger. The third story, “Spiders Cry without Tears,” features a couple named Meg and Walt. They must confront prejudices and strains of interracial and extramarital love. Finally, the last story is the titular one, and it’s a high-tension narrative that follows a nervous older sister the night before her younger brother is set to desegregate his school.

These are powerful and personal depictions of African American families everyday struggles and moments of distress, illustrating how they utilize their abilities to overcome challenges. “Neighbors” is an enthralling compilation and a valuable historical and social document, displaying the remarkable literary skills of a previously overlooked author.

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Ahab's Wife: Or, The Star-gazer: A Novel

Read: August 2021

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Ahab’s Wife: Or, The Star-gazer

by Sena Jeter Naslund

Ahab’s Wife: Or, The Star-gazer by Sena Jeter Naslund is a book I could not put down once I finished the first chapter. “Captain Ahab was neither my first husband nor my last.” is one of the most-recognized first sentences in literature–along with “Call me Ishmael.”

Sena Jeter Naslund has created a transcendent heroine – Una Spenser – who is as memorable as Ahab. Una’s universe spans a time that begins to redefine both women and men.

After a spellbinding opening scene, the tale flashes back to Una’s childhood in Kentucky; her idyllic adolescence with her aunt and uncle’s family at a lighthouse near New Bedford; her adventures disguised as a cabin boy on a whaling ship; her first marriage to a fellow survivor who descends into violent madness; courtship and marriage to Ahab; life as mother and a rich captain’s wife in Nantucket; involvement with Frederick Douglass; and a man who is in Nantucket researching his novel about his adventures on her ex-husband’s ship.

Ahab’s Wife is a breathtaking, magnificent, and uplifting story of one woman’s spiritual journey, informed by the spirit of the greatest American novel, but taking it beyond tragedy to redemptive triumph.

Having read this book, I can easily understand why my wife loved the book and encouraged me to read it. Her life story was much like Una’s, an uplifting story of her spiritual journey and her quest to repair the world.

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