Today, I began reading Diane Oliver's Neighbors and Other Stories. It's a powerful and eerie debut collection of stories that portrays the struggles of different characters as they face the everyday dangers of racism during the Jim Crow era. The book features an introduction by Tayari Jones.
by Diane Oliver
Today, I began reading Diane Oliver‘s Neighbors and Other Stories. It’s a powerful and eerie debut collection of stories that portrays the struggles of different characters as they face the everyday dangers of racism during the Jim Crow era. The book features an introduction by Tayari Jones.
Diane Oliver is an important yet often overlooked figure in African American literature of the 20th century. She was a gifted writer, ahead of her time, whose talent was cut short by her untimely death at 22 in 1966. Nevertheless, she left behind a remarkable collection of crisply written and often chilling tales that delve into race and racism in America during the 1950s and 60s. Oliver’s insightful stories remain relevant today; this is the only existing collection of her works. She has rightfully earned her place in the literary canon as a masterful storyteller.
The passage below describes several short stories with different themes. The first story, “The Closet on the Top Floor,” tells the story of Winifred, the first Black student in a newly integrated college. In this story, Winifred begins to disappear, creating a nightmarish scenario. The second story is titled “Mint Juleps not Served Here.” It’s about a couple who live deep in a forest with their son. They will go to bloody lengths to protect him from any danger. The third story, “Spiders Cry without Tears,” features a couple named Meg and Walt. They must confront prejudices and strains of interracial and extramarital love. Finally, the last story is the titular one, and it’s a high-tension narrative that follows a nervous older sister the night before her younger brother is set to desegregate his school.
These are powerful and personal depictions of African American families‘ everyday struggles and moments of distress, illustrating how they utilize their abilities to overcome challenges. “Neighbors” is an enthralling compilation and a valuable historical and social document, displaying the remarkable literary skills of a previously overlooked author.
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by Alice Hoffman
The Bookstore Sisters: A Short Story by Alice Hoffman is a heartfelt short story about family, independence, and finding your place in the world. The overview should be enough to encourage everyone to read the book. I recommend this short story without any reservations. Ms. Hoffman has written a moving story that helped me to grapple with grief and reminded me that love is the highest and most important goal that humans can aspire.
Isabel Gibson has all but perfected the art of forgetting. She’s a New Yorker now, with nothing left to tie her to Brinkley’s Island, Maine. Her parents are gone, the family bookstore is all but bankrupt, and her sister, Sophie, will probably never speak to her again.
But when a mysterious letter arrives in her mailbox, Isabel feels drawn to the past. After years of fighting for her independence, she dreads the thought of going back to the island. What she finds there may forever alter her path—and change everything she thought she knew about her family, home, and herself.
Isabel sums up the power of love in this paragraph,
She was thinking about the way a fish loved a river, and a bird loved the sky, and a mother loved her daughters. She was remembering everything. How love could change a person, how it could cause you the greatest sorrow or shelter you from harm. There were moths hitting against the windowpanes. A night heron called in the marshland as if its heart were breaking.
I have always fantasized about working in or owning a small bookstore.
The Bookstore Sisters: A Short Story rekindled that dream and reminded me of the power of love.
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by Lily Tuck
Today, I dove into “The Rest Is Memory: A Novel” by Lily Tuck, and it’s already leaving a powerful impression. This poignant tale follows a young Catholic girl’s harrowing journey to Auschwitz, woven in a captivating Rashomon-style narrative showcasing Tuck’s brilliance as a storyteller. Esquire has rightly placed it on their list of Best Books for Fall 2024, and I can see why.
In Tuck‘s skilled hands, “The Rest Is Memory” transforms into an unforgettable piece of historical reclamation, breathing life into an innocent soul who has long been remembered only through a haunting triptych of photographs. It’s a journey that promises to linger in my thoughts long after I’ve turned the last page.
In this mesmerizing novel by Lily Tuck, we first glimpse fourteen-year-old Czeslawa riding on the back of a boy’s motorcycle. Tuck imagines Czeslawa’s upbringing in a small Polish village before her world imploded in late 1942. Stripped of her modest belongings, she arrives at Auschwitz shorn and bearing the tattoo number 26947. Shortly after, she is photographed. Three months later, she is dead.
How did this happen to an ordinary Polish citizen? This is the question Tuck grapples with in this haunting narrative, which frames Czeslawa’s story within the tragic context of the six million Poles who perished during the German occupation. A decade before writing The Rest Is Memory“, Tuck read an obituary of the photographer Wilhelm Brasse, who took over 40,000 pictures of Auschwitz prisoners—including three of Czeslawa Kwoka, a Catholic girl from rural southeastern Poland. Tuck cut out these photos and kept them, determined to learn more about Czeslawa. However, she could only gather the barest facts: the village she came from, the transport she was on, that she was accompanied by her mother and neighbors, her tattoo number, and the date of her death. Tuck crafts a remarkable kaleidoscope of imagination from this scant evidence, something only our greatest novelists can achieve.
Susanna Moore described the novel as “Beautifully written, all the while instilling a sense of horror.” Tuck’s language swirls around the reader, yet no word is out of place. The subtly rotating images tumble forth, accelerating as we learn about Czeslawa’s tragic time in Auschwitz, as well as the lives of real individuals, including the brutal Commandant Rudolf Höss, his unconscionable wife Hedwig, psychiatrist and child rescuer Janusz Korczak, and the sharp Polish short story writer Tadeusz Borowski. Although we know Czeslawa’s fate, we must keep turning the pages, thoroughly captivated by Tuck’s nearly otherworldly prose.
