Mercy Street: A Novel by Jennifer Haigh is a tense, riveting story about the disparate lives intersecting at a Boston women's clinic. The novel was named Best Book of the Year by the Washington Post, the New Yorker, and the Boston Globe. Mercy Street is a novel for right now, a story of the polarized American present. Ms. Haigh is a gifted storyteller who has written a very readable novel that I highly recommend.
by Jennifer Haigh
Mercy Street: A Novel by Jennifer Haigh is a tense, riveting story about the disparate lives intersecting at a Boston women’s clinic. The novel was named Best Book of the Year by the Washington Post, the New Yorker, and the Boston Globe. Mercy Street is a novel for right now, a story of the polarized American present. Ms. Haigh is a gifted storyteller who has written a very readable book. I highly recommend it.
I truly enjoyed Mercy Street. I read her short story Zenith Man and enjoyed her storytelling skills. I wanted to read her most recent novel. Until the last few pages, I was unsure how Ms. Haigh‘s intricate storylines could conclude the story. Usually, I can predict how a story will unfold well before I finish reading it. Mercy Street was a rare exception to that rule.
I have never had to run the gauntlet in front of a women’s clinic, but Ms. Haigh has made that experience so real that I could taste it. The day-to-day work of the staff and the clients was detailed and believable. The male characters, Timmy, the affable pot dealer; Anthony, a lost soul; and Excelsior11, the screenname of Victor Prine, were drafted credibly.
As stated earlier, I highly recommend this book.
Jennifer Haigh is the author of seven best-selling, critically acclaimed works of fiction. Her first, Mrs. Kimble, won the PEN Hemingway Award for debut fiction. Her latest, Mercy Street, was named a Best Book of 2022 by the New Yorker and won the Mark Twain American Voice in Literature Award. A Guggenheim fellow and Iowa Writers’ Workshop graduate, she lives in Boston.
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by Fernanda Melchor
‘Hurricane Season‘ by Fernanda Melchor, translated by Sophie Hughes, is a literary gem acknowledged by the New York Times as one of the 100 Best Books of the 21st Century. The story opens with the discovery of a dead witch in a village, leading to an investigation into her murder. As the novel unfolds, it offers a unique perspective on the lives of the villagers, each narrating the story from their point of view.
This unique portrayal of the characters, each with flaws and virtues, uncovers new details and acts of depravity. Despite the characters being seen as irredeemable, Melchor extracts some shred of humanity from them, creating a lasting portrait of a doomed Mexican village. This deep connection to Mexican culture is a significant aspect of the novel that will surely resonate with readers interested in this topic.
“Hurricane Season” draws significant literary inspiration from Roberto Bolaño‘s “2666” and Faulkner‘s novels. Like these works, it is set in a world filled with mythology and actual violence that seeps into the surroundings, creating a connection that makes it more terrifying the deeper you explore it.
by Sarah Winman
I began reading “Still Life,” a GMA Book Club pick by Sarah Winman. This captivating and bighearted novel weaves a rich tapestry of stories about people connected by love, war, art, flood, and the ghost of E.M. Forster. Kristen V. Brown, in The Atlantic Magazine’s Culture Survey, describes “Still Life” as the best novel she has recently read and considers it the best nonfiction work.
In Tuscany in 1944, as Allied troops advance and bombs fall around deserted villages, a young English soldier, Ulysses Temper, finds himself in the wine cellar of an abandoned villa. There, he encounters Evelyn Skinner, a middle-aged art historian who has come to Italy to salvage paintings from the ruins and recall long-forgotten memories of her youth. In each other, Ulysses and Evelyn find a kindred spirit amidst the rubble of war-torn Italy and set off on a course of events that will shape Ulysses’s life for the next four decades.
As Ulysses returns home to London, reimmersing himself in his crew at The Stoat and Parot—a motley mix of pub crawlers and eccentrics—he carries his time in Italy. And when an unexpected inheritance brings him back to where it all began, Ulysses knows better than to tempt fate and returns to the Tuscan hills.
With beautiful prose, extraordinary tenderness, and bursts of humor and light, Still Life is a sweeping portrait of unforgettable individuals who come together to make a family and a deeply drawn celebration of beauty and love in all its forms.
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by Rachel Kushner
Today, I started reading Creation Lake: A Novel by Rachel Kushner, a two-time finalist for the Booker Prize and the National Book Award. This novel follows a seductive and cunning American woman who infiltrates an anarchist collective in France. It is a gripping page-turner filled with dark humor. Creation Lake is Kushner‘s finest achievement—a work of high art, comedy, and unforgettable pleasure.
The story revolves around a secret agent, a thirty-four-year-old American woman who employs ruthless tactics and possesses striking beauty. She is sent to carry out covert operations in France. The narrator introduces herself as “Sadie Smith” when she arrives at a rural commune of French subversives, whom she is secretly monitoring, and to her lover, Lucien, a young and well-to-do Parisian whom she meets by so-called “cold bump”—making him believe their encounter was accidental. Like everyone else she targets, Lucien is helpful to her and ultimately manipulated by her. Sadie operates with strategy and deception, following instructions from her “contacts”—shadowy figures in business and government. Initially, these contacts want her to provoke reactions. As the story progresses, their demands become more complex.
In this region filled with ancient farms and prehistoric caves, Sadie becomes captivated by a mysterious figure named Bruno Lacombe. Bruno mentors young activists who believe that the path to emancipation lies not in revolt but in a return to the ancient past. Just as Sadie thinks she is the seductress and puppet master of those she surveils, Bruno enchants her with his ingenious counter-histories, poignant laments, and tragic narrative.
