“The Book of I” by David Greig is a remarkable debut novel from Scotland, shortlisted for both the Highland Book Prize and the Bookmark Book Festival Book of the Year. This unique work offers a philosophical exploration of themes such as guilt, redemption, humanity, love, and the beliefs we hold dear. Told with humor and enhanced by sharply vivid dialogue, David Greig skillfully bridges the gap between our contemporary world and the past.

Set in the year 825 CE, the story unfolds in the aftermath of a brutal attack by northern raiders, leaving an unlikely trio as the sole survivors on a remote Scottish island. The survivors include Brother Martin, a young monk who is the only member of the local monastery to escape martyrdom; Una, a beekeeper and mead maker who has freed herself from her violent husband during the chaos; and Grimur, an aging Norseman who digs himself out of a makeshift grave where his fellow raiders had left him, believing him to be dead.

As the seasons change in this wild and isolated environment, their initial distrust of one another evolves into a complex exploration of the distances and connections among them. “The Book of I” is a unique novel that serves as a philosophical commentary on guilt, redemption, humanity, love, and the beliefs we choose to embrace.

David Greig is a renowned Scottish writer whose plays have been performed extensively across the UK and internationally. His notable works for the theatre include The Strange Undoing of Prudencia Hart, Touching the Void, Midsummer, The Events, Charlie and the Chocolate Factory, Local Hero, and Macbeth (also known as Dunsinane). He served as the Artistic Director of Edinburgh’s Lyceum Theatre from 2015 to 2025. The Book of I marks his debut novel.

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“Discontent” by Beatriz Serrano is a bold and darkly humorous novel that follows a young woman whose carefully constructed office persona starts to unravel when she is compelled to attend her company’s annual retreat. On the surface, Marisa’s life appears enviable. She lives in a beautiful apartment in the heart of Madrid, has a charming neighbor who often spends time with her, and has quickly ascended the ranks at a successful advertising agency.

And yet she’s drowning in a dark hole of existential dread induced by the banality of corporate life. Marisa hates her job and everyone at it. She spends her working hours locked in her office, hiding from her coworkers, bingeing on YouTube videos, and getting high on tranquilizers. When she has the time, she escapes to her favorite museum where she contemplates the meaning of life while staring at Hieronymus Bosch paintings, or tries to get hit by a car so she can go on disability.

However, Marisa’s dubious success, which is primarily built on lies and work she has stolen from others, is in danger of being exposed when she’s forced to attend her company’s team-building retreat. Isolated in the Segovia forests, haunted by the deeply buried memory of a former coworker, and surrounded by psychopathic bosses, overzealous coworkers, flirty retreat staff, and an excess of drugs, Marisa finds herself acting on her wildest impulses. She is pushed to the brink of a complete spiral.

Beatriz Serrano is a striking new voice in international literature. A writer and journalist who has written for publications such as BuzzFeed, Vanity Fair, GQ, Harper’s Bazaar, El País, SModa, and Vogue. Along with writer Guillermo Alonso, she currently co-directs the podcast “Arsenic Caviar“, which won the Ondas Prize for best conversational podcast. Discontent is her first novel. She lives in Madrid.

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“What We Can Know” by Ian McEwan, the critically acclaimed author of nineteen novels and two short story collections, is a remarkable work of fiction and a love story that celebrates both individuals and the words they leave behind. This literary detective story reclaims the present from our sense of impending catastrophe and envisions a future world where not everything is lost.

In 2014, during a dinner for close friends and colleagues, renowned poet Francis Blundy honored his wife’s birthday by reading aloud a new poem dedicated to her, titled “A Corona for Vivien.” As the guests enjoy a delicious meal and drink plenty of wine, little do they know that people will speculate about the meaning of this poem for generations to come. A copy of the poem was never published, and it remains an enduring mystery.

Fast forward to 2119: over one hundred years in the future, rising seas following a catastrophic nuclear accident have submerged much of the Western world. The survivors tormented by the memory of the vibrant world research the world that once existed. In the waterlogged south of what was once England, Thomas Metcalfe, a lonely scholar and researcher, longs for the early twenty-first century as he searches for the elusive poem “A Corona for Vivien.”

Thomas reflects on how wild and full of risk their lives were, captivated by the freedoms and possibilities of human life at its zenith. When he stumbles upon a clue that may lead to the poem’s discovery, he uncovers a story of entangled loves and a brutal crime that shatters his assumptions about people he thought he knew intimately.

Ian McEwan is a critically acclaimed author known for his nineteen novels and two short story collections. His first published work, a collection of short stories titled “First Love, Last Rites,” won the Somerset Maugham Award.

