Today, I started reading Creation Lake: A Novel by Rachel Kushner, a two-time finalist for the Booker Prize and the National Book Award. This novel follows a seductive and cunning American woman who infiltrates an anarchist collective in France. It is a gripping page-turner filled with dark humor. Creation Lake is Kushner's finest achievement—a work of high art, comedy, and unforgettable pleasure.
by Rachel Kushner
Today, I started reading Creation Lake: A Novel by Rachel Kushner, a two-time finalist for the Booker Prize and the National Book Award. This novel follows a seductive and cunning American woman who infiltrates an anarchist collective in France. It is a gripping page-turner filled with dark humor. Creation Lake is Kushner‘s finest achievement—a work of high art, comedy, and unforgettable pleasure.
The story revolves around a secret agent, a thirty-four-year-old American woman who employs ruthless tactics and possesses striking beauty. She is sent to carry out covert operations in France. The narrator introduces herself as “Sadie Smith” when she arrives at a rural commune of French subversives, whom she is secretly monitoring, and to her lover, Lucien, a young and well-to-do Parisian whom she meets by so-called “cold bump”—making him believe their encounter was accidental. Like everyone else she targets, Lucien is helpful to her and ultimately manipulated by her. Sadie operates with strategy and deception, following instructions from her “contacts”—shadowy figures in business and government. Initially, these contacts want her to provoke reactions. As the story progresses, their demands become more complex.
In this region filled with ancient farms and prehistoric caves, Sadie becomes captivated by a mysterious figure named Bruno Lacombe. Bruno mentors young activists who believe that the path to emancipation lies not in revolt but in a return to the ancient past. Just as Sadie thinks she is the seductress and puppet master of those she surveils, Bruno enchants her with his ingenious counter-histories, poignant laments, and tragic narrative.
In brief, striking sections, Rachel Kushner‘s interpretation of “noir” is taut and dazzling.
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by Lena Khalaf Tuffaha
I recently read “Something About Living” by Lena Khalaf Tuffaha, a poet and essayist whose work resonates deeply. The book of poems won the 2024 National Book Award for Poetry and delved into Palestinian life through the lens of the American language, revealing a legacy of obfuscation and erasure. It questions what happens when language packages ongoing disasters for consumption and disposal.
As a Jew supporting a two-state solution, I initially hesitated to read this collection of poems. However, I was pleasantly surprised by the lyrical beauty of the verses, which explore love not just as an emotion but as a transformative force and “a radical act.” Every poem that genuinely resonated with me. “Something About Living” is a book I highly recommend for its depth and insight!
Ms. Khalaf Tuffaha has an incredible literary repertoire; her previous work, “Water & Salt,” earned the esteemed 2018 Washington State Book Award, while “Kaan & Her Sisters” was a finalist for the Firecracker Award. In addition, “Something About Living” also received the 2022 Akron Prize for Poetry. I’m excited to explore her profound insights and lyrical mastery!
Adrian Matejka, the author of “Somebody Else Sold the World,” has written about “Something About Living,”
“It’s nearly impossible to write poetry that simultaneously holds the human desire for joy and the insistent agitations of protest, but Lena Khalaf Tuffaha‘s gorgeous and wide-ranging new collection Something About Living does just that. Her poems interweave Palestine’s historic suffering, the challenges of living in this world full of violence and ill will, and the gentle delights we embrace to survive that violence. Khalaf Tuffaha’s elegant poems sing the fractured songs of Diaspora while remaining clear-eyed to the cause of the fracturing: the multinational hubris of colonialism and greed. This collection is her witness to our collective unraveling, vowel by vowel, syllable by syllable. “Let the plural be a return of us,” the speaker of “On the Thirtieth Friday We Consider Plurals” says and this plurality is our tenuous humanity and the deep need to hang on to kindness in our communities. In these poems Khalaf Tuffaha reminds us that love isn’t an idea; it is a radical act. Especially for those who, like this poet, travel through the world vigilantly, but steadfastly remain heart first.
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by Ian McEwan
Today, I started reading “Atonement: A Novel” by Ian McEwan, an acclaimed Booker Prize-winning author. This symphonic novel explores complex themes, including love and war, childhood and class, guilt and forgiveness. It has been recognized as one of the New York Times’s 100 Best Books of the 21st Century, making it a must-read for those interested in these profound themes.
