Crow Lake by Mary Lawson is set in northern Ontario's rural "badlands." The badlands are where heartbreak and hardship are mirrored in the landscape of the farming Pye family. Crow Lake is that rare find, a first novel so quietly assured, so emotionally pitch-perfect, you know from the opening page that this is the real thing – a literary experience in which to lose yourself, by an author of immense talent.
by Mary Lawson
Crow Lake by Mary Lawson is set in northern Ontario’s rural “badlands.” The badlands are where heartbreak and hardship are mirrored in the landscape of the farming Pye family. Crow Lake is that rare find, a first novel so quietly assured, so emotionally pitch-perfect, you know from the opening page that this is the real thing – a literary experience in which to lose yourself, by an author of immense talent.
Crow Lake was a page-turner for me once I read the prologue.
Two families dominate the story.
On the one hand, it is the Greek tragedy of the Pye family. On their farm, “the sins of the fathers are visited on the sons, and terrible events occur—offstage.”
Kate Morrison has left her two brothers and sister at the lake to become a zoologist. The four siblings lost their parents and struggled to remain together. Their “tragedy looks more immediate if less brutal, but is, in reality, insidious and divisive.
As Goodreads describes the novel,
In this universal drama of family love and misunderstandings, of resentments harbored and driven underground, Lawson ratchets up the tension with heartbreaking humor and consummate control, continually overturning one’s expectations right to the very end. Tragic, funny, unforgettable, this deceptively simple masterpiece about the perils of hero worship leaped to the top of the bestseller lists only days after being released in Canada and earned glowing reviews in The New York Times and The Globe and Mail, to name a few.
I highly recommend this novel and am looking forward to reading more from Mary Lawson.
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by Jennifer Haigh
Today, I dove into Jennifer Haigh‘s gripping new release, Rabbit Moon. Set against the vibrant backdrop of Shanghai, this tense and riveting drama unravels the complexities of a fractured American family. It explores hidden secrets and the unbreakable bond between two sisters. Ms. Haigh, the New York Times bestselling author of Mercy Street, which I read last year, weaves a tale that promises to keep readers on the edge of their seats.
Four years after their bitter divorce, Claire and Aaron Litvak receive a phone call that no parent is prepared for: their 22-year-old daughter Lindsey, who is teaching English in China during her college gap year, has been critically injured in a hit-and-run accident. As they wait at her bedside in a Shanghai hospital, they hold onto hope for the best while preparing for the worst.
The accident exposes a deeper rift within the family: it brings to light the shocking events that ended the Litvaks’ marriage and turned Lindsey against them. Estranged from her parents, Lindsey has confided only in her younger sister, Grace, who was adopted from China as an infant. As Claire and Aaron navigate the bustling, cosmopolitan atmosphere of Shanghai—the newly prosperous “miracle city”—they face unsettling questions about Lindsey’s life there, where nothing is as it seems.
With her trademark psychological insight, Jennifer Haigh crafts a taut and suspenseful story about the enduring ties of marriage that divorce cannot sever and the legendary red thread that connects two sisters across time and space. Ms. Haigh again demonstrates that she is, as The New York Times describes her, “an expertly nuanced storyteller…her work is gripping, real, and immersive.”
Jennifer Haigh is the author of seven best-selling, critically acclaimed works of fiction. Her first, Mrs. Kimble, won the PEN Hemingway Award for debut fiction. Her latest, Mercy Street, was named a Best Book of 2022 by the New Yorker and won the Mark Twain American Voice in Literature Award. A Guggenheim fellow and Iowa Writers’ Workshop graduate, she lives in Boston.
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by Sean Michaels
I started reading “Do You Remember Being Born?” by Sean Michaels, a writer who won the Scotiabank Giller Prize. The novel is about an aging poet named Marian Ffarmer, a legend in the world of poetry. However, despite her success, she struggles with financial issues and her son’s inability to buy a house. Marian has sacrificed her personal relationships and happiness to pursue her career but questions whether it is worth it.
