I began reading The Sunset Years of Agnes Sharp by Leonie Swann, translated by Amy Bojang. The book follows a unique group of senior citizens as they try to solve one murder while hiding another, all with the assistance of an innovative tortoise. The mystery is full of twists and turns and is cleverly written by the same author who wrote Three Bags Full, adding a darkly humorous touch to the plot.
by Leonie Swann
I began reading The Sunset Years of Agnes Sharp by Leonie Swann, translated by Amy Bojang. The book follows a unique group of senior citizens as they try to solve one murder while hiding another, all with the assistance of an innovative tortoise. The mystery is full of twists and turns and is cleverly written by the same author who wrote Three Bags Full, adding a darkly humorous touch to the plot.
It has been an eventful morning for Agnes Sharp and the other inhabitants of Sunset Hall, a house shared by the old and unruly in the sleepy English countryside. Although they have had some issues (misplaced reading glasses, conflicting culinary tastes, decreasing mobility, and gluttonous grandsons), nothing prepares them for an unexpected visit from a police officer with some shocking news. A body has been discovered next door. Everyone puts on a long face for show, but they are secretly relieved the body in question is not the one they’re currently hiding in the shed (sorry, Lillith).
The answer to their little problem with Lillith may have fallen right into their laps. All they have to do is find out who murdered their neighbor so they can pin Lillith’s death on them, thus killing two (old) birds with one stone (cold killer).
Agnes and her group of elderly friends are eager to begin their plan. They believe that creating a mystery will divert suspicion away from themselves. To investigate, they will venture out of their comfort zone and into the less-than-ideal village of Duck End. Along the way, they will encounter suspicious bakers, malfunctioning stairlifts, incompetent criminals, the local authorities, and their hidden secrets.
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by Han Kang
Today, I explored “We Do Not Part,” the latest novel by Han Kang, the 2024 Nobel Prize in Literature laureate. Translated by the talented e. yaewon and Paige Aniyah Morris, this book offers a remarkable journey. The New York Times has called it Kang’s most revealing work since her acclaimed novel, “The Vegetarian.” What captivates me the most is how it intricately weaves the story of two women’s friendship while shedding light on a hidden chapter of Korean history.
One winter morning, Kyungha receives an urgent message from her friend Inseon, asking her to visit a hospital in Seoul. Inseon has injured herself in an accident and begs Kyungha to return to Jeju Island, where she lives, to save her beloved pet—a white bird named Ama. A snowstorm hits the island when Kyungha arrives. At all costs, she must reach Inseon’s house, but the icy wind and blizzards slow her down as night falls. She wonders if she will arrive in time to save the animal—or even survive the terrible cold that envelops her with every step. Lost in a world of snow, she does not yet suspect the vertiginous plunge into darkness that awaits her at her friend’s house.
Blurring the boundaries between dream and reality, “We Do Not Part” powerfully illuminates a forgotten chapter of Korean history buried for decades, bringing to light the lost voices of the past to prevent them from fading into oblivion. It is both a tribute to enduring friendship and a plea for remembrance. The novel tells a story of profound love in the face of unspeakable violence and celebrates life, however fragile.
Han Kang was born in 1970 in South Korea. She is the author of The Vegetarian, which I have read, and winner of the International Booker Prize, Human Acts, The White Book, Greek Lessons, and We Do Not Part. In 2024, she received the Nobel Prize in Literature.
e. yaewon is based in Korea and translates from and into Korean, including titles by Hwang Jungeun, Deborah Levy, and Samuel Beckett.
Paige Aniyah Morris divides her time between the United States and Korea. Recent translations include works by Pak Kyongni, Ji-min Lee, and Chang Kang-myoung.
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by Audrey Blake
I did something I had not done in decades. After finishing the Big Library Read of 2022, The Girl in His Shadow, by Audrey Blake, I immediately started reading the sequel, The Surgeon’s Daughter. The protagonist, Nora Beady, was such a strong female lead that I could not wait to find out what happened next. In the sequel, Nora Beady, the only female student at a prestigious medical school in Bologna, is a rarity. Nora’s tenacity and passion reminded me of Jan, the love of my life.