The story begins on a scorching summer day in 1935, when thirteen-year-old Briony Tallis witnesses a moment of flirtation between her older sister, Cecilia, and Robbie Turner, the son of a servant and Cecilia’s childhood friend. Briony’s incomplete understanding of adult motives and her literary gifts lead to a crime that significantly impacts their lives, taking them on an emotional journey of love, guilt, and forgiveness.
The narrative tracks the repercussions of this crime through the chaos and carnage of World War II, a vivid historical backdrop that immerses the reader into the twentieth century’s close. “Atonement” has been acclaimed for engaging readers on multiple levels, marking it a genuine masterpiece from the Booker Prize-winning, internationally bestselling author Ian McEwan.
Ian McEwan is a critically acclaimed author known for his nineteen novels and two short story collections. His first published work, a collection of short stories titled “First Love, Last Rites,” won the Somerset Maugham Award.
His notable novels include “The Child in Time,” which won the Whitbread Novel of the Year Award in 1987; “The Cement Garden“; “Enduring Love;” “Amsterdam;” which won the Booker Prize in 1998; “Atonement;” “Saturday;” “On Chesil Beach;” “Solar;” “Sweet Tooth;” “The Children Act;” “Nutshell;” and “Machines Like Me,” which became a number-one bestseller.
Several of his works, including “Atonement,” “Enduring Love,” “The Children Act;,” and “On Chesil Beach,” have been adapted into films.
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by Jessica Shattuck
I started reading “Last House: A Novel” by Jessica Shattuck today. She is an esteemed New York Times bestselling author known for her work “The Women in the Castle.” This sweeping narrative, perfect for “The Dutch House” and “Great Circle” fans, explores a nation’s rise to power and a family’s complex ties to the resources that shaped their wealth. It also delves into the events that led to their greatest tragedy, a secret that threatens to tear them apart.
In 1953, a World War II veteran turned company lawyer, Nick Taylor, saw oil as the key to the future. He commutes to the city for work and returns to the peaceful suburbs to be with his wife, Bet, a former codebreaker now a housewife, and their two children, Katherine and Harry. Nick, who comes from humble origins, can provide for his family, including their secluded country escape called Last House, thanks to his work for American Oil. Last House, deep in the Vermont mountains, offers the Taylors a retreat from the stresses of modern life. Bet no longer worries about the Russian H-bombs that haunt her dreams, and the children can roam freely in the woods. Last House is a place that seems capable of surviving the end of the world.
1968, a turning point in American history, where the nation teeters on the brink of transformation. The streets pulsate with protestors challenging everything from the Vietnam War to racism and even the country’s reliance on Big Oil. As Katherine enters adulthood, she finds herself caught in the era’s tide, struggling to reconcile her ideals with the privileged upbringing her parents, part of the Greatest Generation, toiled to provide. But when the Movement takes a secure, more radical turn, each member of the Taylor family must face the repercussions of their choices for the causes they believed in. This rich historical backdrop infuses the Taylor family’s narrative with depth and intrigue, leaving us hungry for more about this transformative era.
“Last House” spans multiple generations and nearly eighty years, telling the story of one American family during a time of grand ideals and significant downfalls. It explores themes of family dynamics, the impact of wealth, and the societal changes that shaped America. Set against the backdrop of our nation’s history, this emotional tour de force delves deeply into questions of inheritance and what we owe each other. It captures the gravity of time, the double edge of progress, and the hubris of empire to stunning effect.
by Betsy Lerner
Today, I dove into Betsy Lerner‘s debut novel, “Shred Sisters.” Lerner is also known for her acclaimed work, “The Bridge Ladies.” This gripping story beautifully unravels the intricate tapestry of family bonds, mental illness, and the tumultuous relationship between two sisters. It’s compelling enough to have earned a spot on the longlist for the Center for Fiction First Novel Prize.
The tagline resonates deeply: “No one will love or hurt you more than a sister.” When one family member is unstable, the entire family feels the impact. Enter the Shreds. Olivia, the sister in the spotlight, finds her once-stunning confidence becoming erratic and unpredictable, causing chaos in her wake. Her younger sister, Amy, is cautious and studious, believing in facts, proof, and empirical evidence. Yet none of that can explain what’s happening to Ollie, whose physical beauty and charisma hide the mental illness that will ultimately disrupt Amy’s carefully constructed life.
