The Corrections: A Novel

Estimated reading time: 2 minutes, 1 second

Today, I embarked on a profound exploration of the human condition through Jonathan Franzen‘s ‘The Corrections: A Novel.’ It guides us from the heart of the Midwest in the mid-century to the bustling streets of Wall Street and the enigmatic landscapes of Eastern Europe. It’s no surprise that it’s hailed as one of The New York Times 100 Best Books of the 21st Century.

Jonathan Franzen‘s ‘The Corrections: A Novel‘ is not just a family saga but a profound critique of our modern society. It’s a work of art that delves into the issues of our new century, enlightening us with its insights. Franzen masterfully juxtaposes the old-fashioned America of freight trains, civic responsibility, and holiday treats with the modern absurdities of neuroscience, home surveillance, hands-off parenting, DIY mental health care, and the anti-gravity New Economy. It’s a narrative that will evoke laughter, tears, and deep contemplation. Through ‘The Corrections,’ Franzen establishes himself as one of the leading interpreters of American society and the American spirit.

Enid Lambert is distraught. She conceals her anxiety from her neighbors and adult children, but her husband, Alfred, is slipping into a world of his own. Whether it’s the medication for his Parkinson’s disease or his pessimism, he’s becoming increasingly detached. His days are spent brooding in the basement, engaging in mysterious, unsettling actions, and struggling to understand Enid’s words. The depth of their struggle is palpable, drawing the reader into their world.

Trouble also brews in the lives of Enid’s children. Her eldest son, Gary, a banker in Philadelphia, has become callous and materialistic, trying to push his parents out of their old home and into a small apartment. The middle child, Chip, has abruptly quit his exciting job as a professor at D—— College for no discernible reason. He moved to New York City, seemingly embracing a “transgressive” lifestyle while working on a screenplay. Meanwhile, the youngest, Denise, has left her disastrous marriage only to waste her youth and beauty on an affair with a married man—or so Gary implies.

Enid, a lover of life’s pleasures, still looks forward to a final family Christmas and the upcoming Nordic Pleasurelines Luxury Fall Color Cruise with Alfred. However, his growing confusion and instability threaten these remaining joys. As Alfred’s condition worsens, the Lamberts must confront their family’s past failures, secrets, and long-buried wounds. Yet, in this journey of confrontation and reconciliation, the hope for a better future emerges.

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Three Summers

Read: February 2025

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Three Summers: A Novel

by Margarita Liberaki

Today, I began reading Margarita Liberaki‘s Three Summers, translated by Karen Van Dyck. This edition features a detailed introduction by Ms. Van Dyck, in which she shares her experiences meeting Ms. Liberaki and collaborating with her on the translation. The original novel, written in Greek, was titled The Straw Hats, but Ms. Van Dyck felt that this title would not resonate with foreign readers similarly.

Three Summers is the story of three sisters who grew up in the countryside near Athens before the outbreak of the Second World War. The sisters live in a large, old house surrounded by a beautiful garden. The oldest sister, Maria, is adventurous and eager to settle down and start her own family. The middle sister, Infanta, is gorgeous but emotionally distant. Katerina, the narrator, and the youngest sister is dreamy and rebellious.

Throughout three summers, the sisters share and keep secrets, fall in and out of love, and try to understand their parents and other adult figures. They also observe the peculiar behaviors of friends and neighbors while worrying about and discovering their identities. Karen Van Dyck’s translation beautifully captures the light and warmth of this modern Greek classic.

Margarita Liberaki (1919-2001) was born in Athens and raised by her grandparents, who owned the Fexis bookstore and publishing house. In addition to her novel Three Summers, she authored The Other Alexander (1950) and The Mystery (1976). She also wrote several plays, including Candaules’ Wife (1955) and The Danaïds (1956), part of a cycle she called Mythical Theater. Furthermore, she contributed screenplays, such as Jules Dassin’s Phaedra (1962) and Diaspora (1999), which focused on Greek intellectuals in exile in Paris during the junta. Her novel Three Summers is now a standard part of public education in Greece and Cyprus and was adapted into a television miniseries in 1995.

Karen Van Dyck is the Kimon A. Doukas Professor of Modern Greek Literature at Columbia University. Her research focuses on modern Greek literature, diaspora literature, gender studies, and translation. She has edited or co-edited several poetry anthologies, including A Century of Greek Poetry (2004), The Greek Poets: Homer to the Present (2010), and Austerity Measures: The New Greek Poetry (2017) for NYRB Poets. Additionally, her translations have appeared in Brooklyn Rail, Asymptote, and The Baffler.