One day, she receives an invitation from a Tech Company to travel to California and work with their poetry AI, Charlotte. The company wants her to co-author a poem with their bot in a historic partnership, which clashes with Marian’s beliefs about the individual pursuit of art. However, she decides to take this opportunity, even though it makes her feel like a sell-out and a skeptic. The encounter in California changes her life, work, and understanding of kinship.
The book explores the nature of language, art, labor, capital, family, and community. It’s a response to some of the most disquieting questions of our time. The author, Sean Michaels, is a winner of the Scotiabank Giller Prize, and his book is a love letter to and interrogation of the creative legacy. It’s a joyful recognition that belonging to one’s art must mean belonging to the world to survive meaningfully.
The Jan Lilien Education Fund sponsors ongoing sustainability and environmental awareness programs. Gifts made this month; I will match dollar-for-dollar. All donations are tax-deductible.
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by Maria Reva
“Endling” by Maria Reva, a novel of exceptional literary merit, has been longlisted for the 2024 Booker Prize. Set in Ukraine, the story follows an eccentric scientist who breeds rare snails and two sisters pretending to be part of the marriage industry in their quest to find their activist mother. As Russia invades, they embark on a wild journey that involves kidnapped bachelors and the last of its kind snail. This darkly comic novel delves into themes of survival, love, and hope in times of increasing darkness.
In Ukraine in 2022, Yeva is a loner and a daring scientist who lives outside her mob country. She traverses the country’s forests and valleys, attempting to breed rare snails, though her efforts often fail. Meanwhile, her relatives pressured her not to settle down and start a family. What they don’t realize is that Yeva is already dating multiple men—not for love, but to fund her work—entertaining Westerners who come to Ukraine on guided romance tours believing they’ll find docile brides untainted by feminism and modernity.
Nastia and her sister, Solomiya, are also caught up in the booming marriage industry. They pose as a hopeful bride and her translator while secretly searching for their missing mother, who disappeared after years of fierce activism against the romance tours.
Together, they embark on a journey across hundreds of miles, joined by three angry women, a truckload of kidnapped bachelors, and Lefty, a rare snail with one last chance to perpetuate his species. However, their plans come to a sudden halt when Russia invades.
In a strikingly ambitious and profoundly moving metafictive narrative, Endling masterfully balances horror and family, drawing on Reva’s own experiences as a Ukrainian expat navigating her family’s struggle for survival during wartime. As fiction and reality converge on the page, Reva explores the harsh truths of war: What stories must we tell ourselves to survive? How do we maintain our routines amid military occupation? And for those watching from abroad: Can our sense of normalcy and security ever be restored, or have they always been a fragile illusion?
Endling is a tour de force from an author who weaves a story of love, loss, humor, and devastation that only she can tell.
Maria Reva was born in Ukraine and raised in Canada. She holds an MFA from the Michener Center at the University of Texas. Her fiction has been published in The Atlantic, McSweeney’s, and Best American Short Stories, among others, and has won a National Magazine Award. Additionally, she works as an opera librettist.
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by Elena Gorokhova
A Train to Moscow by Elena Gorokhova is set in post–World War II Russia; a girl, must reconcile a tragic past with her hope for the future in this powerful and poignant novel about family secrets, passion, loss, perseverance, and ambition. In a small, provincial town behind the Iron Curtain, Sasha lives in a house full of secrets, one of which is her dream of becoming an actress.
When she leaves for Moscow to audition for drama school, she defies her mother and grandparents and abandons her first love, Andrei.
Before she leaves, Sasha discovers the hidden war journal of her uncle Kolya, an artist still missing in action years after the war has ended. His pages expose the official lies and the forbidden truth of Stalin’s brutality. Kolya’s revelations and tragic love story guide Sasha through drama school and cement her determination to live a thousand lives onstage.
