I started reading "James: A Novel" by Percival Everett, my fiftieth book this year. After reading only a few pages, I knew I had selected the perfect novel. The story revolves around an enslaved man named Jim who overhears that he is about to be sold to a man in New Orleans, separating him from his wife and daughter forever. In response, he decides to hide on nearby Jackson Island while formulating a plan.
by Percival Everett
I started reading “James: A Novel” by Percival Everett, my fiftieth book this year. After reading only a few pages, I knew I had selected the perfect novel. The story revolves around an enslaved man named Jim who overhears that he is about to be sold to a man in New Orleans, separating him from his wife and daughter forever. In response, he decides to hide on nearby Jackson Island while formulating a plan.
Simultaneously, we encounter Huck Finn, who has staged his death to flee his abusive father and has recently resurfaced in town. The narrative unfolds as they embark on a perilous journey, navigating the Mississippi River on a raft. Each turn brings floods, storms, and unexpected encounters, including a run-in with the Duke and Dauphin.
While the familiar elements of ‘Adventures of Huckleberry Finn‘ are present, ‘James: A Novel‘ offers a unique perspective. It illuminates Jim’s agency, intelligence, and compassion, challenging our preconceived notions and offering a fresh take on a classic narrative.
‘James: A Novel‘ is not just a book; it’s a cornerstone of twenty-first-century American literature. It’s a testament to Everett’s literary prowess, solidifying his status as a true icon in the literary world.
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by Mary Lawson
Crow Lake by Mary Lawson is set in northern Ontario’s rural “badlands.” The badlands are where heartbreak and hardship are mirrored in the landscape of the farming Pye family. Crow Lake is that rare find, a first novel so quietly assured, so emotionally pitch-perfect, you know from the opening page that this is the real thing – a literary experience in which to lose yourself, by an author of immense talent.
Crow Lake was a page-turner for me once I read the prologue.
Two families dominate the story.
On the one hand, it is the Greek tragedy of the Pye family. On their farm, “the sins of the fathers are visited on the sons, and terrible events occur—offstage.”
Kate Morrison has left her two brothers and sister at the lake to become a zoologist. The four siblings lost their parents and struggled to remain together. Their “tragedy looks more immediate if less brutal, but is, in reality, insidious and divisive.
As Goodreads describes the novel,
In this universal drama of family love and misunderstandings, of resentments harbored and driven underground, Lawson ratchets up the tension with heartbreaking humor and consummate control, continually overturning one’s expectations right to the very end. Tragic, funny, unforgettable, this deceptively simple masterpiece about the perils of hero worship leaped to the top of the bestseller lists only days after being released in Canada and earned glowing reviews in The New York Times and The Globe and Mail, to name a few.
I highly recommend this novel and am looking forward to reading more from Mary Lawson.
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by Joyce Carol Oates
Reading Breathe by Joyce Carol Oates was a book I knew I needed to read once Jan was diagnosed. Although the book might trigger negative memories, I finally read Breathe. It was what I needed to read at this point in my journey.
Ms. Oates wrote the book in 2019 after her husband, Charlie Gross, died. The novel is a story of love, loss, and loneliness, topics that I write about on this blog. I needed to read the book both for my mental health and for the readers of Sharing Jan’s Love.
The protagonist, Michaela, loses her husband while they are on a sabbatical in New Mexico. Her husband, Gerard, writes a book and teaches a class on memories. Jan and I never considered relocating before her illness, but this book convinced me that it would have aggravated my grief journey.
One of the parallels I observed while reading the novel is the similarity between Gerard’s reluctance to let family, friends, and co-workers know of his illness. Jan shared that reluctance in the early days, but I convinced her that the only chance of beating cancer was with the help of family and friends.
This dialogue could easily be one that Jan and I had.
Of course you want to summon his family—his (adult) children—but quickly, he says no.
Still waiting.
But – When?
Just not yet.