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The Secret Hours

Read: January 2024

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The Secret Hours

by Mick Herron

Today, I started reading “The Secret Hours” by Mick Herron, a gripping spy thriller about a disastrous MI5 mission in Cold War Berlin. This book is a must-read for fans of “Slow Horses.” “The Secret Hours” is a standalone spy thriller that is both unnerving and poignant yet also has laugh-out-loud moments. It is the breathtaking secret history that Slough House fans have been waiting for.

Two years ago, a hostile prime minister launched the Monochrome inquiry, which aimed to investigate “historical over-reaching” by the British Secret Service. Griselda Fleet and Malcolm Kyle, two civil servants seconded to the project, were given unfettered access to all confidential information in the Service archives to ferret any hint of misconduct by any MI5 officer.

However, MI5’s formidable First Desk did not become Britain’s top spy by accident, and she has successfully thwarted the inquiry at every turn. The administration that created Monochrome has been ousted, and the investigation is a total bust. Griselda and Malcolm are stuck watching as the pounding London rain washes away their career prospects.

On the eve of Monochrome’s shuttering, an MI5 case file appears without explanation. It is the buried history of a classified operation in 1994 Berlin, which ended in tragedy and scandal, whose cover-up has rewritten thirty years of Service history.


The Jan Lilien Education Fund sponsors ongoing sustainability and environmental awareness programs. Regarding gifts made this month, I will match dollar for dollar. All donations are tax-deductible.

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How to Love Your Daughter

Read: August 2023

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How to Love Your Daughter

by Hila Blum

I started reading a novel called “How to Love Your Daughter,” written by Hila Blum and translated by Daniella Zamir today. The book explores a complicated relationship between a mother and her grown daughter. It raises the question of how much harm we can do to our loved ones when love blinds us.

The story takes place thousands of miles away from home, where a woman finds herself peeking through well-lit windows at her two granddaughters. She has never met them before, as they are the daughters of her estranged daughter, whom she hasn’t seen in years.

The book’s central theme revolves around the woman’s attempt to understand how a once-loving relationship between her and her daughter ended up in such a distant and unfathomable state. The story shifts past and present as the woman unravels her memories and long-buried emotions. She tries to make sense of the seemingly insignificant moments of parental care that, combined, may have undermined what she valued most.

The author, Blum, skillfully delves into the complexities of family life, where a parent can easily cross the line between protectiveness and possession without even realizing it. The story leaves us wondering whether it’s possible ever to find our way back from such a point.


The Jan Lilien Education Fund sponsors ongoing sustainability and environmental awareness programs. Gifts made this month; I will match dollar-for-dollar. All donations are tax-deductible.

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Bodily Harm

Read: June 2021

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Bodily Harm

by Margaret Atwood

Bodily Harm by Margaret Atwood is one of the books I picked up from our bookshelf in the first few months after Jan’s death. Being someone who has always fantasized about being a journalist, I found it very interesting.

A powerfully and brilliantly crafted novel, Bodily Harm is the story of Rennie Wilford, a young journalist whose life has begun to shatter around the edges.  Rennie flies to the Caribbean to recuperate, and on the tiny island of St. Antoine she is confronted by a world where her rules for survival no longer apply.  By turns comic, satiric, relentless, and terrifying, Margaret Atwood’s Bodily Harm is ultimately an exploration of the lust for power, both sexual and political, and the need for compassion that goes beyond what we ordinarily mean by love.

Bodily Harm may be the bleakest book that Ms. Atwood has written. One of her common themes is “the violence that human beings inflict on one another and their isolation in an uncaring world. It holds out some hope in the form of compassion to be shared by those who are victims of bodily harm in any form. The novel suggests that every person falls into this category. All are victims. There is no exemption, no escape for anyone.”

I recommend this book.

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The Emperor of Gladness

Read: May 2025

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The Emperor of Gladness

by Ocean Vuong

In “The Emperor of Gladness,” Ocean Vuong explores the interconnected themes of history, memory, and time, revealing how love, labor, and loneliness are the foundation of American life. At its core, the narrative presents a courageous epic that examines what it means to live on the margins of society and confront the wounds that affect our shared humanity. It highlights the lengths we are willing to go to grasp one of life’s most fleeting gifts: a second chance.