His notable novels include “The Child in Time,” which won the Whitbread Novel of the Year Award in 1987; “The Cement Garden“; “Enduring Love;” “Amsterdam;” which won the Booker Prize in 1998; “Atonement;” “Saturday;” “On Chesil Beach;” “Solar;” “Sweet Tooth;” “The Children Act;” “Nutshell;” and “Machines Like Me,” which became a number-one bestseller.

Several of his works, including “Atonement,” “Enduring Love,” “The Children Act;,” and “On Chesil Beach,” have been adapted into films.

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“Good and Evil and Other Stories” by Samanta Schweblin, translated by Megan McDowell, explores characters who find themselves at a point of no return, captivated by the impending tragedy surrounding them. Vulnerable and deeply human, they become ensnared in moments when the uncanny intrudes upon their lives. Some characters transform, others find themselves isolated, and many oscillate between feelings of guilt and tenderness. All are driven by uncertainty.

Schweblin’s prose employs tension and truth to create a literary universe where the monsters of everyday life come so close that we can almost feel their breath. Her writing evokes both awe and discomfort, placing readers in a state of alarm while transporting them to a world that is both recognizable and strange.

Samanta Schweblin won the 2022 National Book Award for Translated Literature for her story collection Seven Empty Houses. Her debut novel, Fever Dream, was shortlisted for the International Booker Prize, while her book, Little Eyes, and her story collection, Mouthful of Birds, have both been longlisted for the same prize. Her books have been translated into over forty languages, and her stories have appeared in prestigious English publications, including The New Yorker, The Paris Review, Granta, and Harper’s Magazine. Originally from Buenos Aires, Schweblin currently lives in Berlin.

Megan McDowell is the recipient of a 2020 Award in Literature from the American Academy of Arts and Letters and has been short- or longlisted four times for the International Booker Prize. She resides in Santiago, Chile.

Discover your next favorite book and dive into a world of curated, exciting reads by purchasing through my links. You’ll have access to a diverse selection of books that I’ve personally vetted to ensure quality and enjoyment. Additionally, by supporting these selections, you’ll help me continue to provide you with more personalized recommendations. I earn a small commission from your purchase, which allows me to buy and share even more books with you. Your support truly makes a difference!

Today, I delved into Elena Ferrante‘s captivating novel My Brilliant Friend. This acclaimed book hailed as the #1 Book of the 21st Century by the New York Times, weaves a timeless tale of the enduring bond between two women from Naples. With its rich character development and evocative historical setting, it stands alongside other character-driven works of literary fiction.

Beginning in the 1950s in a poor but vibrant neighborhood on the outskirts of Naples, Elena Ferrante’s four-volume story spans almost sixty years. The main characters, the fiery and unforgettable Lila and the bookish narrator, Elena, are bound by an enduring friendship that withstands the test of time and life’s challenges. This first novel in the series follows Lila and Elena from their fateful meeting as ten-year-olds through their school years and adolescence, evoking a sense of enduring connection and emotional resonance.

Through the lives of these two women, Ferrante weaves a compelling narrative of a neighborhood, a city, and a country undergoing profound transformation. These societal changes, in turn, also reshape the relationship between the two women, adding a rich layer of historical and cultural context to the story. This context will enrich your reading experience and provide a deeper understanding of the characters and their journey.

Midwives by Chris Bohjalian is “a compulsively readable novel that explores questions of human responsibility that are as fundamental to our society now as they were when the book was first published.” Forty years after the book was published, it is just as relevant, if not more so. Indeed, the book’s topics are more relevant today with the current set of decisions by the Supreme Court.

After reading The Pull of the Stars and watching every season of Call the Midwives, this was the logical next book for me to read. It is also one that I know Jan read and liked. 

I highly recommend this book!

The Goodreads summary provides a concise overview. 

The time is 1981, and Sibyl Danforth has been a dedicated midwife in the rural community of Reddington, Vermont, for fifteen years. But one treacherous winter night, in a house isolated by icy roads and failed telephone lines, Sibyl takes desperate measures to save a baby’s life. She performs an emergency Caesarean section on its mother, who appears to have died in labor. But what if—as Sibyl’s assistant later charges—the patient wasn’t already dead, and it was Sibyl who inadvertently killed her?

As recounted by Sibyl’s precocious fourteen-year-old daughter, Connie, the ensuing trial bears the earmarks of a witch hunt except that all its participants are acting from the highest motives—and the defendant increasingly appears to be guilty. As Sibyl Danforth faces the antagonism of the law, the hostility of traditional doctors, and the accusations of her conscience, Midwives engages, moves, and transfixes us as only the best novels ever do. 

