Today, I started reading Let Us Descend: A Novel by Jesmyn Ward. She is a two-time National Book Award winner, the youngest winner of the Library of Congress Prize for American Fiction, and a MacArthur Fellow. The book is a haunting masterpiece that is sure to become an instant classic. It tells the story of an enslaved girl in the years before the Civil War.
by Jesmyn Ward
Today, I started reading Let Us Descend: A Novel by Jesmyn Ward. She is a two-time National Book Award winner, the youngest winner of the Library of Congress Prize for American Fiction, and a MacArthur Fellow. The book is a haunting masterpiece that is sure to become an instant classic. It tells the story of an enslaved girl in the years before the Civil War.
The book’s title is from Dante Alighieri’s Inferno: “‘Let us descend,’ the poet now began, ‘and enter this blind world.” Let Us Descend is a reimagining of American slavery, beautifully rendered yet heart-wrenching. The novel takes us on a journey from the rice fields of the Carolinas to the slave markets of New Orleans and into the fearsome heart of a Louisiana sugar plantation.
Annis is the reader’s guide through this hellscape, sold south by the white enslaver who fathered her. As Annis struggles through the miles-long march, she turns inward, seeking comfort from memories of her mother and stories of her African warrior grandmother. Throughout the journey, she opens herself to a world beyond this world, one teeming with spirits: of earth and water, of myth and history, spirits who nurture and give, and those who manipulate and take. While Ward leads readers through the descent, this, her fourth novel, is ultimately a story of rebirth and reclamation.
Let Us Descend is a magnificent novel that inscribes Black American grief and joy in the very land of the American South. Ward’s writing takes you through the rich but unforgiving forests, swamps, and rivers of the South, making this novel a masterwork for the ages.
The Jan Lilien Education Fund sponsors ongoing sustainability and environmental awareness programs. Gifts made this month; I will match dollar-for-dollar. All donations are tax-deductible.
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by Lena Khalaf Tuffaha
I recently read “Something About Living” by Lena Khalaf Tuffaha, a poet and essayist whose work resonates deeply. The book of poems won the 2024 National Book Award for Poetry and delved into Palestinian life through the lens of the American language, revealing a legacy of obfuscation and erasure. It questions what happens when language packages ongoing disasters for consumption and disposal.
As a Jew supporting a two-state solution, I initially hesitated to read this collection of poems. However, I was pleasantly surprised by the lyrical beauty of the verses, which explore love not just as an emotion but as a transformative force and “a radical act.” Every poem that genuinely resonated with me. “Something About Living” is a book I highly recommend for its depth and insight!
Ms. Khalaf Tuffaha has an incredible literary repertoire; her previous work, “Water & Salt,” earned the esteemed 2018 Washington State Book Award, while “Kaan & Her Sisters” was a finalist for the Firecracker Award. In addition, “Something About Living” also received the 2022 Akron Prize for Poetry. I’m excited to explore her profound insights and lyrical mastery!
Adrian Matejka, the author of “Somebody Else Sold the World,” has written about “Something About Living,”
“It’s nearly impossible to write poetry that simultaneously holds the human desire for joy and the insistent agitations of protest, but Lena Khalaf Tuffaha‘s gorgeous and wide-ranging new collection Something About Living does just that. Her poems interweave Palestine’s historic suffering, the challenges of living in this world full of violence and ill will, and the gentle delights we embrace to survive that violence. Khalaf Tuffaha’s elegant poems sing the fractured songs of Diaspora while remaining clear-eyed to the cause of the fracturing: the multinational hubris of colonialism and greed. This collection is her witness to our collective unraveling, vowel by vowel, syllable by syllable. “Let the plural be a return of us,” the speaker of “On the Thirtieth Friday We Consider Plurals” says and this plurality is our tenuous humanity and the deep need to hang on to kindness in our communities. In these poems Khalaf Tuffaha reminds us that love isn’t an idea; it is a radical act. Especially for those who, like this poet, travel through the world vigilantly, but steadfastly remain heart first.
