Today, I dove into "Audition" by Katie Kitamura, and I'm already hooked! This gripping novel explores a woman's journey as she navigates what could be the performance of her lifetime—and perhaps even two. It's both exhilarating and disorienting, much like a Möbius strip that challenges our understanding of the people we cherish. I can't wait to see where this story takes me!
by Katie Kitamura
Today, I dove into “Audition” by Katie Kitamura, and I’m already hooked! This gripping novel explores a woman’s journey as she navigates what could be the performance of her lifetime—and perhaps even two. It’s both exhilarating and disorienting, much like a Möbius strip that challenges our understanding of the people we cherish. I can’t wait to see where this story takes me!
The narrative begins with two people meeting for lunch in a Manhattan restaurant. She is an accomplished actress in rehearsals for an upcoming premiere, while he is an attractive, troubled young man—young enough to be her son. What is his relationship to her, and how does she see him?
In this compulsively readable and brilliantly crafted novel, two competing narratives unfold, challenging our understanding of the roles we play in life – whether as partners, parents, creators, or muses – and revealing the truths that each performance conceals, particularly from those who believe they know us best.
Taut and hypnotic, “Audition” showcases Katie Kitamura‘s virtuosic writing at its finest.
Katie Kitamura is the author of four previous novels, most recently A Separation and Intimacies, which was longlisted for the National Book Award and the PEN/Faulkner Award and was a finalist for a Joyce Carol Oates Prize. She is a recipient of the Rome Prize in Literature, a Lannan fellowship, and many other honors, and her work has been translated into twenty-one languages. She teaches in the creative writing program at New York University.
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by Nathaniel Rich
Losing Earth: A Recent History by Nathaniel Rich reminds us how close we were to halting the climate emergency, and our failure has resulted in our passing the tilting point. The book “reveals, in previously unreported detail, the birth of climate denialism and the genesis of the fossil-fuel industry’s coordinated effort to thwart climate policy through misinformation propaganda and political influence.”
By 1979, we knew nearly everything we understand today about climate change – including how to stop it. Over the next decade, a handful of scientists, politicians, and strategists, led by two unlikely heroes, risked their careers in a desperate, escalating campaign to convince the world to act before it was too late. Losing Earth is their story and ours.
The New York Times Magazine devoted an entire issue to Nathaniel Rich’s groundbreaking chronicle of that decade, which became an instant journalistic phenomenon – the subject of news coverage, editorials, and conversations all over the world. In its emphasis on the lives of the people who grappled with the significant existential threat of our age, it made vivid the moral dimensions of our shared plight.
Losing Earth tells the human story of climate change in even richer, more intimate terms. It reveals, in previously unreported detail, the birth of climate denialism and the genesis of the fossil-fuel industry’s coordinated effort to thwart climate policy through misinformation propaganda and political influence. The audiobook carries the story into the present day, wrestling with the long shadow of our past failures and asking crucial questions about how we make sense of our past, our future, and ourselves.
Like John Hersey’s Hiroshima and Jonathan Schell’s The Fate of the Earth, Losing Earth is the rarest of achievements: a riveting work of dramatic history that articulates a moral framework for understanding how we got here and how we must go forward.
Losing Earth is a must-read book!
by Shelby Van Pelt
Today, I recommended reading “Remarkably Bright Creatures” by Shelby Van Pelt. It’s a charming, witty, and compulsively readable exploration of friendship, reckoning, and hope. The novel traces the unlikely connection of a widow with a giant Pacific octopus, making it perfect for fans of “A Man Called Ove.” Shelby Van Pelt’s debut novel is a gentle reminder that sometimes, looking at the past can help uncover a future that once felt impossible.
The story follows Tova Sullivan, who works the night shift at the Sowell Bay Aquarium after her husband dies. Tova has been coping with loss since her eighteen-year-old son, Erik, mysteriously vanished on a boat in Puget Sound over thirty years ago.
