Self-Portrait with Ghost: Short Stories
by

Self-Portrait with Ghost: Short Stories

Estimated reading time: 1 minute, 38 seconds

Self-Portrait with Ghost: Short Stories by Meng Jin was written during the turbulent years of the Trump administration and the first year of the pandemic, these stories explore intimacy and isolation, coming of age, and coming to terms with the repercussions of past mistakes, fraying relationships, and surprising moments of connection. I highly recommend Self-Portrait with Ghost: Short Stories!

Each story speaks so clearly to the loneliness epidemic that confronts our world. I would read one short story and promise to stop and wait until another day to read the next one. Instead

One phrase that will always remain with me is: “The hallucinatory quality of grief.” As a widow, the phrase struck a chord that will forever resonate in my soul.

This is the seventy-third book I have read this year.

The Goodreads summary provides an overview,

Meng Jin’s critically acclaimed debut novel, Little Gods, was praised as “spectacular and emotionally polyphonic (Omar El-Akkad, BookPage), “powerful” (Washington Post), and “meticulously observed, daringly imagined” (Claire Messud). Jin turns her considerable talents into short fiction in ten thematically linked stories.

Moving between San Francisco and China, and from unsparing realism to genre-bending delight, Self-Portrait with Ghost considers what it means to live in an age of heightened self-consciousness, seemingly unlimited access to knowledge, and little actual power.

Page-turning, thought-provoking, and wholly unique, Self-Portrait with Ghost further establishes Meng Jin as a writer who “reminds us that possible explanations in our universe are as varied as the beings who populate it” (Paris Review).

The Jan Lilien Education Fund sponsors ongoing sustainability and environmental awareness programs. Gifts made this month; I will match dollar-for-dollar. All donations are tax-deductible.

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Welcome Home, Stranger: A Novel

Read: January 2024

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Welcome Home, Stranger: A Novel

by Kate Christensen

Today, I began reading “Welcome Home, Stranger: A Novel” by Kate Christensen. The book tells the story of a woman in her fifties who returns home to Maine after her mother’s passing. The novel explores themes of grief, love, growing older, and family complexities. It raises the question: Can you ever honestly go back home?

Rachel is an environmental journalist living in Washington, DC. She has been estranged from her working-class family in New England for many years. Having gone through a divorce and being childless in her middle age, Rachel is a truly independent spirit who has experienced a lot of pain. She feels like her life is falling apart and is struggling to cope with big and small challenges. However, her life takes a different turn when she gets a call to return home for her mother’s funeral.

Then, everything falls apart.

Rachel is surrounded by a cast of characters who are sometimes comical, sometimes heartbreakingly earnest. Her sister is an arriviste, her brother-in-law is an alcoholic, and the love of her life has recently married her sister’s best friend. Rachel must face her past and come to terms with the sorrow she has long buried. She must also confront the ghost of her mother, who, for better or worse, made her the woman she is today.

Lively, witty, and painfully familiar, this sophisticated and emotionally resonant novel from the author of The Great Man holds a mirror up to modern life as it considers the way some of us must carry on now.

The Jan Lilien Education Fund sponsors ongoing sustainability and environmental awareness programs. Gifts made this month; I will match dollar-for-dollar. All donations are tax-deductible.

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The Sisters

Read: December 2025

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The Sisters: A Novel

by Jonas Hassen Khemiri

Narrated in six parts, each spanning a time frame from a year to a single minute, Jonas Hassen Khemiri‘s The Sisters is a vivid family saga of exceptional quality—an engaging and entertaining tour de force. The novel has been recognized as one of the New York Times’ Top 10 Books of the Year and longlisted for the 2025 National Book Award for Fiction. Additionally, The New Yorker featured it in their list of 24 Essential Reads for 2025.

Meet the Mikkola sisters: Ina, Evelyn, and Anastasia. Their mother is a Tunisian carpet seller, their father a mysterious Swede who left them when they were young. Ina is tall, serious, and compulsively organized. Evelyn is dreamy, magnetic, and a smooth talker. And Anastasia is moody, chaotic, a shape-shifting presence, quick to anger.

