Written with subtle humor and warmth, Bryan Washington‘s Palaver weaves together the past and present across Houston, Jamaica, and Japan. This intricate story explores themes of family, love, and the beauty of coexistence. A finalist for the National Book Award for Fiction, this novel is a life-affirming tale about family, healing, and the ways we learn to love, showcasing the talent of the award-winning Bryan Washington.

In Tokyo, a young man works as an English tutor and spends his nights out with friends at a gay bar. He is involved in a sexual relationship with a married man. Although he has formed a chosen family in Japan, he and his mother, who resides in Houston, are estranged from each other. Her preference for his troubled, homophobic brother, Chris, ultimately pushed him to leave home. Then, in the weeks leading up to Christmas—ten years after they last saw each other—his mother arrives uninvited at his doorstep.

With only the son’s cat, Taro, to mediate, the two clash immediately. The mother struggles with memories of her youth in Jamaica and her complicated relationship with her brother, as she attempts to reconcile her good intentions with past mistakes. Meanwhile, the son grapples with the challenge of forgiveness. However, as life takes unexpected turns—leading the mother to form a tentative friendship with a local bistro owner and the son to connect with a new patron at the bar cautiously—they begin to see each other more clearly.

Through shared meals, conversations, and an eventful trip to Nara, both mother and son try to determine where “home” truly is and whether they can find it in one another.

Bryan Washington is the author of the story collection Lot and the novels Memorial and Family Meal. He is a National Book Award 5 Under 35 Honoree. He has won several prestigious awards, including the Dylan Thomas Prize, the NYPL Young Lions Fiction Award, the Ernest J. Gaines Award, two Lambda Literary Awards, and an O. Henry Prize.

Washington has also been a finalist for various awards, such as the National Book Critics Circle Award for Fiction, the Aspen Words Literary Prize, the Center for Fiction First Novel Prize, the Andrew Carnegie Medal of Excellence, and the James Tait Black Prize. The New York Times referred to his writing as among the 25 Most Influential Works of Postwar Queer Literature, and he was a columnist for the New York Times Magazine.

As a frequent contributor to The New Yorker and The New York Times, his writing has appeared in other notable publications, including Granta, The New York Times Magazine, New York, Time, GQ, and Esquire, among others. He lives in Tokyo.

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“The Director” by Daniel Kehlmann, translated by Ross Benjamin, is a thought-provoking novel inspired by the life of film director G.W. Pabst. Pabst fled to Hollywood to escape the Nazis but later returned to Germany to produce propaganda films for the German Reich. The novel is a New York Times Top 10 Book of the Year, an NYPL Best Book of the Year, and a notable book by the Washington Post.

An artist’s life, a pact with the devil, and the dangerous illusions of the silver screen.

G.W. Pabst, one of cinema’s greatest directors of the 20th century, was filming in France when the Nazis seized power. To escape the horrors of the new and unrecognizable Germany, he fled to Hollywood. But now, under the blinding California sun, the world-famous director suddenly looks like a nobody. Not even Greta Garbo, the Hollywood actress whom he made famous, can help him.

When he learns that his elderly mother is ill, he finds himself back in his homeland of Austria, now called Ostmark. Pabst, his wife, and his young son are suddenly confronted with the barbaric nature of the regime. So, when Joseph Goebbels—the minister of propaganda in Berlin—sees the potential for using the European film icon for his directorial genius and makes big promises to Pabst and his family, Pabst must consider Goebbels’s thinly veiled order. While Pabst still believes that he will be able to resist these advances, that he will not submit to any dictatorship other than art, he has already taken the first steps into a hopeless entanglement.

Kehlmann’s latest oeuvre explores the complicated relationships and distinctions between art and power, beauty and barbarism, cog and conspirator.