While at the aquarium, Tova becomes acquainted with Marcellus, a grumpy giant Pacific octopus who refuses to cooperate with his human captors. However, Marcellus forms a remarkable friendship with Tova and helps her uncover the truth about her son’s disappearance.
As a detective, Marcellus uses his invertebrate body to deduce what happened when Tova’s son disappeared. Together, they embark on a journey to unearth the truth before it’s too late.
The Jan Lilien Education Fund sponsors ongoing sustainability and environmental awareness programs. Gifts made this month; I will match dollar-for-dollar. All donations are tax-deductible.
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by Clint Smith
How the Word Is Passed: A Reckoning with the History of Slavery Across America by Clint Smith. This book was a gift from my son Jon. The New York Times selected How the Word is Passed as one of the best books published this year. Beginning in his hometown of New Orleans, Clint Smith leads the reader on an unforgettable tour of monuments and landmarks—those that are honest about the past and those that are not—that offer an intergenerational story of how slavery has been central in shaping our nation’s collective history, and ourselves.
How the Word is Passed is one of the best books I have read in 2021. I had read an excerpt in The Atlantic on the Whitney Plantation, one of the only former plantations devoted to preserving the experience of the enslaved people whose lives and work sustained it. Like most of us, I had placed the book on my to-read list, where it remained lost in the cobwebs. Fortunately, my son Jon purchased the book for me.
Secondly, the book rekindled my long-lost dream of being an American Studies professor. As soon as Jan and I met, I dropped plans to leave Brooklyn and start graduate school in the fall of 1974. I made that decision primarily because of how much I loved Jan. But it was also partly that I did not have a clear vision of what my life would be like as a professor. The book provided clear examples of people like Yvonne Holden at The Whitney Plantation redefining history to be more accurate and inclusive. I probably could not have done as well as she did, but I can now see that it might have resulted in a career for me that could have been impactful.
Goodreads provides this overview for those who still need to be convinced to read this book.
It is the story of the Monticello Plantation in Virginia, the estate where Thomas Jefferson wrote letters espousing the urgent need for liberty while enslaving over 400 people on the premises. It is the story of the Whitney Plantation, one of the only former plantations devoted to preserving the experience of the enslaved people whose lives and work sustained it. It is the story of Angola Prison in Louisiana, a former plantation named for the country from which most of its enslaved people arrived and which has since become one of the most gruesome maximum-security prisons in the world. And it is the story of Blandford Cemetery, the final resting place of tens of thousands of Confederate soldiers.
In a deeply researched and transporting exploration of the legacy of slavery and its imprint on centuries of American history, How the Word Is Passed illustrates how some of our country’s most essential stories are hidden in plain view-whether in places we might drive by on our way to work, holidays such as Juneteenth, or entire neighborhoods—like downtown Manhattan—on which the brutal history of the trade in enslaved men, women and children has been deeply imprinted.
Informed by scholarship and brought alive by the story of people living today, Clint Smith’s debut work of nonfiction is a landmark work of reflection and insight that offers a new understanding of the hopeful role that memory and history can play in understanding our country.
How the Word is Passed is one of the best books I have read this year and many prior ones. I encourage you to read it and share your comments.
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by Emma Pattee
Today, I began reading “Tilt: A Novel” by Emma Pattee. Set over a single day, this electrifying debut novel features a potent new literary voice, according to Vogue. It follows one woman’s journey through a transformed city as she grapples with the weight of her past and holds fervent hope for the future. Tilt is a gripping narrative about our disappointments and desires, exploring the lengths we will go to for the people we love.
You and I were safe last night. Your father and I fought in the kitchen, but it felt like another universe.
Annie is nine months pregnant and shopping for a crib at IKEA when a massive earthquake strikes Portland, Oregon. She finds herself navigating a chaotic city without a way to reach her husband, a phone, or money.
As she goes through Portland’s wreckage, Annie encounters human desperation and kindness: strangers offering help, a riot at a grocery store, and an unexpected friendship with a young mother. Throughout her journey, Annie reflects on her struggling marriage, unsatisfying career, and anxiety about becoming a mother. Determined to change her life, she needs to make it home.