Ina meets her future husband when she’s dragged to a New Year’s rave by her sisters, only to suffer the ultimate betrayal. Evelyn drifts through life before embarking on a wild career as an actress. And Anastasia runs off to Tunisia, where she falls in love with a woman who, years later, will transform her life.

Following the sisters from afar is Jonas, the son of a Swedish mother and a Tunisian father. Over the course of three decades, his life intersects with the sisters, from a chance encounter in Tunis to the scene of a fighter jet crash in Stockholm. When Evelyn disappears on a trip to New York, Jonas manages to track her down—and helps her to break the curse that has been looming over the Mikkolas for decades. In the process, a shocking revelation changes everything they believe about themselves.

Jonas Hassen Khemiri is the author of six novels, seven plays, and a collection of short stories and essays. His writing has been translated into over 35 languages. His novel The Family Clause was a finalist for the National Book Award for Translated Literature and received the Prix Médicis Étranger in France. Khemiri has been a finalist for Sweden’s most prestigious literary prize three times, winning it once. His play Invasion! earned an Obie Award for Best Script.

Khemiri is a recipient of the Cullman Fellowship at the New York Public Library, and his writing has appeared in The New York Times, The New Yorker, and numerous other publications. His novel The Sisters is his first book written in English. Khemiri lives in Brooklyn with his family and teaches creative writing at New York University (NYU).

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How to Read a Book: A Novel

Read: May 2024

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How to Read a Book: A Novel

by Monica Wood

I started reading Monica Wood‘s “How to Read a Book: A Novel” today. It’s a heartfelt and uplifting story about a chance encounter at a bookstore—the novel delves into themes of redemption, unlikely friendships, and the life-changing power of sharing stories. With Monica Wood’s characteristic heart, wit, grace, and understanding, the novel illuminates the decisions that shape a life and the kindnesses that make life meaningful.

The story revolves around three characters: Violet Powell, a twenty-two-year-old from rural Abbott Falls, Maine, who is being released from prison after serving twenty-two months for a drunk-driving crash that killed a local kindergarten teacher; Harriet Larson, a retired English teacher who runs the prison book club and is facing the prospect of an empty nest; and Frank Daigle, a retired machinist who is struggling to come to terms with the complexities of his marriage to the woman Violet killed.

Their lives unexpectedly intersect one morning in a bookstore in Portland, Maine. Violet buys the novel she read in the prison book club before her release, Harriet selects the following title for the remaining women, and Frank fulfills his duties as the store handyman. Their encounters set off a chain of events that will profoundly change them.

How to Read a Book“ is a candid and hopeful story about releasing guilt, embracing second chances, and the profound impact of books on our lives.

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Victory City: A Novel

Read: February 2023

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Victory City: A Novel

by Salman Rushdie

Victory City: A Novel by Salman Rushdie is an epic tale of a woman who breathes a fantastical empire into existence, only to be consumed by it over the centuries from the transcendent imagination of Booker Prize-winning, internationally bestselling author Salman Rushdie. It is well written and was a page-turner from page one to the end. I highly recommend this novel and encourage everyone to read it.

Brilliantly styled as a translation of an ancient epic, this is a saga of love, adventure, and myth that is a testament to storytelling’s power. After witnessing her mother’s death, the grief-stricken Pampa Kampana becomes a vessel for the goddess Parvati, who begins to speak out of the girl’s mouth. I was hooked when Pampa Kampana provided the seeds that created Victory City out of thin air.

David Remnick’s interview with Salman Rushdie in The New Yorker provided background I would have missed.

“The first kings of Vijayanagara announced, quite seriously, that they were descended from the moon,” Rushdie said. “So when these kings, Harihara and Bukka, announce that they’re members of the lunar dynasty, they’re associating themselves with those great heroes. It’s like saying, ‘I’ve descended from the same family as Achilles.’ Or Agamemnon. And so I thought, Well, if you could say that, I can say anything.”

Above all, the book is buoyed by the character of Pampa Kampana, who, Rushdie says, “just showed up in my head” and gave him his story, his sense of direction. Rushdie’s pleasure in writing the novel was in “world building” and, at the same time, writing about a character building that world: “It’s me doing it, but it’s also her doing it.” The pleasure is infectious. “Victory City” is an immensely enjoyable novel. It is also an affirmation. At the end, with the great city in ruins, what is left is not the storyteller but her words:

I, Pampa Kampana, am the author of this book.
I have lived to see an empire rise and fall.
How are they remembered now, these kings, these queens?
They exist now only in words . . .
I myself am nothing now. All that remains is this city of words.
Words are the only victors.

