"Autocorrect" by Etgar Keret, a prominent figure in Israeli literature and film, is a darkly humorous collection of stories that delves into themes of identity, reality, and meaning. These narratives resonate with our current times, characterized by uncertainty and fragility, marked by misunderstandings and miscommunications, as we seek reasons and the strength to foster hope.
by Etgar Keret
“Autocorrect” by Etgar Keret, a prominent figure in Israeli literature and film, is a darkly humorous collection of stories that delves into themes of identity, reality, and meaning. These narratives resonate with our current times, characterized by uncertainty and fragility, marked by misunderstandings and miscommunications, as we seek reasons and the strength to foster hope.
Etgar Keret‘s stories reveal the fault lines and uncomfortable truths in our society, all delivered in a style that is uniquely his own. He is the world’s most renowned living Israeli writer, known for his lean and accessible short stories that often blend whimsy, surrealism, and dark humor. Keret’s work explores the most minor and seemingly mundane aspects of life in profound and unusual ways.
The characters in his fiction face relatable challenges in work and relationships. They inhabit a world filled with rapidly advancing technology, yet the base nature of human passions and brutality repeatedly undermines this world. For instance, one character’s partner is a reality show contestant from a parallel dimension. At the same time, another discovers that the asteroid he paid to have named after his wife is on a collision course with Earth. In another story, an elderly widow persuades a popular AI program to commit suicide.
Etgar Keret, born in Ramat Gan in 1967, is a prominent figure in Israeli literature and film. Translated into more than forty languages, his writing has appeared in well-known publications such as The New York Times, Le Monde, and The New Yorker. He has received several prestigious awards, including the Caméra d’Or at the Cannes Film Festival in 2007, the Charles Bronfman Prize in 2016, and the esteemed Sapir Prize in 2018.
More than a hundred captivating short films and several remarkable feature films have brought his stories to life on the big screen. Keret teaches creative writing at Ben-Gurion University of the Negev. Since 2021, he has also been publishing a weekly newsletter titled “Alphabet Soup” on Substack.
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by Mary Lawson
Crow Lake by Mary Lawson is set in northern Ontario’s rural “badlands.” The badlands are where heartbreak and hardship are mirrored in the landscape of the farming Pye family. Crow Lake is that rare find, a first novel so quietly assured, so emotionally pitch-perfect, you know from the opening page that this is the real thing – a literary experience in which to lose yourself, by an author of immense talent.
Crow Lake was a page-turner for me once I read the prologue.
Two families dominate the story.
On the one hand, it is the Greek tragedy of the Pye family. On their farm, “the sins of the fathers are visited on the sons, and terrible events occur—offstage.”
Kate Morrison has left her two brothers and sister at the lake to become a zoologist. The four siblings lost their parents and struggled to remain together. Their “tragedy looks more immediate if less brutal, but is, in reality, insidious and divisive.
As Goodreads describes the novel,
In this universal drama of family love and misunderstandings, of resentments harbored and driven underground, Lawson ratchets up the tension with heartbreaking humor and consummate control, continually overturning one’s expectations right to the very end. Tragic, funny, unforgettable, this deceptively simple masterpiece about the perils of hero worship leaped to the top of the bestseller lists only days after being released in Canada and earned glowing reviews in The New York Times and The Globe and Mail, to name a few.
I highly recommend this novel and am looking forward to reading more from Mary Lawson.
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by Marilynne Robinson
Jack: A Novel by Marilynne Robinson is the second book in this series I have read. Previously I read, Home, and now I have read the fourth. Without Jan by my side, I read more but not always in order. Fortunately, Jack appears in Home at a later point than is covered in this novel. That provided an understanding of the next phase of Jack and Della’s relationship.
I very much enjoyed reading this novel. Although Jan and I fell in love without all of the complexities of this couple, there were enough similarities that reminded me of how special our love was and remains. For example, our long conversations, many of which were while we walked, are reminiscent of the novel.
I highly recommend this novel. One of the reviews suggested that the next volume should be about Della. I will read that book before the ink drys.