In brief, striking sections, Rachel Kushner‘s interpretation of “noir” is taut and dazzling.
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by Richard Powers
I started reading “Playground: A Novel” by Richard Powers today. This remarkable new novel comes from the Pulitzer Prize-winning and New York Times best-selling author of “The Overstory” and “Bewilderment.” Even more astonishing is that this marks my three hundredth book since I embarked on this reading journey on January 1, 2019! I’m also enjoying “Judaism Is About Love,” which means “Playground: A Novel” will be my 98th or 99th book in 2024.
In this sweeping, panoramic novel, four lives intertwine, showcasing Richard Powers at the height of his skills. Twelve-year-old Evie Beaulieu finds herself at the bottom of a swimming pool in Montreal, strapped to one of the world’s first aqua lungs. Ina Aroita grows up on naval bases across the Pacific, finding solace in art as her only home. At an elite high school in Chicago, two opposites bond over a three-thousand-year-old board game: Rafi Young gets lost in literature, while Todd Keane’s work leads to a startling breakthrough in artificial intelligence.
Their paths converge on the history-laden island of Makatea in French Polynesia, once known for its phosphorus deposits that helped sustain the world. This tiny atoll has been chosen for a groundbreaking venture: a plan to create floating, autonomous cities to venture out onto the open sea. However, the island’s residents must vote to approve the project or turn the seasteaders away.
Set against the world’s most enormous ocean backdrop, this awe-inspiring book delves into the last wild place we have yet to colonize, exploring a still-unfolding oceanic narrative. It beautifully weaves rich characters, profound themes of technology and the environment, and a deep examination of our shared humanity—and exploration that only Richard Powers can deliver.
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by Giovana Madalosso
I recently dove into The Tokyo Suite by Giovana Madalosso, expertly translated by Bruna Dantas Lobato. This captivating book represents the English-language debut of one of Brazil’s most thrilling contemporary voices. It intricately unravels the complexities of modern family dynamics, diving deep into the hidden tensions that simmer just beneath the surface of everyday life. Each page draws you in, inviting you to explore the rich tapestry of emotions and experiences that define our relationships.
It’s a seemingly ordinary morning when Maju, a nanny, boards a bus with Cora, the young girl she’s been caring for and disappears. The abduction, an act as impulsive as it is extreme, sets off a series of events that will force each character to confront their deepest fears and desires.
Cora’s mother, Fernanda, is a successful executive who is so engulfed in her crisis that she initially fails to notice her daughter’s disappearance. Her marriage is strained, and she finds solace in an affair, distancing herself further from her family. Meanwhile, her husband, overwhelmed by the complexities of their domestic life, remains emotionally detached. As Maju navigates the streets of São Paulo with Cora, the “white army” of nannies, a term coined by Fernanda, seems to watch her every move, heightening her sense of paranoia and urgency.
Madalosso’s narrative delves deep into the human psyche, examining themes of maternal guilt, societal expectations, and the search for personal identity. Rich and multi-layered, The Tokyo Suite is a poignant and gripping tale that captures the essence of modern urban life and the lengths people will go to reclaim a sense of control and meaning.
Giovana Madalosso is a Brazilian writer and screenwriter born in Curitiba in 1975. She has been a finalist for the Biblioteca Nacional Award and the São Paulo Prize of Literature. The Tokyo Suite is her English-language debut.
Bruna Dantas Lobato is a fiction writer and translator. Her translation of Stênio Gardel‘s The Words That Remain won the 2023 National Book Award for Translated Literature. Her fiction has appeared in The New Yorker, Guernica, A Public Space, and The Common. Raised in Natal, Brazil, she is an incoming Assistant Professor of English and Creative Writing at Grinnell College.
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by Etgar Keret
“Autocorrect” by Etgar Keret, a prominent figure in Israeli literature and film, is a darkly humorous collection of stories that delves into themes of identity, reality, and meaning. These narratives resonate with our current times, characterized by uncertainty and fragility, marked by misunderstandings and miscommunications, as we seek reasons and the strength to foster hope.
Etgar Keret‘s stories reveal the fault lines and uncomfortable truths in our society, all delivered in a style that is uniquely his own. He is the world’s most renowned living Israeli writer, known for his lean and accessible short stories that often blend whimsy, surrealism, and dark humor. Keret’s work explores the most minor and seemingly mundane aspects of life in profound and unusual ways.
The characters in his fiction face relatable challenges in work and relationships. They inhabit a world filled with rapidly advancing technology, yet the base nature of human passions and brutality repeatedly undermines this world. For instance, one character’s partner is a reality show contestant from a parallel dimension. At the same time, another discovers that the asteroid he paid to have named after his wife is on a collision course with Earth. In another story, an elderly widow persuades a popular AI program to commit suicide.
Etgar Keret, born in Ramat Gan in 1967, is a prominent figure in Israeli literature and film. Translated into more than forty languages, his writing has appeared in well-known publications such as The New York Times, Le Monde, and The New Yorker. He has received several prestigious awards, including the Caméra d’Or at the Cannes Film Festival in 2007, the Charles Bronfman Prize in 2016, and the esteemed Sapir Prize in 2018.
More than a hundred captivating short films and several remarkable feature films have brought his stories to life on the big screen. Keret teaches creative writing at Ben-Gurion University of the Negev. Since 2021, he has also been publishing a weekly newsletter titled “Alphabet Soup” on Substack.
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