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by Erika Veurink
Erika Veurink‘s debut novel, Exit Lane, is a deeply personal and engaging romance filled with humor, passion, and intense longing. It’s an ideal read for fans of “You Again,” “One Day,” and “People We Meet on Vacation.” After a road trip from Iowa City to New York City following their graduation, Teddy and Marin are ready to put their past behind them.
However, their lives continue to intersect over the next eight tumultuous years, marked by chance encounters and trips across the Atlantic. Ultimately, their journey leads them back to where it all began.
Erika Veurink is a writer, founder of EV Salon, and brand consultant who lives in Brooklyn by way of Iowa. She has an MFA from Bennington College and is a contributor to Vogue, New York Magazine, WSJ, and GQ. She writes the fashion newsletter, Long Live. Exit Lane is her debut novella.
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by Miranda July
Today, I started reading All Fours: A Novel by Miranda July. A semi-famous artist announces her plan to drive cross-country from LA to NY. Thirty minutes after leaving her husband and child at home, she spontaneously exits the freeway, checks into a nondescript motel, and immerses herself in an entirely different journey.
Miranda July’s second novel, a testament to her unique approach to fiction, confirms the brilliance of her storytelling. With July’s wry voice, perfect comic timing, unabashed curiosity about human intimacy, and palpable delight in pushing boundaries, All Fours tells the story of one woman’s quest for a new kind of freedom. Part absurd entertainment, part tender reinvention of the sexual, romantic, and domestic life of a forty-five-year-old female artist, All Fours transcends expectation while excavating our beliefs about life as a woman. Once again, July hijacks the familiar and turns it into something new and thrillingly, profoundly alive.
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by Chris Bohjalian
Today, I dove into “The Jackal’s Mistress” by Chris Bohjalian, a gripping Civil War love story inspired by a true friendship that defied the odds. It follows the wife of a missing Confederate soldier as she stumbles upon a wounded Yankee officer. With the battlefield’s tension looming, she faces a heart-wrenching choice: How much is she willing to risk for the life of a stranger?
Written by a New York Times bestselling author renowned for captivating historical novels like “Hour of the Witch” and “The Sandcastle Girls,” this tale promises an unforgettable journey of love and sacrifice.
Virginia, 1864—Libby Steadman’s husband has been away so long that she can barely remember his voice in her dreams. While she longs for him at night, fearing he is dead in a Union prison camp, her days are spent running a gristmill with her teenage niece, a hired hand, and his wife. The Confederate Army requisitions all the grain they produce. It’s a precarious life in the Shenandoah Valley, a region that frequently changes hands, with control shifting back and forth between North and South. Libby wakes each morning expecting to see her land transformed into a battlefield.
Then, Libby discovers a gravely injured Union officer left for dead in a neighbor’s house, his hand and leg bones shattered. Captain Jonathan Weybridge of the Vermont Brigade is her enemy, but he is also in dire need. Libby faces a terrible decision: should she leave him to die alone, or should she risk treason and try to nurse him back to health? If she succeeds, will she attempt to secretly bring him across Union lines in hopes of negotiating a trade for news about her husband?
“The Jackal’s Mistress” is a vivid and sweeping story of two people navigating the boundaries of love and humanity amid a backdrop of brutal violence. This heart-stopping novel is based on a largely unknown piece of American history and showcases one of our greatest storytellers.
Chris Bohjalian is the #1 New York Times bestselling author of twenty-five books, including “The Princess of Las Vegas,” “The Lioness,” “Hour of the Witch,” “Midwives,” and “The Flight Attendant,” which has been adapted into a limited series on Max starring Kaley Cuoco.
His other notable works include “The Red Lotus,” “The Guest Room,” “Close Your Eyes, Hold Hands,” “The Sandcastle Girls,” “Skeletons at the Feast,” and “The Double Bind.” Several of his novels, including “Secrets of Eden,” “Midwives,” and “Past the Bleachers,” have been adapted into movies. Bohjalian’s works have been translated into more than thirty-five languages. In addition to writing novels, he is also a playwright, with works such as “The Club,” “Wingspan,” and “Midwives.
He resides in Vermont and can be found online at chrisbohjalian.com and on Facebook, Instagram, X, TikTok, Litsy, and Goodreads.
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by Margaret Atwood
The Testaments: The Sequel to The Handmaid’s Tale by Margaret Atwood is a sequel worth reading.
The novel alternates between the perspectives of three women presented as portions of a manuscript written by one (the Ardua Hall Holograph) and testimonies by the other two. Being an amateur historian, I found this a fascinating way for Ms. Atwood to write this book.
Aunt Lydia is the author of the Ardua Hall Holograph, which is a surprise based on her role in The Handmaid’s Tale. It is a surprise that she is a mole who despises Gilead and works for the resistance.
The other characters are young women who, along with Aunt Lydia, are forced to come to terms with who she is and how far she will go for what she believes.
Agnes Jemima was born in Gilead and is being educated not to be literate but to be a wife. She finds out her parents are not who she thought they were when Agnes discovers she is the daughter of a Handmaid.
Daisy was raised in Toronto, lives with her adoptive parents, and is an educated woman. As noted in most reviews, Daisy is also the daughter of a Handmaid. She is Baby Nicole from the original book, and Gilead wants her to return.
