Nobody Gets Out Alive: Stories by Leigh Newman, set in Newman’s home state of Alaska and an exciting virtuosic story collection about women navigating the wilds of a male-dominated society. Nobody Gets Out Alive is a collection of dazzling, courageous stories about women struggling to survive, not just grizzly bears and charging moose but the raw, exhausting legacy of their marriages and families.

There are moments when characters in a story leap off the page and become, for a few moments, our soul mates. Ms. Newman, in each of these memorable stories, engages so fully that each character becomes so alive that I wanted to know more about their lives.

The stores span both the recent past and the founding of Anchorage. I found all of them to be stories I would happily read again. The recent stories highlight the common desire for a freer, more inclusive world for women. A woman forced to sell her home or a new bride testing limits on her return home resonates as themes of the modern world.

The final story is set in 1915 in a railroad camp. The story highlights the founding of Anchorage. As one who likes historical fiction, I was so engaged that I could not take a break. I was not expecting the outspoken heiress would stage an elaborate theatrical to seduce the wife of her husband’s employer.

I may never visit Alaska at my age, but I now know enough to feel I have lived in Seward’s Folly.

I decided to read this book after reading Ms. Newman wrote a review of The Faraway World. Ms. Newman is a skilled writer, and I highly recommend this collection and look forward to reading more of her stories in the future.

The Goodreads summary provides an overview,

In “Howl Palace”—winner of The Paris Review’s Terry Southern Prize, a Best American Short Story, and Pushcart Prize selection—an aging widow struggles with a rogue hunting dog and the memories of her five ex-husbands while selling her house after bankruptcy. In the title story, “Nobody Gets Out Alive,” newly married Katrina visits her hometown of Anchorage. She blows up her wedding reception by flirting with the host and running off with an enormous mastodon tusk.

Alongside stories set in today’s Last Frontier—rife with suburban sprawl, global warming, and opioid addiction—Newman delves into the remote wilderness of the 1970s and 80s, bringing to life young girls and single moms in search of a wilder, more accessible, more adventurous America. The final story takes place in a railroad camp in 1915, where an outspoken heiress stages an elaborate theatrical to seduce the wife of her husband’s employer, revealing how this masterful storyteller is “not only writing unforgettable, brilliantly complex characters, she’s somehow inventing souls” (Kimberly King Parsons, author of Black Light).

The Jan Lilien Education Fund sponsors ongoing sustainability and environmental awareness programs. Gifts made this month; I will match dollar-for-dollar. All donations are tax-deductible.

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Today, I dove into Tony Tulathimutte‘s “Rejection: Fiction,” and I’m already captivated! This book was longlisted for the 2024 National Book Award in Fiction and named a New York Times Best Book of the Year. Tulathimutte, known for his award-winning work “Private Citizens,” weaves together a series of electrifying linked stories that keenly examine how rejection weaves its way into the lives and relationships of his deeply intertwined characters.

With sharp observations and outrageous humor, *Rejection* delves into the most sensitive issues of modern life. This collection of seven interconnected stories transitions smoothly between the personal crises of a complex cast of characters and the comic tragedies associated with sex, relationships, identity, and the internet.

In “The Feminist,” a young man’s passionate allyship turns into furious nihilism as he realizes, after thirty lonely years, that his efforts are not leading to romantic success or even getting laid; in “Pics,” a young woman’s unrequited crush spirals into obsession, systematically eroding her sense of self. “Ahegao; or, The Ballad of Sexual Repression,” depicts a shy late bloomer whose fumbling attempts at a first relationship result in a life-changing mistake. As these characters intersect through dating apps, social media feeds, dimly lit bars, and bedrooms, they reveal how our delusions can distort our desire for connection.

These brilliant satires examine the understated sorrows of rejection with a modern classic’s authority and a manifesto’s frenetic energy. Bold and unforgettable, Rejection is a striking mosaic that redefines what it means to face rejection from lovers, friends, society, and oneself.