After graduation, she begins acting in Leningrad, where Andrei, now a Communist Party apparatchik, becomes a censor of her work. As a past secret comes to light, Sasha’s ambitions converge with Andrei’s duties, and Sasha must decide if her dreams are genuinely worth the necessary sacrifice and if, as her grandmother likes to say, all will indeed be well.
This was a page-turner, as I held my breath to find out the next steps that Sasha would take. Her ambition combined with the secrets she learns keeps the reader focused on the next page.
I recommend this book.
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by Tash Aw
Tash Aw‘s novel, The South, longlisted for the 2025 Booker Prize, is both expansive and concise, capturing the dynamics of a family navigating change and desire. It explores the intersection of public and private lives with remarkable grace and beauty. This intimate and radiant story follows the deepening relationship between two boys throughout a summer, delving into themes of family, desire, and the legacies we inherit.
When his grandfather passes away, Jay travels south with his family to the property they have inherited—a once-thriving farm that has now fallen into disrepair. The trees are diseased, and the fields have been dry due to months of drought.
Jay’s father, Jack, sends him out to work the land, or what remains of it. During these hot, oppressive days, Jay finds himself increasingly drawn to Chuan, the son of the farm’s manager. The boys are different in almost every way, except for one crucial connection.
As they work in the fields and venture into town, the tension between the boys intensifies. Meanwhile, within the house, the other family members begin to confront their secrets and regrets. Jack, a professor at a struggling local college, reflects on his failures, many of which may have started when he married his student, Sui Ching. Sui Ching strives to keep the family together, though she, too, contemplates what her life could have been. Fong, the farm manager, chooses to ignore the reality of the situation—about Chuan, the deteriorating land, and the global forces that threaten to render their entire way of life obsolete.
Tash Aw is the author of four novels, including We, the Survivors, as well as a memoir about a Chinese-Malaysian family titled Strangers on a Pier. These remarkable works earned their place as finalists for the Los Angeles Times Book Prize, showcasing the incredible talent behind them!
The author has also been honored with several esteemed awards, including the Whitbread, Commonwealth, and O. Henry Awards. Plus, being longlisted for the MAN Booker Prize twice speaks volumes about his skill. It’s exciting to see his fiction translated into 23 languages, sharing his stories with the world!
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by Cristina Rivera Garza
In 1934, a young José Revueltas traveled to Tamaulipas to support the cotton workers’ strike in Estación Camarón, which would later serve as the foundation for his landmark novel, Human Mourning. In her groundbreaking novel Autobiography of Cotton, Cristina Rivera Garza recounts her grandparents’ journey from mining towns to those same cotton fields. Her narrative intersects with Revueltas’s life and offers a vivid and evocative account of the history of cotton cultivation along the Mexico-U.S. border.
Through archival research and personal narrative, Rivera Garza explores how cotton transformed the borderlands by recounting the story of the cotton workers’ strike. She reveals how cycles of deprivation and environmental destruction continue to affect generations. Rivera Garza skillfully creates a new kind of border novel that illustrates how a fragile landscape drastically changed her grandparents’ lives and the territories they helped to develop. In this intimate fictionalization, Autobiography of Cotton offers a rich social history that encompasses agricultural colonization, labor activism, environmental degradation, and cross-border migration.
I recommend “Autobiography of Cotton,” but readers should be patient as the book shifts back and forth in time. Everything becomes clear as you continue reading.
Cristina Rivera Garza is the Pulitzer Prize–winning author of Liliana’s Invincible Summer. A MacArthur Fellow, she is the Hugh Roy and Lillie Cranz Cullen Distinguished Chair and founder of the University of Houston’s PhD in Creative Writing in Spanish.
Christina MacSweeney is the award-winning literary translator of works by Julián Herbert, Valeria Luiselli, and Elvira Navarro. She received the 2024 Sundial Literary Translation Award for her translation of Verónica Gerber Bicecci‘s The Company.
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