The Goodreads summary provides a brief overview,

In the wake of an insignificant battle between two long-forgotten kingdoms in fourteenth-century southern India, a nine-year-old girl has a divine encounter that will change the course of history. After witnessing her mother’s death, the grief-stricken Pampa Kampana becomes a vessel for the goddess Parvati, who begins to speak out of the girl’s mouth. Granting her powers beyond Pampa Kampana’s comprehension, the goddess tells her that she will be instrumental in the rise of a great city called Bisnaga–literally victory city–the wonder of the world.

Over the next two hundred and fifty years, Pampa Kampana’s life becomes deeply interwoven with Bisnaga’s, from its literal sowing out of a bag of magic seeds to its tragic ruination in the most human of ways: the hubris of those in power. Whispering Bisnaga and its citizens into existence, Pampa Kampana attempts to make good on Parvati’s task: giving women equal agency in a patriarchal world. But all stories have a way of getting away from their creator, and Bisnaga is no exception. As years pass, rulers come and go, battles are won and lost, and allegiances shift, the very fabric of Bisnaga becomes an ever more complex tapestry–with Pampa Kampana at its center.

The Jan Lilien Education Fund sponsors ongoing sustainability and environmental awareness programs. Gifts made this month; I will match dollar-for-dollar. All donations are tax-deductible.

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Remarkably Bright Creatures

Read: January 2024

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Remarkably Bright Creatures

by Shelby Van Pelt

Today, I recommended reading “Remarkably Bright Creatures” by Shelby Van Pelt. It’s a charming, witty, and compulsively readable exploration of friendship, reckoning, and hope. The novel traces the unlikely connection of a widow with a giant Pacific octopus, making it perfect for fans of “A Man Called Ove.” Shelby Van Pelt’s debut novel is a gentle reminder that sometimes, looking at the past can help uncover a future that once felt impossible.

The story follows Tova Sullivan, who works the night shift at the Sowell Bay Aquarium after her husband dies. Tova has been coping with loss since her eighteen-year-old son, Erik, mysteriously vanished on a boat in Puget Sound over thirty years ago.

While at the aquarium, Tova becomes acquainted with Marcellus, a grumpy giant Pacific octopus who refuses to cooperate with his human captors. However, Marcellus forms a remarkable friendship with Tova and helps her uncover the truth about her son’s disappearance.

As a detective, Marcellus uses his invertebrate body to deduce what happened when Tova’s son disappeared. Together, they embark on a journey to unearth the truth before it’s too late.

The Jan Lilien Education Fund sponsors ongoing sustainability and environmental awareness programs. Gifts made this month; I will match dollar-for-dollar. All donations are tax-deductible.

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I receive a commission when you buy a book or product using a link on this page. Thank you for supporting Sharing Jan’s Love blog.

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The Cemetery of Untold Stories

Read: April 2024

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The Cemetery of Untold Stories

by Julia Alvarez

Today, I began reading Julia Alvarez‘s novel “The Cemetery of Untold Stories.” The book explores whose stories deserve to be told and whose should remain buried. In the end, Alma, the main character, finds meaning in the power of storytelling. Julia Alvarez reminds us that our stories are never truly finished, even at the end.

Alma Cruz, a famous writer, doesn’t want to suffer the same fate as her friend, who became mentally unstable after struggling to finish a book. So, when Alma inherits a small plot of land in her native Dominican Republic, she turns it into a cemetery for her unfinished stories. She hopes her characters will finally be able to rest in peace.

However, they have other ideas and soon begin to rewrite and revise themselves, even talking and interacting with one another. Fortunately, Filomena, a local woman hired as the groundskeeper, becomes a listener to Alma’s characters’ secret tales. These tales include those of Bienvenida, the abandoned wife of dictator Rafael Trujillo, who was erased from official history, and Manuel Cruz, a doctor who fought in the Dominican underground and escaped to the United States.

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