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by David Brooks
The Second Mountain: The Quest for a Moral Life by David Brooks is a book I often recommend. Mr. Brooks writes about the first mountain that most people climb. The book challenges the reader to “live for a cause greater than themselves.”
It is about “to be a success, make your mark, experience personal happiness.” Even when they reach the top of the mountain, most people find they are unhappy. The climb to the summit has become unsatisfying.
On the second mountain, life moves from self-centered to other-centered.” Life becomes interdependent, not independent; it becomes a life of commitment, not about us.
Mr. Brooks “explores the four commitments that define a life of meaning and purpose: to a spouse and family, to a vocation, to a philosophy or faith, and to a community.
We live in a society, Brooks argues, that celebrates freedom, that tells us to be true to ourselves, at the expense of surrendering to a cause, rooting ourselves in a neighborhood, binding ourselves to others by social solidarity and love. We have taken individualism to the extreme—and in the process we have torn the social fabric in a thousand different ways.
When I read The Second Mountain, it became clear that Jan and I never even attempted to climb the first mountain. We were constantly climbing the second mountain.
We had chosen to do work that repaired the world; we both had a faith community and lived in a community.
All we were missing as far as commitments when we met was each other. Our love for each other provided the missing link and allowed us to climb to the top of the second mountain.
The Jan Lilien Education Fund sponsors ongoing sustainability and environmental awareness programs. Gifts made this month; I will match dollar-for-dollar. All donations are tax-deductible.
I receive a commission when you buy a book or product using a link on this page. Thank you for supporting Sharing Jan’s Love blog.
by Robyn Gigl
Today, I started reading “Nothing But the Truth,” the fourth book in Robyn Gigl‘s Erin McCabe Legal Thriller series. The New York Times has selected it as one of the Best Crime Novels 2024. I have also read “The Hunter” and “Gods of Wood,” which are on the same list. Nothing but the Truth is a gripping and timely thriller exploring murder, prejudice, and police corruption.
One of the reasons I decided to read this novel is that it—and the entire series—takes place mainly in Union County, particularly in Cranford, my hometown! Erin McCabe and her law partner get salads from the Gourmet Deli, and she dines with her husband at the Cranford Hotel. In this installment, Erin McCabe, a transgender attorney from the Garden State, discovers that uncovering the Truth can be deadly.
New Jersey State Trooper Jon Mazer has been charged with killing Black investigative reporter Russell Marshall in a racially charged, headline-making murder. The evidence against criminal defense attorney Erin McCabe’s new client is overwhelming. The gun used is Mazer’s off-duty weapon. Fingerprints and carpet fibers link Mazer to the crime. And Mazer was patrolling Marshall’s neighborhood shortly before the victim took three bullets to the chest. Mazer’s argument? He’s a gay officer being set up to take the fall in an even bigger story.
Mazer swears he was a secret source for Marshall’s exposé about the Lords of Discipline. The covert gang operating within the New Jersey State Police is notorious for enforcing its code of harassing women, framing minorities, and out-powering any troopers who don’t play their rogue and racist games. With everyone from the governor to the county prosecutor on the wrong side of justice, Erin and her partner, Duane Swisher, are prepared to do anything to ensure Mazer doesn’t become another victim.
As Erin deals with an intensely personal issue at home and faces an uphill battle to prove her client’s innocence, she and Duane find themselves mired in a conspiracy of corruption more profound than they imagined—and far more dangerous than they feared.
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by Helen Garner
Today, I began reading Monkey Grip: A Novel by Helen Garner. It’s a book that launched the career of one of Australia’s most celebrated writers. The story follows the infatuations of a young, single mother fascinated by the excesses of Melbourne’s late-70s counterculture. Monkey Grip is a seminal novel about Australia’s turbulent 1970s, including communal households, music, friendships, children, love, drugs, and sex.
Helen Garner is a renowned novelist, short-story writer, and journalist. She’s best known for her frank, unsparing, and intricate portrayals of Australian life, often drawn from the pages of her journals and diaries. A new US edition of her debut novel, which establishes Garner’s masterful and quietly radical literary voice, is now available.