He is not an alarmist. (You are the alarmist.)
The novel is written in two parts – The Vigil and the Post-Mortem.
The opening paragraphs set the tone.
A Hand is gripping yours. Warm, dry hand gripping your slippery, humid hand.
Whoever it is urging you – Breathe!
Leaning over you begging you – Breathe!
As one mourning the death of the love of his life, I found several phrases in the book helpful in understanding what I have gone through and will continue to confront.
Among them is grief-vise, which I have written about in this stream.
In the grip of the grief vise, all that you will do, all that you even imagine doing, will require many times more effort.. Hardly daring to breathe for the grief-vise will tighten around your chest, squeezing the very air out of your lungs.
In the early stages of grief, the vise was strangling me. Breathing was impossible, and weeping was constant at times.
Michaela struggles with her grief. Seeing her husband every time she sees a man alone, even if they are older or younger than he was. I know I have felt Jan’s presence and still expect her to walk into our apartment.
Her struggles with a grief counselor and overly helpful friends are an experience I have not had but are familiar to those suffering from losing a loved one.
The last chapters are ones in which time becomes confusing and chaotic. At times, I was uncertain about which were real or imagined. The end, like all good novels, was ambiguous.
These are some of the other phrases I have found useful and will include in posts.
What you love most, that you will lose. The price of your love is your loss.
I recommend this book to all readers, even those struggling with grief.
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by Rabbi Shai Held
Today, I embarked on a transformative journey with Rabbi Shai Held’s book, “Judaism Is About Love.” Rav Uri‘s mention of this book during this year’s Yom Kippur service at Temple Sha’arey Shalom sparked a profound connection to the Divine, as echoed in my writings “Love Can Conquer Even Death” and “High Holiday Meditation Cleanses My Soul.” Rabbi Held’s book, which focuses on love, meaning, purpose, and faith, has guided my quest to become the best version of myself.
“Judaism Is About Love” is a beacon of understanding, offering a profound and groundbreaking perspective on Jewish life. It challenges a long-standing misinterpretation that has shaped the Western narrative: Christianity is the religion of love, while Judaism is the religion of law. Rabbi Shai Held, a leading Jewish thinker in America, passionately argues for correcting this misconception. He asserts that love is not just a part of Judaism but a fundamental aspect, thus reclaiming the heart of the Jewish tradition.
With a unique blend of intellectual rigor, respect for tradition, and a vibrant Judaism, Held’s aim is clear: to reclaim Judaism in its authentic form. He illustrates that love is the foundation of the true Jewish faith, influencing our unique perspectives on injustice, protest, grace, family life, responsibilities toward neighbors and enemies, and chosenness.
“Judaism Is About Love” is a work of ambition and revelation. It serves as a beacon, illuminating the true essence of Judaism. More than just a book, it is an act of restoration from within, reclaiming the authentic form of Judaism.
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by Marlen Haushofer
Yesterday, I read “Killing Stella,” written by Marlen Haushofer and translated by Shaun Whiteside, which is a domestic horror story that culminates in an apocalyptic ending. This novella captures many of the themes present in Haushofer’s acclaimed novel, “The Wall,” presenting them within a claustrophobic, gothic, and striking narrative. It offers a gripping and incisive exploration of a fractured marriage, highlighting the remarkable talent of the author of “The Wall,” now available in English for the first time.
Main description: Left alone for the weekend while her husband and two children visit her in-laws, the narrator of “Killing Stella” recounts the addition of her friend’s daughter, Stella, to their already tense and tumultuous household. As she stares out the window at her garden, she worries about a baby bird in the linden tree, her husband Richard, who flits from one adulterous affair to another, her son’s gloomy demeanor, and her daughter’s obliviousness to everything. Most of all, she worries about Stella, a confused teenager who has met a sudden and disastrous end.
