"The Director" by Daniel Kehlmann, translated by Ross Benjamin, is a thought-provoking novel inspired by the life of film director G.W. Pabst. Pabst fled to Hollywood to escape the Nazis but later returned to Germany to produce propaganda films for the German Reich. The novel is a New York Times Top 10 Book of the Year, an NYPL Best Book of the Year, and a notable book by the Washington Post.
by Daniel Kehlmann
“The Director” by Daniel Kehlmann, translated by Ross Benjamin, is a thought-provoking novel inspired by the life of film director G.W. Pabst. Pabst fled to Hollywood to escape the Nazis but later returned to Germany to produce propaganda films for the German Reich. The novel is a New York Times Top 10 Book of the Year, an NYPL Best Book of the Year, and a notable book by the Washington Post.
An artist’s life, a pact with the devil, and the dangerous illusions of the silver screen.
G.W. Pabst, one of cinema’s greatest directors of the 20th century, was filming in France when the Nazis seized power. To escape the horrors of the new and unrecognizable Germany, he fled to Hollywood. But now, under the blinding California sun, the world-famous director suddenly looks like a nobody. Not even Greta Garbo, the Hollywood actress whom he made famous, can help him.
When he learns that his elderly mother is ill, he finds himself back in his homeland of Austria, now called Ostmark. Pabst, his wife, and his young son are suddenly confronted with the barbaric nature of the regime. So, when Joseph Goebbels—the minister of propaganda in Berlin—sees the potential for using the European film icon for his directorial genius and makes big promises to Pabst and his family, Pabst must consider Goebbels’s thinly veiled order. While Pabst still believes that he will be able to resist these advances, that he will not submit to any dictatorship other than art, he has already taken the first steps into a hopeless entanglement.
Kehlmann’s latest oeuvre explores the complicated relationships and distinctions between art and power, beauty and barbarism, cog and conspirator.
Daniel Kehlmann was born in Munich in 1975. His novels and plays have won numerous prizes, including the Candide Prize, the Doderer Prize, the Kleist Prize, the Welt Literature Prize, and the Thomas Mann Prize. His novel Tyll, shortlisted for the 2020 International Booker Prize, and Measuring the World have been translated into more than forty languages and are among the biggest successes in post-war German literature. He currently lives in Berlin and New York.
Ross Benjamin is the translator of numerous works of German-language literature, including Franz Kafka’s Diaries, Clemens J. Setz’s Indigo, Joseph Roth’s Job, Kevin Vennemann’s Close to Jedenew, Friedrich Hölderlin’s Hyperion, and Daniel Kehlmann’s Tyll and You Should Have Left. The recipient of a 2015 Guggenheim Fellowship, Benjamin was also awarded the 2010 Helen and Kurt Wolff Translator’s Prize for his rendering of Michael Maar’s Speak, Nabokov. His translation of Tyll was shortlisted for the 2020 International Booker Prize.
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by Gabrielle Zevin
I delved into the pages of “Tomorrow, and Tomorrow, and Tomorrow: A Novel” by Gabrielle Zevin. The narrative unfolds the lives of Sam and Sadie, two college friends who evolve into creative partners in video game design. Their journey is a tapestry of fame, joy, tragedy, duplicity, and a form of immortality, all woven into a unique love story that captivated me like no other.
This love story uniquely portrays the challenges and triumphs of a relationship in the context of their shared creative endeavors.
On a bitter-cold day in December of his junior year at Harvard, Sam Masur exits a subway car and sees Sadie Green amid the hordes of people waiting on the platform. He calls her name. For a moment, she pretends she hasn’t heard him, but then, she turns, and a game begins: a legendary collaboration that will launch them to stardom.
These friends, who have been close since childhood, take bold steps, borrow money, and seek favors. Even before they graduate from college, they have birthed their first blockbuster, Ichigo. In a blink, the world is at their feet. Sam and Sadie, not yet twenty-five, are shining with brilliance, success, and wealth. But these attributes can’t shield them from their emotional rollercoaster of creative aspirations and the heartbreaks that come with it.
Spanning thirty years, from Cambridge, Massachusetts, to Venice Beach, California, and lands in between and far beyond, Gabrielle Zevin‘s Tomorrow, Tomorrow, and Tomorrow provides a profound exploration of the diverse nature of identity, disability, failure, the redemptive possibilities in play, and above all, our deep-seated need to connect: to be loved and to love. It’s a journey that will make you reflect on your life and relationships.
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by A.M. Homes
The Unfolding by A.M. Homes is a darkly comic political parable braided with a Bildungsroman that takes us inside the heart of a divided country. The Unfolding is an alternative history that is terrifyingly prescient, profoundly tender, and devastatingly funny. Will this novel help me to understand how we became a nation that no longer shares the same definitions of truth, freedom, and democracy, much less a shared vision of the future?
Although I understand more clearly the crisis facing the US, I highly recommend this novel.
Ms. Homes has written a must-read book that compliments the January 6th Committee report and should make us all more vigilant.
The characters are so well defined that at the end of the novel, I wanted to continue to read about them, especially Meghan.
The Goodreads summary provides an overview,
The Big Guy loves his family, money, and country. Undone by the 2008 presidential election results, he taps a group of like-minded men to reclaim their version of the American Dream. As they build a scheme to disturb and disrupt, the Big Guy also faces turbulence within his family. His wife, Charlotte, grieves a life not lived, while his 18-year-old daughter, Meghan, realizes that her favorite subject–history–is not exactly what her father taught her.
In a story that is as much about the dynamics within a family as it is about the desire for those in power to remain in force, Homes presciently unpacks a dangerous rift in American identity, prompting a reconsideration of the definition of truth, freedom, and democracy–and exploring the explosive consequences of what happens when the exact words mean such different things to people living together under one roof.