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In “The Emperor of Gladness,” Ocean Vuong explores the interconnected themes of history, memory, and time, revealing how love, labor, and loneliness are the foundation of American life. At its core, the narrative presents a courageous epic that examines what it means to live on the margins of society and confront the wounds that affect our shared humanity. It highlights the lengths we are willing to go to grasp one of life’s most fleeting gifts: a second chance.

One late summer evening in the post-industrial town of East Gladness, Connecticut, nineteen-year-old Hai stands on the edge of a bridge in pelting rain, ready to jump, when he hears someone shout across the river. The voice belongs to Grazina, an elderly widow succumbing to dementia, who convinces him to take another path. Bereft and out of options, he quickly becomes her caretaker. Over the year, the unlikely pair develops a life-altering bond, one built on empathy, spiritual reckoning, and heartbreak, with the power to transform Hai’s relationship with himself, his family, and a community on the brink.

Hallmarks of Ocean Vuong‘s writing—formal innovation, syntactic dexterity, and the ability to twin grit with grace through tenderness—are on full display in this story.

Ocean Vuong is the author of the critically acclaimed poetry collections Night Sky with Exit Wounds and Time Is a Mother, as well as the New York Times bestselling novel On Earth We’re Briefly Gorgeous. A recipient of the MacArthur Fellowship and the American Book Award, he once worked as a fast-food server, which inspired The Emperor of Gladness. Born in Saigon, Vietnam, he currently splits his time between Northampton, Massachusetts, and New York City.

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The Singing Word: 168 Years of Atlantic Poetry, edited by Walt Hunter, celebrates the people, land, and spirit of America. This remarkable collection showcases a wide range of contemporary and historical poetry from the 168-year archive of The Atlantic magazine. Since its first issue in 1857, the poetry published in The Atlantic has drawn attention to the nation’s ongoing journey of self-discovery.

The magazine’s verse has featured odes to American leaders and landscapes, laments for the dead, and calls for change, appealing to the enduring ideals of Atlantic readers.

This one-of-a-kind collection selects poems of rousing optimism, clear-eyed realism, and moving lyricism—poems infused with the language of America’s songs, myths, and history, from the Civil War up through the present in three rich parts: National Anthems, Natural Lines, and Personal Mythologies.

Curated by The Atlantic’s Poetry Editor, this anthology features both world-famous poets—from Longfellow to Limón, including Robert Frost, W. S. Merwin, Sylvia Plath, and Adrienne Rich—as well as poets whose work has never before been published outside of the magazine.

Offering readers an essential understanding of American canon and the evolving nation, its poets have yearned to capture—the poetry of The Atlantic is the poetry of America.

Walt Hunter is a professor of twentieth- and twenty-first-century literature and chair of the English department at Case Western Reserve University. He is also the fiction and poetry editor for The Atlantic.

Discover your next favorite book and dive into a world of curated, exciting reads by purchasing through my links. You’ll have access to a diverse selection of books that I’ve personally vetted to ensure quality and enjoyment. Additionally, by supporting these selections, you’ll help me continue to provide you with more personalized recommendations. I earn a small commission from your purchase, which allows me to buy and share even more books with you. Your support truly makes a difference!

Diane Frank, a poet and author of “Prayer to the Invisible,” was a childhood friend of my wife, Jan, in Springfield, NJ. Both were gifted and talented young women who excelled as students and were also musicians, dreamers, and diarists. I met Diane at a poetry reading in NYC, where Jan insisted that we meet her brilliant friend. Diane often referred to Jan as her “Angel.”

In her luminous 9th collection, Prayer to the Invisible, poet Diane Frank fully unmasks her wild and loving imagination. With a river-deep range in subject matter and voice, Frank guides us through terrains both difficult and joyous – her Jewish mother’s love of Christmas carols, a grace-filled visitation from a victim of ethnic violence, a ballerina-in-disguise on public transit, and many transcendent visions from dreams. According to Prartho Sereno, Poet Laureate Emerita of Marin County, California. Author of Starfall in the Temple, “Diane Frank is the wise and wonder-struck, barefoot-dancing companion we all long for in these precarious times.”