Marlen Haushofer (1920–1970) was an Austrian author known for her short stories, novels, radio plays, and children’s books. Her work has significantly influenced many German-speaking writers, including Nobel Prize winner Elfriede Jelinek, who dedicated one of her plays to Haushofer. One of her most notable works, “The Wall“, was adapted into a film in 2012, directed by Julian Pölsler and starring Martina Gedeck.
Shaun Whiteside is known for his translations of classic works from German, including those by Freud, Musil, and Nietzsche.
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by Hilary Mantel
Wolf Hall: A Novel by Hilary Mantel is the first book in a three-part series on Thomas Cromwell. I am an amateur historian, and one of the characters I have always wanted to know more about was Cromwell. Although I might have achieved that by reading actual history textbooks, this three-part series seemed like the perfect next book for me to read. With a vast array of characters overflowing with incidents, the novel re-creates an era when the personal and political were separated by a hairbreadth, where success brings unlimited power, but a single failure means death.
At least this time, I am reading book one first instead of last. I highly recommend this book.
The Goodreads overview provides more details.
In the ruthless arena of King Henry VIII’s court, only one man dares to gamble his life to win the king’s favor and ascend to the heights of political power.
England in the 1520s is a heartbeat from disaster. Henry VIII wants to annul his marriage of twenty years and marry Anne Boleyn. The pope and most of Europe oppose him. The quest for the king’s freedom destroys his adviser, the brilliant Cardinal Wolsey, and leaves a power vacuum. Civil war could destroy the country if the king died without a male heir.
Into this impasse steps Thomas Cromwell. Cromwell is a wholly original man, a charmer, and a bully, both idealist and opportunist, astute in reading people, and a demon of energy: he is also a consummate politician, hardened by his losses, implacable in his ambition. But Henry is volatile: one day tender, one day murderous. Cromwell helps him break the opposition, but what will be the price of his triumph?
In inimitable style, Hilary Mantel presents a picture of a half-made society on the cusp of change, where individuals fight or embrace their fate with passion and courage. With a vast array of characters overflowing with incidents, the novel re-creates an era when the personal and political were separated by a hairbreadth, where success brings unlimited power, but a single failure means death.
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by Jesmyn Ward
I started reading Jesmyn Ward‘s novel Sing, Unburied, Sing today. The New York Times selected it as one of the best books of the 21st century and awarded it the National Book Award. According to The New York Times, Jesmyn Ward‘s historic second National Book Award winner is “perfectly poised for the moment.” It’s an intimate portrait of three generations of a family and an epic tale of hope and struggle.
Jojo is thirteen years old and is trying to understand what it means to be a man. He has several father figures to learn from, including his Black grandfather, Pop. However, Jojo’s understanding is complicated by other men in his life: his absent White father, Michael, who is being released from prison; his absent White grandfather, Big Joseph, who refuses to acknowledge him; and the memories of his deceased uncle, Given, who died as a teenager.
His mother, Leonie, is inconsistent in her and her toddler daughter’s lives. She is a flawed mother in constant conflict with herself and those around her. She is Black, and her children’s father is White. She wants to be a better mother but struggles to prioritize her children over her own needs, particularly her drug use. Tormented and comforted by visions of her deceased brother, which only come to her when she’s high, Leonie is embattled in ways that reflect the harsh reality of her circumstances.
When their father is released from prison, Leonie takes her kids and a friend in her car and drives north to Mississippi and Parchman Farm, the State Penitentiary. At Parchman, there is another thirteen-year-old boy, the ghost of a deceased inmate who carries the ugly history of the South with him in his wanderings. With his supernatural presence, this ghostly figure also has something to teach Jojo about fathers and sons, legacies, violence, and love.
Described as a majestic and unforgettable family story, ‘Sing, Unburied, Sing‘ is rich with Ward‘s distinctive, lyrical language. As noted by The Philadelphia Inquirer, her unique narrative style takes readers on ‘an odyssey through rural Mississippi’s past and present.’