In her first novel since the Women’s Prize award-winning May We Be Forgiven, A.M. Homes delivers us back to ourselves in this stunning alternative history that is both terrifyingly prescient, deeply tender, and devastatingly funny.
The Jan Lilien Education Fund sponsors ongoing sustainability and environmental awareness programs. Gifts made this month; I will match dollar-for-dollar. All donations are tax-deductible.
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by Various Writers Under 40
The New Yorker’s collection of short stories – 20 Under 40 – is a collection of twenty writers “whose work will help define the future of American letters.”
Some of these I had read in The New Yorker and others I had missed. Either way, they were a pleasure to read.
As The New Yorker wrote,
The range of voices is extraordinary. There is the lyrical realism of Nell Freudenberger, Philipp Meyer, C. E. Morgan, and Salvatore Scibona; the satirical comedy of Joshua Ferris and Gary Shteyngart; and the genre-bending tales of Jonathan Safran Foer, Nicole Krauss, and Téa Obreht. David Bezmozgis and Dinaw Mengestu offer clear-eyed portraits of immigration and identity; Sarah Shun-lien Bynum, ZZ Packer, and Wells Tower offer voice-driven, idiosyncratic narratives. Then there are the haunting sociopolitical stories of Chimamanda Ngozi Adichie, Daniel Alarcón, and Yiyun Li, and the metaphysical fantasies of Chris Adrian, Rivka Galchen, and Karen Russell.
Each of these writers reminds us why we read. And each is aiming for greatness: fighting to get and to hold our attention in a culture that is flooded with words, sounds, and pictures; fighting to surprise, to entertain, to teach, and to move not only us but generations of readers to come. A landmark collection, 20 Under 40 stands as a testament to the vitality of fiction today.
I recommend this collection of short stories.
by Marie-Helene Bertino
I started reading “Beautyland: A Novel” by Marie-Helene Bertino today. The novel is about the fragility and resilience of life on Earth and in our universe. It tells the story of a baby born with extraordinary perception to a single mother in Philadelphia when Voyager 1 embarks on its interstellar journey. As we follow Adina Giorno’s growth, we witness her awakening to her exceptional nature—a profound understanding of a distant planet.
With the introduction of a fax machine, she established a unique form of communication with her extraterrestrial kin, who dispatched her to observe and document the peculiarities of Earthlings. As Adina navigates the complexities of the human world, she not only shares her observations on the joys and terrors of existence but also grapples with her identity and the connections she forms. At a pivotal moment, a trusted friend encourages her to share her transmissions with the world, leading her to question if she is alone in her experiences.
‘Beautyland‘ is a wise, tender novel about a woman who doesn’t feel at home on Earth, penned by the highly acclaimed Marie-Helene Bertino, the author of ‘Parakeet.’ With her proven ability to craft compelling narratives, Bertino’s ‘Beautyland’ is a surefire way to captivate readers interested in contemporary fiction, themes of identity, and human connection.
by Hila Blum
I started reading a novel called “How to Love Your Daughter,” written by Hila Blum and translated by Daniella Zamir today. The book explores a complicated relationship between a mother and her grown daughter. It raises the question of how much harm we can do to our loved ones when love blinds us.
The story takes place thousands of miles away from home, where a woman finds herself peeking through well-lit windows at her two granddaughters. She has never met them before, as they are the daughters of her estranged daughter, whom she hasn’t seen in years.
The book’s central theme revolves around the woman’s attempt to understand how a once-loving relationship between her and her daughter ended up in such a distant and unfathomable state. The story shifts past and present as the woman unravels her memories and long-buried emotions. She tries to make sense of the seemingly insignificant moments of parental care that, combined, may have undermined what she valued most.
The author, Blum, skillfully delves into the complexities of family life, where a parent can easily cross the line between protectiveness and possession without even realizing it. The story leaves us wondering whether it’s possible ever to find our way back from such a point.
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by Alaya Dawn Johnson
Trouble the Saints by Alaya Dawn Johnson is one of NPR’s Books We Love from 2020. The dangerous magic of The Night Circus meets the powerful historical exploration of The Underground Railroad in this timely and unsettling novel, set against the darkly glamorous backdrop of New York City at the dawn of WWII. Amidst the whir of city life, a girl from Harlem is drawn into the glittering underworld of Manhattan, where she’s hired to use her knives to strike fear amongst its most dangerous denizens.
The book is written in three sections with different protagonists and voices. Phyllis, or Pea as her friends call her, is a black assassin for a white mob boss narrates the first section of the book. Her saint’s hands are the ability to use knives to commit murder. She can also pass as white as Phyllis, but she is a black woman from Harlem as Pea. The section she narrates is difficult at first to follow as she attempts to deal with the consequences of her actions. Can the past ever be the past?
Dev, Indian and Phyllis’s lover, narrates the second section. He is an undercover cop who protects her and helps her free herself from the mob boss. This section is located in the Hudson Valley and highlights the tensions before the war between whites and non-whites.
The third protagonist, Tamara, narrates this section. The war separates Phyllis and Dev. Phyllis is pregnant, and Dev and Tamara’s love interest are serving in the military. This section brings together the threads and reminds us that the past is never the past.
As Goodreads summarizes the book,
But the ghosts from her past are always by her side—and history has appeared on her doorstep to threaten the people she loves most.
Can one woman ever sacrifice enough to save an entire community?
Trouble the Saints is a dazzling, daring novel—a magical love story, a compelling chronicle of interracial tension, and an altogether brilliant and deeply American saga.
I recommend this book and encourage all readers to read it to the end.
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