In the 19th century, women were supposed to remain at home and raise children, so her unconventional, indelicate ambitions to become a licensed surgeon offended the men around her.
Ms. Blake has a split personality— because she is the creative alter ego of writing duo Jaima Fixsen and Regina Sirois, two authors who met as finalists of a writing contest and have been writing together happily ever since.
The pen name – Audrey Blake – was in response to the publishers recommending a more straightforward author’s name. Regina’s daughter is named Audrey, and Jaima’s son is Blake.
The Surgeon’s Daughter is the forty-fourth book I have read this year and the ninety-ninth since the beginning of 2019. My Goodreads goal for 2022 was twenty-two books.
The Goodreads summary provides an overview.
Under constant scrutiny, Nora’s successes are taken for granted; her mistakes used as proof that women aren’t suited to the field.
Everything changes when she allies herself with Magdalena Morenco, the sole female doctor on-staff. Together the two women develop new techniques to improve a groundbreaking surgery: the Cesarean section. It’s a highly dangerous procedure and the research is grueling, but even worse is the vitriolic response from men. Most don’t trust the findings of women, and many can choose to deny their wives medical care.
Already facing resistance on all sides, Nora is shaken when she meets a patient who will die without the surgery. If the procedure is successful, her work could change the world. But a failure could cost everything: precious lives, Nora’s career, and the role women will be allowed to play in medicine.
The Jan Lilien Education Fund sponsors ongoing sustainability and environmental awareness programs. All donations are tax-deductible.
I receive a commission when you buy a book or product using a link on this page. Thank you for supporting Sharing Jan’s Love blog.
by Emma Donoghue
After Jan’s death and over two years of COVID, The Pull of the Stars might not seem like a good read for me. But I had placed this book on my to-read list a few months ago. The Pull of the Stars by Emma Donoghue is set in 1918 in Dublin; a maternity ward at the height of the Great Flu is a small world of work, risk, death, and unlooked-for love. It was a page-turner that engrossed me at that moment. When I reached the last page, I wanted the story to continue.
The details about childbirth, life, and death were riveting. All three of the main characters are ones that I could have imagined in an episode of Call the Midwife. That Dr. Lynn was a natural person underscores the depth of Ms. Donoghue’s research and writing skills.
Julie and Bridie’s characters were so real it was difficult to believe that they were not also based on natural persons.
I strongly recommend The Pull of the Stars.
The Goodreads summary provides an overview.
In an Ireland ravaged by war and disease, Nurse Julia Power works at an understaffed hospital in the city center, where expectant mothers who have come down with the terrible new Flu are quarantined together. Into Julia’s regimented world step two outsiders—Doctor Kathleen Lynn, a rumored Rebel on the run from the police, and a young volunteer helper, Bridie Sweeney.
With tireless tenderness and humanity, carers and mothers somehow do their impossible work. In the darkness and intensity of this minor ward, these women change each other’s lives in unexpected ways over three days. They lose patients to this baffling pandemic but shepherd new life into a fearful world.
In The Pull of the Stars, Emma Donoghue again finds the light in the darkness in this new classic of hope and survival against all odds.
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by Helen Garner
Today, I began reading Monkey Grip: A Novel by Helen Garner. It’s a book that launched the career of one of Australia’s most celebrated writers. The story follows the infatuations of a young, single mother fascinated by the excesses of Melbourne’s late-70s counterculture. Monkey Grip is a seminal novel about Australia’s turbulent 1970s, including communal households, music, friendships, children, love, drugs, and sex.
Helen Garner is a renowned novelist, short-story writer, and journalist. She’s best known for her frank, unsparing, and intricate portrayals of Australian life, often drawn from the pages of her journals and diaries. A new US edition of her debut novel, which establishes Garner’s masterful and quietly radical literary voice, is now available.