Daniel Kehlmann was born in Munich in 1975. His novels and plays have won numerous prizes, including the Candide Prize, the Doderer Prize, the Kleist Prize, the Welt Literature Prize, and the Thomas Mann Prize. His novel Tyll, shortlisted for the 2020 International Booker Prize, and Measuring the World have been translated into more than forty languages and are among the biggest successes in post-war German literature. He currently lives in Berlin and New York.

Ross Benjamin is the translator of numerous works of German-language literature, including Franz Kafka’s Diaries, Clemens J. Setz’s Indigo, Joseph Roth’s Job, Kevin Vennemann’s Close to Jedenew, Friedrich Hölderlin’s Hyperion, and Daniel Kehlmann’s Tyll and You Should Have Left. The recipient of a 2015 Guggenheim Fellowship, Benjamin was also awarded the 2010 Helen and Kurt Wolff Translator’s Prize for his rendering of Michael Maar’s Speak, Nabokov. His translation of Tyll was shortlisted for the 2020 International Booker Prize.

Discover your next favorite book and dive into a world of curated, exciting reads by purchasing through my links. You’ll have access to a diverse selection of books that I’ve personally vetted to ensure quality and enjoyment. Additionally, by supporting these selections, you’ll help me continue to provide you with more personalized recommendations. I earn a small commission from your purchase, which allows me to buy and share even more books with you. Your support truly makes a difference!

Today, I started reading Help Wanted: A Novel by Adelle Waldman. The best-selling author of The Love Affairs of Nathaniel writes a funny and eye-opening tale of work in contemporary America. The story revolves around the members of Team Movement, who work at the big-box store Town Square in a small upstate New York town.

They come in for their shift at 3:55 a.m. every day, and under the supervision of a self-absorbed and barely competent boss, they empty the day’s merchandise truck, stock the shelves, and leave before the store opens for customers.

Although their lives follow a familiar and grueling routine, their real problem is that Town Square needs to schedule them for more hours. As a result, most are barely getting by, even while working second or third jobs. When the store manager, Big Will, announces he is leaving, the members of the Movement spot an opportunity. They set a just-so-crazy-it-might-work plot in motion, hoping one of them might land a management job, providing stability and possibilities for advancement.

The members of Team Movement, including a comedy-obsessed oddball who acts half his age, a young woman trying to keep her “cool kid” status from high school, and a college football hopeful trying to find a new path, band together to achieve their goal. Adelle Waldman’s debut novel was a breakout sensation, and her long-awaited follow-up brings her unparalleled wit and astute social observation to modern, low-wage work. Help Wanted is a humane and darkly comic workplace caper that highlights the hardships low-wage workers face in today’s economy. It is a funny and moving tale of ordinary people trying to make a living.

“How to Commit a Postcolonial Murder” by Nina McConigley is a bold, inventive, and fiercely original debut novel. The story begins with the death of an uncle and features his tween niece’s private confession to the reader—she and her sister are responsible for his death, and they blame the British. The New York Times has listed it as one of “The Novels Everyone Will Be Talking About in 2026.”

Summer, 1986. The Creel sisters, Georgie Ayyar, and Agatha Krishna, welcome their aunt, uncle, and young cousin—newly arrived from India—into their house in rural Wyoming, where they’ll all live together. Because this is what families do, that is, until the sisters decide that it’s time for their uncle to die.

According to Georgie, the British are to blame. And to understand why, you need to hear her story. She details the violence hiding in their house and history, her once-unshakeable bond with Agatha Krishna, and her understanding of herself as an Indian-American in the heart of the West. Her account is, at every turn, cheeky, unflinching, and infectiously inflected with the trappings of teendom, including the magazine quizzes that help her make sense of her life. At its heart, the tale she weaves is:

a)    a vivid portrait of an extended family
b)    a moving story of sisterhood
c)    a playful ode to the 80s
d)    a murder mystery (of sorts)
e)    an unexpected and unwaveringly powerful meditation on history and language, trauma and healing, and the meaning of independence

Or maybe it’s really:

f)      all of the above.