As Amy ages, she strives to find her place—first in academics, then in New York publishing, and through a series of troubled relationships. With every step she takes, she encounters Ollie, who unpredictably slips in and out of the Shred family’s life. Despite the challenges threatening their sibling bond, Amy and Ollie cannot escape or deny the unbreakable sisterly connection that ties them together.
“Shred Sisters” is an intimate and bittersweet story that explores the complexities of sisterhood, mental health, loss, and love over two decades. In the end, Amy learns a valuable lesson on her journey to self-acceptance: no one will love or hurt you more than a sister. I can’t wait to see where this emotional journey takes me!
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by Ann Napolitano
Hello Beautiful by Ann Napolitano is a gorgeous, profoundly moving portrait of what’s possible when we choose to love someone, not despite who they are but because of it. Although several sources recommended Hello Beautiful, I chose the novel based on the title as it is how I always greeted Jan. I highly recommend this book as it is one of the best I have ever read.
Hello Beautiful is an exquisite homage to Louisa May Alcott’s timeless classic, Little Women. Knowing it was not him, William Waters’s experience growing up as an only child was an engaging character in the early portion of the novel. However, my hero was Sylvie, the dreamer who pursued true love and found it in a place one would less expect to find it. The consequences of her love reverberate over decades in their families.
The following passage is one example of a well-written book.
We’re separated from the world by our own edges,” Charlie Padavano says to Sylvie in “Hello Beautiful.” He continues, “We’re all interconnected, and when you see that, you see how beautiful life is.
The interconnections of the characters make this novel one of the best I have read. If only more of us could learn the lessons that Charlie Padavano shared with Sylvie.
As a man on a lifetime grief journey, this exchange echoes my experience.
When an old person dies,” Kent said, “even if that person is wonderful, he or she is still somewhat ready, and so are the people who loved them. They’re like old trees, whose roots have loosened in the ground. They fall gently. But when someone like your aunt Sylvie dies—before her time—her roots get pulled out and the ground is ripped up. Everyone nearby is in danger of being knocked over.”
Grief is love.” Now Alice thought: Forgiveness is too.
The Goodreads summary provides an overview,
William Waters grew up in a house silenced by tragedy, where his parents could hardly bear to look at him, much less love him. So it’s a relief when his skill on the basketball court earns him a scholarship to college, far away from his childhood home. He soon meets Julia Padavano, a spirited and ambitious young woman who surprises William with her appreciation of his quiet steadiness. With Julia comes her family; she is inseparable from her three younger sisters: Sylvie, the dreamer, is happiest with her nose in a book and imagines a future different from the expected path of wife and mother; Cecelia, the family’s artist; and Emeline, who patiently takes care of all of them. Happily, the Padavanos fold Julia’s new boyfriend into their loving, chaotic household.
But then darkness from William’s past surfaces, jeopardizing not only Julia’s carefully orchestrated plans for their future, but the sisters’ unshakeable loyalty to one another. The result is a catastrophic family rift that changes their lives for generations. Will the loyalty that once rooted them be strong enough to draw them back together when it matters most?
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by Han Kang
Today, I started reading The Vegetarian: A Novel by Han Kang, Winner of the 2024 Nobel Prize in Literature. The novel also won The International Booker Prize and is one of The New York Times’s 100 Best Books of the 21st Century. Celebrated by critics worldwide, The Vegetarian is a darkly allegorical, Kafka-esque tale of power, obsession, and one woman’s struggle to break free from the violence both without and within her.
Before the nightmares began, Yeong-hye and her husband lived an ordinary, controlled life. But the dreams—invasive images of blood and brutality—torture her, driving Yeong-hye to purge her mind and renounce eating meat altogether. It’s a small act of independence, but it interrupts her marriage and sets into motion an increasingly grotesque chain of events at home.
As her husband, her brother-in-law, and her sister each fight to reassert their control, Yeong-hye obsessively defends the choice that’s become sacred to her. Soon, their attempts turn desperate, subjecting first her mind and then her body to ever more intrusive and perverse violations, sending Yeong-hye spiraling into a dangerous, bizarre estrangement, not only from those closest to her but also from herself.
Han Kang was born in 1970 in South Korea. She is the author of The Vegetarian, which I have read, and winner of the International Booker Prize, Human Acts, The White Book, Greek Lessons, and We Do Not Part. In 2024, she received the Nobel Prize in Literature.
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