The novel is set in Australia during the late 1970s and tells the story of Nora, a single mother and writer. Nora navigates Melbourne’s bohemian underground with her young daughter, Gracie, in tow. Nora falls in love with Javo, a flighty man trapped in his addiction. As their relationship disintegrates, Nora struggles to wean off a love that feels impossible to live without.
When Monkey Grip was first published in 1977, it caused a sensation. Critics praised Garner for her craft, but many criticized her gritty depictions of the human body, frankness about sex and drugs, the mess of motherhood, and her unabashed use of her own life as inspiration. Today, such criticism feels old-fashioned and glaringly gendered, and Monkey Grip is considered a modern masterpiece.
by Elizabeth Strout
Today, I dived into “Tell Me Everything: A Novel” by Elizabeth Strout, and I’m already captivated. This book made it onto NPR’s best books list for 2024 and caught the eye of Oprah’s Book Club—no small feat! Strout writes with such empathy and emotional depth that it reflects her incredible talent. Lucy beautifully captures this sentiment by stating, “Love comes in many different forms, but it is always love.”
With her profound understanding of the human condition and silences that convey deep emotions, Elizabeth Strout returns to the town of Crosby, Maine, reuniting with her beloved characters—Lucy Barton, Olive Kitteridge, Bob Burgess, and others—as they confront a shocking crime, navigate love while choosing to remain apart, and ponder the question, as Lucy Barton puts it, “What does anyone’s life mean?”
It’s autumn in Maine, and the town lawyer, Bob Burgess, finds himself entangled in a murder investigation, defending a lonely, isolated man accused of killing his mother. He has also developed a deep and abiding friendship with the acclaimed writer Lucy Barton, who lives nearby in a house by the sea with her ex-husband, William.
Lucy and Bob take walks and discuss their lives, fears, regrets, and what could have been. Meanwhile, Lucy is finally introduced to the iconic Olive Kitteridge, who now resides in a retirement community on the outskirts of town. They spend afternoons in Olive’s apartment, sharing stories about people they have known—what Olive calls “unrecorded lives,” which reanimate their experiences and imbue their lives with meaning.
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by Caro Claire Burke
“Yesteryear” by Caro Claire Burke has been recognized as one of The New York Times’ Best Books of the Year (So Far). The story follows a traditional American woman, a “tradwife” influencer, who suddenly finds herself in the harsh reality of 1855. She must figure out whether this living nightmare is an elaborate hoax, a twisted reality show, or something far more sinister in this sensational debut novel.
My name was Natalie Heller Mills, and I was perfect at being alive.
Natalie lives a traditional lifestyle. Her charming farmhouse is rustic; her husband, a handsome cowboy; her six children, each more delightful than the last. So what if there are nannies and producers behind the scenes, her kitchen hiding industrial-grade fridges and ovens, her husband the heir to a political dynasty? What Natalie’s followers—all 8 million of them—don’t know won’t hurt them. And The Angry Women? The privileged, Ivy League, coastal elite haters who call her an antifeminist iconoclast? They’re sick with jealousy. Because Natalie isn’t simply living the good life, she’s living the ideal—and just so happens to be building an empire from it.
Until one morning, she wakes up in a life that isn’t hers. Her home, her husband, her children—they’re all familiar, but something’s off. A sputtering fire rather than electricity warms her kitchen, her children are dirty and strange, and her soft-handed husband is suddenly a competent farmer.
Just yesterday, Natalie was curating photos of homemade jam for her Instagram, and now she’s expected to haul firewood and hand-wash clothes until her fingers bleed. Has she become the unwitting star of a ruthless reality show? Could it really be time travel? Is she being tested by God? By Satan? When Natalie suffers a brutal injury in the woods, she realizes two things: This is not her beautiful life, and she must escape by any means possible.
A gripping, electrifying novel that is as darkly funny as it is frightening, Yesteryear is a gimlet-eyed look at tradition, fame, faith, and the grand performance of womanhood.
Caro Claire Burke earned her Master’s in Fine Arts from the Bennington Writing Seminars. She co-hosts Diabolical Lies, a politics and culture podcast. Yesteryear is her debut novel.
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