The novel is set in Australia during the late 1970s and tells the story of Nora, a single mother and writer. Nora navigates Melbourne’s bohemian underground with her young daughter, Gracie, in tow. Nora falls in love with Javo, a flighty man trapped in his addiction. As their relationship disintegrates, Nora struggles to wean off a love that feels impossible to live without.
When Monkey Grip was first published in 1977, it caused a sensation. Critics praised Garner for her craft, but many criticized her gritty depictions of the human body, frankness about sex and drugs, the mess of motherhood, and her unabashed use of her own life as inspiration. Today, such criticism feels old-fashioned and glaringly gendered, and Monkey Grip is considered a modern masterpiece.
by Lucas Schaefer
“The Slip” is the debut novel by Lucas Schaefer, telling a compelling American story about a missing teenage boy, themes of fluid and mistaken identity, and the transformative power of boxing. Navigating the ever-changing landscape of a shifting country, “The Slip” offers an audacious and daring exploration of sex and race in America. The narrative builds to an unforgettable climax in the center of the ring.
This novel is the winner of the Kirkus Prize for 2025 and one of The New York Times Book Review’s 100 Notable Books of 2025, as well as one of The Washington Post’s 10 Best Books of 2025.
Austin, Texas: It’s the summer of 1998, and there’s a new face on the scene at Terry Tucker’s Boxing Gym. Sixteen-year-old Nathaniel Rothstein has never felt comfortable in his own skin, but under the tutelage of a swaggering, Haitian-born ex-fighter named David Dalice, he begins to come into his own. Even the boy’s slightly stoned uncle, Bob Alexander, who is supposed to be watching him for the summer, notices the change. Nathaniel is happier, more confident, and even tanner. Then one night, he vanishes, leaving little trace behind.
Across the city, Charles Rex, now going simply by “X,” has been undergoing a teenage transformation of his own, trolling the phone sex hotline that his mother works, seeking an outlet for everything that feels wrong about his body, looking for intimacy and acceptance in a culture that denies him both. As a surprising and unlikely romance blooms, X feels, for a moment, like he might have found the safety he’s been searching for. But it’s never that simple.
More than a decade later, Nathaniel’s uncle Bob receives a shocking tip, propelling him to open his own investigation into his nephew’s disappearance. The resulting search involves gymgoers past and present, including a down-on-his-luck twin and his opportunistic brother; a rookie cop determined to prove herself; and Alexis Cepeda, a promising lightweight who crossed the US-Mexico border when he was only fourteen, carrying a license bearing the wrong name and face.
Lucas Schaefer lives with his family in Austin. The Slip is his first novel.
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by Tony Tulathimutte
Today, I dove into Tony Tulathimutte‘s “Rejection: Fiction,” and I’m already captivated! This book was longlisted for the 2024 National Book Award in Fiction and named a New York Times Best Book of the Year. Tulathimutte, known for his award-winning work “Private Citizens,” weaves together a series of electrifying linked stories that keenly examine how rejection weaves its way into the lives and relationships of his deeply intertwined characters.
With sharp observations and outrageous humor, *Rejection* delves into the most sensitive issues of modern life. This collection of seven interconnected stories transitions smoothly between the personal crises of a complex cast of characters and the comic tragedies associated with sex, relationships, identity, and the internet.
In “The Feminist,” a young man’s passionate allyship turns into furious nihilism as he realizes, after thirty lonely years, that his efforts are not leading to romantic success or even getting laid; in “Pics,” a young woman’s unrequited crush spirals into obsession, systematically eroding her sense of self. “Ahegao; or, The Ballad of Sexual Repression,” depicts a shy late bloomer whose fumbling attempts at a first relationship result in a life-changing mistake. As these characters intersect through dating apps, social media feeds, dimly lit bars, and bedrooms, they reveal how our delusions can distort our desire for connection.
These brilliant satires examine the understated sorrows of rejection with a modern classic’s authority and a manifesto’s frenetic energy. Bold and unforgettable, Rejection is a striking mosaic that redefines what it means to face rejection from lovers, friends, society, and oneself.
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