One late summer evening in the post-industrial town of East Gladness, Connecticut, nineteen-year-old Hai stands on the edge of a bridge in pelting rain, ready to jump, when he hears someone shout across the river. The voice belongs to Grazina, an elderly widow succumbing to dementia, who convinces him to take another path. Bereft and out of options, he quickly becomes her caretaker. Over the year, the unlikely pair develops a life-altering bond, one built on empathy, spiritual reckoning, and heartbreak, with the power to transform Hai’s relationship with himself, his family, and a community on the brink.

Hallmarks of Ocean Vuong‘s writing—formal innovation, syntactic dexterity, and the ability to twin grit with grace through tenderness—are on full display in this story.


Ocean Vuong is the author of the critically acclaimed poetry collections Night Sky with Exit Wounds and Time Is a Mother, as well as the New York Times bestselling novel On Earth We’re Briefly Gorgeous. A recipient of the MacArthur Fellowship and the American Book Award, he once worked as a fast-food server, which inspired The Emperor of Gladness. Born in Saigon, Vietnam, he currently splits his time between Northampton, Massachusetts, and New York City.



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Victory City: A Novel

Read: February 2023

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Victory City: A Novel

by Salman Rushdie

Victory City: A Novel by Salman Rushdie is an epic tale of a woman who breathes a fantastical empire into existence, only to be consumed by it over the centuries from the transcendent imagination of Booker Prize-winning, internationally bestselling author Salman Rushdie. It is well written and was a page-turner from page one to the end. I highly recommend this novel and encourage everyone to read it.

Brilliantly styled as a translation of an ancient epic, this is a saga of love, adventure, and myth that is a testament to storytelling’s power. After witnessing her mother’s death, the grief-stricken Pampa Kampana becomes a vessel for the goddess Parvati, who begins to speak out of the girl’s mouth. I was hooked when Pampa Kampana provided the seeds that created Victory City out of thin air.

David Remnick’s interview with Salman Rushdie in The New Yorker provided background I would have missed.

“The first kings of Vijayanagara announced, quite seriously, that they were descended from the moon,” Rushdie said. “So when these kings, Harihara and Bukka, announce that they’re members of the lunar dynasty, they’re associating themselves with those great heroes. It’s like saying, ‘I’ve descended from the same family as Achilles.’ Or Agamemnon. And so I thought, Well, if you could say that, I can say anything.”

Above all, the book is buoyed by the character of Pampa Kampana, who, Rushdie says, “just showed up in my head” and gave him his story, his sense of direction. Rushdie’s pleasure in writing the novel was in “world building” and, at the same time, writing about a character building that world: “It’s me doing it, but it’s also her doing it.” The pleasure is infectious. “Victory City” is an immensely enjoyable novel. It is also an affirmation. At the end, with the great city in ruins, what is left is not the storyteller but her words:

I, Pampa Kampana, am the author of this book.
I have lived to see an empire rise and fall.
How are they remembered now, these kings, these queens?
They exist now only in words . . .
I myself am nothing now. All that remains is this city of words.
Words are the only victors.

The Goodreads summary provides a brief overview,

In the wake of an insignificant battle between two long-forgotten kingdoms in fourteenth-century southern India, a nine-year-old girl has a divine encounter that will change the course of history. After witnessing her mother’s death, the grief-stricken Pampa Kampana becomes a vessel for the goddess Parvati, who begins to speak out of the girl’s mouth. Granting her powers beyond Pampa Kampana’s comprehension, the goddess tells her that she will be instrumental in the rise of a great city called Bisnaga–literally victory city–the wonder of the world.

Over the next two hundred and fifty years, Pampa Kampana’s life becomes deeply interwoven with Bisnaga’s, from its literal sowing out of a bag of magic seeds to its tragic ruination in the most human of ways: the hubris of those in power. Whispering Bisnaga and its citizens into existence, Pampa Kampana attempts to make good on Parvati’s task: giving women equal agency in a patriarchal world. But all stories have a way of getting away from their creator, and Bisnaga is no exception. As years pass, rulers come and go, battles are won and lost, and allegiances shift, the very fabric of Bisnaga becomes an ever more complex tapestry–with Pampa Kampana at its center.


The Jan Lilien Education Fund sponsors ongoing sustainability and environmental awareness programs. Gifts made this month; I will match dollar-for-dollar. All donations are tax-deductible.

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I receive a commission when you buy a book or product using a link on this page. Thank you for supporting Sharing Jan’s Love blog.



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