Each poem was thought-provoking and a blessing for these uncertain times. The title poem, “Prayer to the Invisible,” was written in memory of Dr. Jerry Rabinowitz, who died during the attack at the Tree of Life Synagogue in Pittsburgh on October 27, 2018. He was a fellow alumnus of Jonathan Dayton Regional High School, as were Diane and my wife. The poem is a moving tribute to Dr. Rabinowitz as its words brought tears to my eyes.

The poem is a moving tribute that brought tears to my eyes for Dr. Rabinowitz, and one stanza echoed how I felt when my wife died.

I carry your spirit on my shoulders
as I walk into the synagogue
where we played music for you,
as I follow an eclipse north
as I walk into a dream.
I write your name in the sky after midnight
in the Leonid meteor showers,
in the penumbra of an eclipse
of the wolf moon.

Diane Frank is a poet and musician, author of nine books of poems, three novels, and a photo memoir of her 400-mile trek in the Nepal Himalayas. Listening to the Enigma Variations: New and Selected Poems won the 2022 Next Generation Indie Book Award for Poetry. She is the editor of three bestselling anthologies: River of Earth and Sky: Poems for the Twenty-First Century; Fog and Light: San Francisco through the Eyes of the Poets Who Live Here; and Pandemic Puzzle Poems. Her first novel, Blackberries in the Dream House, was nominated for the Pulitzer Prize.

Discover your next favorite book and dive into a world of curated, exciting reads by purchasing through my links. You’ll have access to a diverse selection of books I’ve personally vetted for quality and enjoyment. Additionally, by supporting these selections, you’ll help me continue to provide you with more personalized recommendations. I earn a small commission from your purchase, which allows me to buy and share even more books with you. Your support truly makes a difference!

The School for Good Mothers by Jessamine Chan is a searing page-turner that is also a transgressive novel of ideas about the perils of “perfect” upper-middle-class parenting; the violence enacted upon women by both the state and, at times, one another; the systems that separate families; and the boundlessness of love, The School for Good Mothers introduces, in Frida, an everywoman for the ages.

Although it has been forty-two years since I became a parent, I still remember the anxiety of being a father. What if I could not be a good dad? Fortunately, I never had a bad like Frida. or lived in an age where parents would be sent to “a Big Brother-like institution that measures the success or failure of a mother’s devotion.”

Reading The School for Good Mothers was a reminder that solutions like this are possible unless we are willing to invest in families so that the skills and support are there to resolve any issues in the home. As a widow, I found Frida’s inner dialogue comparable to the early stages of my grief journey—the total isolation and fear of failing dominated my first months of mourning.

The School for Good Mothers had been on my book list since the middle of last year. I recommend it without reservations! Jan would have already read it, and we would be debating its fine points.

The Goodreads summary provides an overview,

In this taut and explosive debut novel, one lapse in judgement lands a young mother in a government reform program where custody of her child hangs in the balance.

Frida Liu is struggling. She doesn’t have a career worthy of her Chinese immigrant parents’ sacrifices. She can’t persuade her husband, Gust, to give up his wellness-obsessed younger mistress. Only with Harriet, their cherubic daughter, does Frida finally attain the perfection expected of her. Harriet may be all she has, but she is just enough.

Until Frida has a very bad day.

The state has its eyes on mothers like Frida. The ones who check their phones, letting their children get injured on the playground; who let their children walk home alone. Because of one moment of poor judgment, a host of government officials will now determine if Frida is a candidate for a Big Brother-like institution that measures the success or failure of a mother’s devotion.

Faced with the possibility of losing Harriet, Frida must prove that a bad mother can be redeemed. That she can learn to be good.

Using dark wit to explore the pains and joys of the deepest ties that bind us, Chan has written a modern literary classic.

The Jan Lilien Education Fund sponsors ongoing sustainability and environmental awareness programs. Gifts made this month; I will match dollar-for-dollar. All donations are tax-deductible.

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I receive a commission when you buy a book or product using a link on this page. Thank you for supporting Sharing Jan’s Love blog.