Goodreads provides an overview.
In this book, Robinson tells the story of John Ames Boughton, the prodigal son of Gilead’s Presbyterian minister, and his romance with Della Miles, a high school teacher who is also the child of a preacher. They’re deeply felt, tormented, star-crossed interracial romance resonates with all the paradoxes of American life, then and now.
Marilynne Robinson’s mythical world of Gilead, Iowa—the setting of her novels Gilead, Home, and Lila, and now Jack—and its beloved characters have illuminated and interrogated the complexities of American history, the power of our emotions, and the wonders of a sacred world.
Robinson’s Gilead novels, which have won one Pulitzer Prize and two National Book Critics Circle Awards, are vital to contemporary American literature and a revelation of our national character and humanity.
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by Louise Hegarty
“Fair Play” by Louise Hegarty is a captivating and playful novel that is both insightful and profoundly moving. It delves into the complexities of the human heart while challenging our perceptions of a beloved genre. Fans of Anthony Horowitz and Lucy Foley will appreciate this wonderfully original and genre-defying debut from Ireland. The book pays tribute to the brilliant detective novels of the early twentieth century but with a modern twist that will keep readers on the edge of their seats.
A group of friends, each with their quirks and secrets, gathers at an Airbnb to celebrate New Year’s Eve. It’s Benjamin’s birthday, and his sister, Abigail, is hosting a Jazz Age Murder Mystery-themed party. As the night unfolds, they enjoy champagne, devour hors d’oeuvres, and form or strain relationships. Someone kisses the wrong person, and someone else’s heart breaks. The setting, a grand mansion with its mysteries, adds an extra layer of intrigue to the story.
By morning, everyone wakes up—except for Benjamin.
As Abigail struggles to come to terms with her brother’s death, an esteemed detective arrives, determined to find Benjamin’s killer. The mansion is now filled with a butler, gardener, and housekeeper, making everyone a suspect, and nothing is quite as it seems. The detective’s arrival not only adds a layer of suspense but also brings a sense of hope as the characters cling to the possibility of justice and closure.
Will the culprit be revealed? And how can Abigail, feeling lost and alone, begin to piece her life back together in the wake of this tragedy?
Gripping yet playful, sharp yet profoundly moving, *Fair Play* explores the depths of the human heart while subverting one of our most beloved genres. It’s a twisty murder mystery that’s both classic and contemporary, along with a poignant exploration of grief and loss.
Louise Hegarty‘s work has appeared in Banshee, The Tangerine, The Stinging Fly, and The Dublin Review. It has also been featured on BBC Radio 4’s Short Works. She was the inaugural winner of the Sunday Business Post/Penguin Ireland Short Story Prize. Her short story “Getting the Electric” has been optioned by Fíbín Media. Louise resides in Cork, Ireland.
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Enjoy a limited-time offer of 20% off your next book purchase at Bookshop.org!
by Sarah MacLean
These Summer Storms by Sarah MacLean is a poignant and thoughtful story about the transformative power of grief, love, and family—the novel delves into past secrets, present truths, and futures shaped by wild summer storms. Alice Storm has not been welcome at her family’s magnificent private island off the Rhode Island coast for five years—not since she was cast out and built her life apart from the Storm name, its influence, and untold billions.
However, the shocking death of her larger-than-life father changes everything. Alice plans to keep a low profile, pay her final respects (as complicated as they are), and leave as soon as the funeral concludes. Unfortunately, her father had other plans. The eccentric and manipulative patriarch left his family a final challenge—an inheritance game designed to disrupt their lives. The rules are straightforward: spend one week on the island, complete their assigned tasks, and receive the inheritance.
Spending an entire week on Storm Island presents challenges for Alice. The old house is chaotic in every corner: her older sister’s secret love affair, her brother displays unwavering arrogance, and her younger sister is constantly analyzing the “vibes.” All of this is under the stern, watchful gaze of Jack Dean, her father’s intriguing and too-handsome second-in-command. It will take a miracle for Alice to escape unscathed.
