I began reading Stephanie Bishop's novel, The Anniversary, today. The Anniversary is a brilliantly written novel with a gripping and fast-paced storyline. It poses some interesting questions: how blurred is the boundary between reality and fiction in a writer's thoughts? How can we reject those we yearn for? And what are the consequences for ourselves, others, and our creativity if we don't?
by Stephanie Bishop
I began reading Stephanie Bishop‘s novel, The Anniversary, today. The Anniversary is a brilliantly written novel with a gripping and fast-paced storyline. It poses some interesting questions: how blurred is the boundary between reality and fiction in a writer’s thoughts? How can we reject those we yearn for? And what are the consequences for ourselves, others, and our creativity if we don’t?
J.B. Blackwood, a novelist, is on a cruise with her husband, Patrick, to celebrate their wedding anniversary. Her husband is much older than her and was her former professor, film director, and cult figure. When they first met, he appeared ageless, like a god in the eyes of those who worship them. However, his success is dwindling, while J.B. is on the verge of winning a major literary prize. Previously, her husband always oversaw her art, but now it may overshadow him.
As they sail in the sun for days, with only dark water surrounding them, a storm unexpectedly strikes, and Patrick falls from the ship. J.B. is left alone, and the search for the truth about their marriage and what happened to Patrick begins.
The Anniversary is highly recommended for readers who enjoy Lisa Halliday and Susan Choi’s works. The story revolves around a talented writer who has to confront the unresolved death of her spouse and find the courage to stand on her own. It is a captivating page-turner that will keep you hooked till the end.
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by Kate Christensen
Today, I began reading “Welcome Home, Stranger: A Novel” by Kate Christensen. The book tells the story of a woman in her fifties who returns home to Maine after her mother’s passing. The novel explores themes of grief, love, growing older, and family complexities. It raises the question: Can you ever honestly go back home?
Rachel is an environmental journalist living in Washington, DC. She has been estranged from her working-class family in New England for many years. Having gone through a divorce and being childless in her middle age, Rachel is a truly independent spirit who has experienced a lot of pain. She feels like her life is falling apart and is struggling to cope with big and small challenges. However, her life takes a different turn when she gets a call to return home for her mother’s funeral.
Then, everything falls apart.
Rachel is surrounded by a cast of characters who are sometimes comical, sometimes heartbreakingly earnest. Her sister is an arriviste, her brother-in-law is an alcoholic, and the love of her life has recently married her sister’s best friend. Rachel must face her past and come to terms with the sorrow she has long buried. She must also confront the ghost of her mother, who, for better or worse, made her the woman she is today.
Lively, witty, and painfully familiar, this sophisticated and emotionally resonant novel from the author of The Great Man holds a mirror up to modern life as it considers the way some of us must carry on now.
The Jan Lilien Education Fund sponsors ongoing sustainability and environmental awareness programs. Gifts made this month; I will match dollar-for-dollar. All donations are tax-deductible.
I receive a commission when you buy a book or product using a link on this page. Thank you for supporting Sharing Jan’s Love blog.
by Diane Frank
Diane Frank, a poet and author of “Prayer to the Invisible,” was a childhood friend of my wife, Jan, in Springfield, NJ. Both were gifted and talented young women who excelled as students and were also musicians, dreamers, and diarists. I met Diane at a poetry reading in NYC, where Jan insisted that we meet her brilliant friend. Diane often referred to Jan as her “Angel.”
In her luminous 9th collection, Prayer to the Invisible, poet Diane Frank fully unmasks her wild and loving imagination. With a river-deep range in subject matter and voice, Frank guides us through terrains both difficult and joyous – her Jewish mother’s love of Christmas carols, a grace-filled visitation from a victim of ethnic violence, a ballerina-in-disguise on public transit, and many transcendent visions from dreams. According to Prartho Sereno, Poet Laureate Emerita of Marin County, California. Author of Starfall in the Temple, “Diane Frank is the wise and wonder-struck, barefoot-dancing companion we all long for in these precarious times.”
Each poem was thought-provoking and a blessing for these uncertain times. The title poem, “Prayer to the Invisible,” was written in memory of Dr. Jerry Rabinowitz, who died during the attack at the Tree of Life Synagogue in Pittsburgh on October 27, 2018. He was a fellow alumnus of Jonathan Dayton Regional High School, as were Diane and my wife. The poem is a moving tribute to Dr. Rabinowitz as its words brought tears to my eyes.
The poem is a moving tribute that brought tears to my eyes for Dr. Rabinowitz, and one stanza echoed how I felt when my wife died.
I carry your spirit on my shoulders
as I walk into the synagogue
where we played music for you,
as I follow an eclipse north
as I walk into a dream.
I write your name in the sky after midnight
in the Leonid meteor showers,
in the penumbra of an eclipse
of the wolf moon.
Diane Frank is a poet and musician, author of nine books of poems, three novels, and a photo memoir of her 400-mile trek in the Nepal Himalayas. Listening to the Enigma Variations: New and Selected Poems won the 2022 Next Generation Indie Book Award for Poetry. She is the editor of three bestselling anthologies: River of Earth and Sky: Poems for the Twenty-First Century; Fog and Light: San Francisco through the Eyes of the Poets Who Live Here; and Pandemic Puzzle Poems. Her first novel, Blackberries in the Dream House, was nominated for the Pulitzer Prize.