Emma Pattee is a climate journalist and fiction writer. Her work has been published in The Atlantic, The New York Times, The Washington Post, The Guardian, and elsewhere. She lives in Oregon.
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by Margarita Liberaki
Today, I began reading Margarita Liberaki‘s Three Summers, translated by Karen Van Dyck. This edition features a detailed introduction by Ms. Van Dyck, in which she shares her experiences meeting Ms. Liberaki and collaborating with her on the translation. The original novel, written in Greek, was titled The Straw Hats, but Ms. Van Dyck felt that this title would not resonate with foreign readers similarly.
Three Summers is the story of three sisters who grew up in the countryside near Athens before the outbreak of the Second World War. The sisters live in a large, old house surrounded by a beautiful garden. The oldest sister, Maria, is adventurous and eager to settle down and start her own family. The middle sister, Infanta, is gorgeous but emotionally distant. Katerina, the narrator, and the youngest sister is dreamy and rebellious.
Throughout three summers, the sisters share and keep secrets, fall in and out of love, and try to understand their parents and other adult figures. They also observe the peculiar behaviors of friends and neighbors while worrying about and discovering their identities. Karen Van Dyck’s translation beautifully captures the light and warmth of this modern Greek classic.
Margarita Liberaki (1919-2001) was born in Athens and raised by her grandparents, who owned the Fexis bookstore and publishing house. In addition to her novel Three Summers, she authored The Other Alexander (1950) and The Mystery (1976). She also wrote several plays, including Candaules’ Wife (1955) and The Danaïds (1956), part of a cycle she called Mythical Theater. Furthermore, she contributed screenplays, such as Jules Dassin’s Phaedra (1962) and Diaspora (1999), which focused on Greek intellectuals in exile in Paris during the junta. Her novel Three Summers is now a standard part of public education in Greece and Cyprus and was adapted into a television miniseries in 1995.
Karen Van Dyck is the Kimon A. Doukas Professor of Modern Greek Literature at Columbia University. Her research focuses on modern Greek literature, diaspora literature, gender studies, and translation. She has edited or co-edited several poetry anthologies, including A Century of Greek Poetry (2004), The Greek Poets: Homer to the Present (2010), and Austerity Measures: The New Greek Poetry (2017) for NYRB Poets. Additionally, her translations have appeared in Brooklyn Rail, Asymptote, and The Baffler.
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by Richard Powers
I started reading “Playground: A Novel” by Richard Powers today. This remarkable new novel comes from the Pulitzer Prize-winning and New York Times best-selling author of “The Overstory” and “Bewilderment.” Even more astonishing is that this marks my three hundredth book since I embarked on this reading journey on January 1, 2019! I’m also enjoying “Judaism Is About Love,” which means “Playground: A Novel” will be my 98th or 99th book in 2024.
In this sweeping, panoramic novel, four lives intertwine, showcasing Richard Powers at the height of his skills. Twelve-year-old Evie Beaulieu finds herself at the bottom of a swimming pool in Montreal, strapped to one of the world’s first aqua lungs. Ina Aroita grows up on naval bases across the Pacific, finding solace in art as her only home. At an elite high school in Chicago, two opposites bond over a three-thousand-year-old board game: Rafi Young gets lost in literature, while Todd Keane’s work leads to a startling breakthrough in artificial intelligence.
Their paths converge on the history-laden island of Makatea in French Polynesia, once known for its phosphorus deposits that helped sustain the world. This tiny atoll has been chosen for a groundbreaking venture: a plan to create floating, autonomous cities to venture out onto the open sea. However, the island’s residents must vote to approve the project or turn the seasteaders away.
Set against the world’s most enormous ocean backdrop, this awe-inspiring book delves into the last wild place we have yet to colonize, exploring a still-unfolding oceanic narrative. It beautifully weaves rich characters, profound themes of technology and the environment, and a deep examination of our shared humanity—and exploration that only Richard Powers can deliver.
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