Sarah MacLean is the author of sixteen New York Times bestselling novels, translated into more than twenty-five languages. She co-hosts the weekly romance novel podcast Fated Mates and is a prominent voice in the romance genre. A product of Rhode Island summers and New England storms, MacLean now lives with her family in New York City.
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by Diane Oliver
Today, I began reading Diane Oliver‘s Neighbors and Other Stories. It’s a powerful and eerie debut collection of stories that portrays the struggles of different characters as they face the everyday dangers of racism during the Jim Crow era. The book features an introduction by Tayari Jones.
Diane Oliver is an important yet often overlooked figure in African American literature of the 20th century. She was a gifted writer, ahead of her time, whose talent was cut short by her untimely death at 22 in 1966. Nevertheless, she left behind a remarkable collection of crisply written and often chilling tales that delve into race and racism in America during the 1950s and 60s. Oliver’s insightful stories remain relevant today; this is the only existing collection of her works. She has rightfully earned her place in the literary canon as a masterful storyteller.
The passage below describes several short stories with different themes. The first story, “The Closet on the Top Floor,” tells the story of Winifred, the first Black student in a newly integrated college. In this story, Winifred begins to disappear, creating a nightmarish scenario. The second story is titled “Mint Juleps not Served Here.” It’s about a couple who live deep in a forest with their son. They will go to bloody lengths to protect him from any danger. The third story, “Spiders Cry without Tears,” features a couple named Meg and Walt. They must confront prejudices and strains of interracial and extramarital love. Finally, the last story is the titular one, and it’s a high-tension narrative that follows a nervous older sister the night before her younger brother is set to desegregate his school.
These are powerful and personal depictions of African American families‘ everyday struggles and moments of distress, illustrating how they utilize their abilities to overcome challenges. “Neighbors” is an enthralling compilation and a valuable historical and social document, displaying the remarkable literary skills of a previously overlooked author.
by Nina McConigley
“How to Commit a Postcolonial Murder” by Nina McConigley is a bold, inventive, and fiercely original debut novel. The story begins with the death of an uncle and features his tween niece’s private confession to the reader—she and her sister are responsible for his death, and they blame the British. The New York Times has listed it as one of “The Novels Everyone Will Be Talking About in 2026.”
Summer, 1986. The Creel sisters, Georgie Ayyar, and Agatha Krishna, welcome their aunt, uncle, and young cousin—newly arrived from India—into their house in rural Wyoming, where they’ll all live together. Because this is what families do, that is, until the sisters decide that it’s time for their uncle to die.
According to Georgie, the British are to blame. And to understand why, you need to hear her story. She details the violence hiding in their house and history, her once-unshakeable bond with Agatha Krishna, and her understanding of herself as an Indian-American in the heart of the West. Her account is, at every turn, cheeky, unflinching, and infectiously inflected with the trappings of teendom, including the magazine quizzes that help her make sense of her life. At its heart, the tale she weaves is:
a) a vivid portrait of an extended family
b) a moving story of sisterhood
c) a playful ode to the 80s
d) a murder mystery (of sorts)
e) an unexpected and unwaveringly powerful meditation on history and language, trauma and healing, and the meaning of independence
Or maybe it’s really:
f) all of the above.
Nina McConigley is the author of the story collection Cowboys and East Indians, which won the PEN Open Book Award and the High Plains Book Award. She has received grants and fellowships from the National Endowment for the Arts (NEA), the Radcliffe Institute, the Bread Loaf Writers’ Conference, the Vermont Studio Center, and the Sewanee Writers’ Conference.
McConigley was awarded the Wyoming Arts Council’s Frank Nelson Doubleday Memorial Writing Award and was a finalist for a National Magazine Award for her columns in High Country News. Her work has appeared in several prominent publications, including The New York Times, Orion, O: The Oprah Magazine, and The Virginia Quarterly Review.
Born in Singapore and raised in Wyoming, she currently resides in Colorado.
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