Nina McConigley is the author of the story collection Cowboys and East Indians, which won the PEN Open Book Award and the High Plains Book Award. She has received grants and fellowships from the National Endowment for the Arts (NEA), the Radcliffe Institute, the Bread Loaf Writers’ Conference, the Vermont Studio Center, and the Sewanee Writers’ Conference.

McConigley was awarded the Wyoming Arts Council’s Frank Nelson Doubleday Memorial Writing Award and was a finalist for a National Magazine Award for her columns in High Country News. Her work has appeared in several prominent publications, including The New York Times, Orion, O: The Oprah Magazine, and The Virginia Quarterly Review.

Born in Singapore and raised in Wyoming, she currently resides in Colorado.

Discover your next favorite book and dive into a world of curated, exciting reads by purchasing through my links. You’ll have access to a diverse selection of books I’ve personally vetted for quality and enjoyment. Additionally, by supporting these selections, you’ll help me continue to provide you with more personalized recommendations. I earn a small commission from your purchase, which allows me to buy and share even more books with you. Your support truly makes a difference!

Today, I started reading Junot Diaz‘s The Brief Wondrous Life of Oscar Wao, one of The New York Times’ 100 Best Books of the Century. The book also won a Pulitzer Prize. Oscar is a sweet but disastrously overweight ghetto nerd who—from the New Jersey home he shares with his old-world mother and rebellious sister—dreams of becoming the Dominican J.R.R. Tolkien and, most of all, finding love.

But Oscar may never get what he wants. Blame the fukú—a curse that has haunted Oscar’s family for generations, following them on their epic journey from Santo Domingo to the USA. Encapsulating Dominican-American history, The Brief Wondrous Life of Oscar Wao opens our eyes to an astonishing vision of the contemporary American experience. It explores the endless human capacity to persevere—and risk it all—in the name of love.

In the bestselling novel that has captivated readers in Italy, The Letter Carrier by Francesca Giannone depicts a small town in southern Italy that reflects the experiences of many others. It portrays the lives of women and men—husbands and wives, fathers and sons, mothers and daughters—as they strive to navigate the world while remaining true to their hearts. The Letter Carrier explores the universal theme of connection and examines the consequences that arise when those connections occur at the wrong time.

Salento, Italy, June 1934: A coach stops in the main square of Lizzanello, a tight-knit village where everyone knows each other. A couple gets off: The man, Carlo, a Southerner, is happy to be back home after a long time away; the woman, Anna—his wife—is a Northerner. Carlo’s brother is there to meet them, and he, along with everyone else, can’t help but notice that Anna is as beautiful as a Greek statue.

But Anna is not like the other wives. She doesn’t gossip or attend church. She reads books no one else has ever heard of, exploring ideas that some find threatening. She even wears pants, just like a man, and thinks a woman should have rights, just like a man.

There aren’t many options for a woman with Anna’s sensibilities, so when she learns that the post office is hiring, she leaps at the opportunity. A female letter carrier? It is unthinkable! But Anna passes the postal exam and soon becomes the invisible thread connecting the town as she delivers letters between clandestine lovers, families waiting to hear news of loved ones away at war, and even helps those who can’t read.

Letters connect people, conveying both information and emotion. But for some in Lizzanello, letters are too little and too late.

Francesca Giannone holds a degree in communication science and studied at the CSC, the oldest film school in Europe, located in Rome. She has published several short stories in literary magazines, both in print and online. Currently, Giannone resides in Milan, but her heart remains in her hometown of Lizzanello, a seaside town in the Salento region of Italy. She hopes to return there to live one day.

Elettra Pauletto translated The Letter Carrier. After earning her MFA from Columbia University, she has split her time between writing about her experiences in Africa—specifically in the Democratic Republic of the Congo, Rwanda, and Senegal—and translating fiction and nonfiction works from Italian and French into English. In both her writing and translations, she heavily relies on her background as a former political risk analyst who covered Sub-Saharan Africa, the Middle East, and Europe.

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