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I recently recommended reading “Brooklyn Crime Novel: A Novel” by Jonathan Lethem. The story is set in 1970s Brooklyn, where a daily ritual occurs on the streets. This ritual involves exchanging money, surrendering belongings, and asserting power. Violence is promised everywhere and becomes a currency itself.

Regardless of race, the street is like a stage in the shadows for the children. In the background, other players hide, including parents, cops, renovators, landlords, those who write the headlines, histories, and laws, and those who award this neighborhood its name.

Although the rules seem apparent initially, in memory’s prism, the roles of criminals and victims may appear to trade places. The voices of the past rise and gather as if in harmony, then war with one another. A street may seem to crack open and reveal what lies behind its shimmering facade. None who lived through it are ever permitted to forget.

Jonathan Lethem has written this story with kaleidoscopic verve and delirious wit, making it a breathtaking tour de force by a writer at the top of his powers. He has crafted an epic interrogation of how we fashion stories to contain the uncontainable: our remorse at the world we’ve made. He is known as “one of America’s greatest storytellers” by the Washington Post.

The Jan Lilien Education Fund sponsors ongoing sustainability and environmental awareness programs. Gifts made this month; I will match dollar-for-dollar. All donations are tax-deductible.

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Today, I would like to recommend the book “Eastbound” by Maylis De Kerangal, which has been beautifully translated into English by Jessica Moore. The story revolves around a Russian conscript and a French woman who cross paths on the Trans-Siberian railroad, each trying to escape to the East for different reasons. “Eastbound” is an adventure story that takes you through two vibrant inner worlds.

The book has been listed as one of the five best fiction books 2023 by The New York Times. Maylis De Kerangal has done an excellent job telling the story of two unlikely souls with gorgeously translated, winding sentences that evoke a striking sense of tenderness. The brutality of the surrounding world contrasts sharply with the growing collaboration between the two characters.

As the story progresses, we meet Aliocha, a young Russian conscript who decides to desert the train soon after boarding the Trans-Siberian train with other Russian conscripts. During a midnight smoke in a dark corridor of the train, Aliocha encounters an older French woman, Hélène, for whom he feels an uncanny trust. He urgently asks Hélène, through pantomime and basic Russian, for her help hiding him. They hurry from the filth of his third-class carriage to Hélène’s first-class sleeping car. As Aliocha becomes a hunted deserter, Hélène becomes his accomplice, having her inner landscape of recent memories to contend with.

The Jan Lilien Education Fund sponsors ongoing sustainability and environmental awareness programs. Gifts made this month; I will match dollar-for-dollar. All donations are tax-deductible.

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In “The Catch,” her captivating debut novel, Yrsa Daley-Ward creates a vibrant multiverse that delves into the complexities of daughterhood and mother-want. She explores the sacrifices women often make in their pursuit of self-actualization. The result is a remarkable novel that boldly poses the question: “How can it ever be a crime to choose yourself?”

Twin sisters Clara and Dempsey have always struggled to connect, their familial bond severed after their mother vanished into the Thames. As infants, they were adopted by different families: Clara went to live with a successful, upper-class couple, while a distant and unaffectionate city councilor took in Dempsey. As adults, the sisters have settled into a comfortable estrangement until Clara spots a woman on the streets of London who looks exactly like their mother. The twist? This version of Serene appears ageless and has lived a childless life — the very life she might have had if the girls had never been born.

As with most things, Clara and Dempsey cannot agree on the strange appearance of this woman. Clara, a celebrity author with a penchant for excessive drinking and one-night stands, is eager to welcome the confident and temperamental Serene into her home. In contrast, reclusive Dempsey, who makes a modest living doing menial data entry work from her apartment, is suspicious of the entire situation, believing it to be a cunning scheme by a con woman.

As the sisters clash over this stranger who increasingly intrudes into their lives, they hurtle toward a confrontation that threatens their very existence, ultimately forcing them to face their shared past together.

Yrsa Daley-Ward is a poet, writer, and actress. She is the author of The How, bone, and The Terrible, for which she won the PEN Ackerley Prize. She lives in Los Angeles.

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A Book for Our Turbulent Times

Leadership: In Turbulent Times by Doris Kearns Goodwin, one of America’s best presidential historians, offers an illuminating exploration of the early development, growth and exercise of leadership as demonstrated by Presidents Lincoln, Theodore Roosevelt, FDR and Johnson.

I received this book for Hanukkah from my granddaughter and son Mike and his girlfriend Elyssa. They know me very well. A book by Ms. Goodwin is always a must read. If you add in Lincoln, the two Roosevelt’s and LBJ, it is a book I cannot put down.

This NPR interview with Ms. Goodwin is worth listening to.

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