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by Alia Trabucco Zerán
Today, I delved into the unique narrative of ‘Clean: A Novel‘ by Alia Trabucco Zerán, translated by Sophie Hughes. This compelling novel, shortlisted for the Femina Etranger and Medicis Etranger Prizes, unfolds the story of a maid who has witnessed a lot and a family on the brink of collapse. The narrative is centered around a young girl’s death, with the family’s maid being the critical witness under interrogation, tasked with recounting the events leading up to the tragedy.
Estela’s journey from the countryside, leaving her mother behind, to work for the señor and señora when their only child was born is poignant. Their ad for a housemaid: ‘Smart appearance, full-time,’ was her ticket to earning enough to support her mother and return home. Estela cleaned their laundry, wiped their floors, and made their meals for seven years, but she also became privy to their secrets, witnessed their conflicts, and raised their daughter. She heard the rats in the ceiling, saw the looks the señor gave the señora, and knew about the poison in the cabinet, the gun, the daughter’s rebellion, the mother’s coldness, and the father’s distance. She experienced it all.
After a series of shocking betrayals and revelations, Estela’s silence becomes her shield, broken only now to reveal how it all unraveled. Is this a tale of vengeance or a confession? A clash of classes or a lesson in caution? With each page turn, ‘Clean: A Novel‘ builds tension, offering a gripping, incisive exploration of power, domesticity, and betrayal from an international star at the peak of her storytelling prowess.
by Margarita Liberaki
Today, I began reading Margarita Liberaki‘s Three Summers, translated by Karen Van Dyck. This edition features a detailed introduction by Ms. Van Dyck, in which she shares her experiences meeting Ms. Liberaki and collaborating with her on the translation. The original novel, written in Greek, was titled The Straw Hats, but Ms. Van Dyck felt that this title would not resonate with foreign readers similarly.
Three Summers is the story of three sisters who grew up in the countryside near Athens before the outbreak of the Second World War. The sisters live in a large, old house surrounded by a beautiful garden. The oldest sister, Maria, is adventurous and eager to settle down and start her own family. The middle sister, Infanta, is gorgeous but emotionally distant. Katerina, the narrator, and the youngest sister is dreamy and rebellious.
Throughout three summers, the sisters share and keep secrets, fall in and out of love, and try to understand their parents and other adult figures. They also observe the peculiar behaviors of friends and neighbors while worrying about and discovering their identities. Karen Van Dyck’s translation beautifully captures the light and warmth of this modern Greek classic.
Margarita Liberaki (1919-2001) was born in Athens and raised by her grandparents, who owned the Fexis bookstore and publishing house. In addition to her novel Three Summers, she authored The Other Alexander (1950) and The Mystery (1976). She also wrote several plays, including Candaules’ Wife (1955) and The Danaïds (1956), part of a cycle she called Mythical Theater. Furthermore, she contributed screenplays, such as Jules Dassin’s Phaedra (1962) and Diaspora (1999), which focused on Greek intellectuals in exile in Paris during the junta. Her novel Three Summers is now a standard part of public education in Greece and Cyprus and was adapted into a television miniseries in 1995.
Karen Van Dyck is the Kimon A. Doukas Professor of Modern Greek Literature at Columbia University. Her research focuses on modern Greek literature, diaspora literature, gender studies, and translation. She has edited or co-edited several poetry anthologies, including A Century of Greek Poetry (2004), The Greek Poets: Homer to the Present (2010), and Austerity Measures: The New Greek Poetry (2017) for NYRB Poets. Additionally, her translations have appeared in Brooklyn Rail, Asymptote, and The Baffler.
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by N. K. Jemisin
The City We Became: A Novel by N. K. Jemisin is my first science fiction and urban fantasy novel in quite some time. It is a story of culture, identity, magic, and myths in contemporary New York City. Jan and I had lived in New York City, and the book brought back fond memories.
Every great city has a soul. Some are ancient as myths, and others are as new and destructive as children.
But every City also has a dark side. A roiling, ancient evil stirs beneath the earth, threatening to destroy the City and her five protectors unless they can come together and stop it once and for all.
As Jemisin writes:
A city is never alone, not really — and this city seems less solitary than most. More like a family: many parts, frequently squabbling … but in the end, against enemies, they come together to protect one another. They must, or die.
The challenge is when evil forces threaten the City; the entire community needs to unite, and the City’s avatars for each of the five boroughs.
Initially, this is supposed to be one for each borough and one for the entire City. In the end, one of the avatars for the five boroughs chooses not to unite with the others. Without all six, they stand no chance to defeat the forces of evil.
How do they solve this? By adding the sixth borough – Jersey City.
I recommend this book without reservation.
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by Kate Atkinson
Today, I embarked on the journey of Kate Atkinson‘s ‘Life After Life,’ a novel that has secured its place among The New York Times 100 Best Books of the Century. The book presents a unique and thought-provoking premise: What if you could live multiple lives until you found the perfect one? With its darkly comic, startlingly poignant, and utterly original narrative, it’s a testament to Kate Atkinson‘s unparalleled storytelling prowess.
The story unfolds in a unique narrative structure, beginning on a cold and snowy night in 1910 when Ursula Todd is born to an English banker and his wife. She dies before drawing her first breath. However, on that same night, Ursula Todd is born again, lets out a loud cry, and starts a life that will be pretty unusual. As she grows up, she also dies repeatedly in various ways while the young century moves inexorably toward its second cataclysmic world war.
Could Ursula’s seemingly endless life be the key to altering the world’s inevitable destiny? The prospect is both thrilling and hopeful. Yet, the question lingers – if she possesses this power, will she choose to wield it?
