I recently read "Something About Living" by Lena Khalaf Tuffaha, a poet and essayist whose work resonates deeply. The book of poems won the 2024 National Book Award for Poetry and delved into Palestinian life through the lens of the American language, revealing a legacy of obfuscation and erasure. It questions what happens when language packages ongoing disasters for consumption and disposal.
by Lena Khalaf Tuffaha
I recently read “Something About Living” by Lena Khalaf Tuffaha, a poet and essayist whose work resonates deeply. The book of poems won the 2024 National Book Award for Poetry and delved into Palestinian life through the lens of the American language, revealing a legacy of obfuscation and erasure. It questions what happens when language packages ongoing disasters for consumption and disposal.
As a Jew supporting a two-state solution, I initially hesitated to read this collection of poems. However, I was pleasantly surprised by the lyrical beauty of the verses, which explore love not just as an emotion but as a transformative force and “a radical act.” Every poem that genuinely resonated with me. “Something About Living” is a book I highly recommend for its depth and insight!
Ms. Khalaf Tuffaha has an incredible literary repertoire; her previous work, “Water & Salt,” earned the esteemed 2018 Washington State Book Award, while “Kaan & Her Sisters” was a finalist for the Firecracker Award. In addition, “Something About Living” also received the 2022 Akron Prize for Poetry. I’m excited to explore her profound insights and lyrical mastery!
Adrian Matejka, the author of “Somebody Else Sold the World,” has written about “Something About Living,”
“It’s nearly impossible to write poetry that simultaneously holds the human desire for joy and the insistent agitations of protest, but Lena Khalaf Tuffaha‘s gorgeous and wide-ranging new collection Something About Living does just that. Her poems interweave Palestine’s historic suffering, the challenges of living in this world full of violence and ill will, and the gentle delights we embrace to survive that violence. Khalaf Tuffaha’s elegant poems sing the fractured songs of Diaspora while remaining clear-eyed to the cause of the fracturing: the multinational hubris of colonialism and greed. This collection is her witness to our collective unraveling, vowel by vowel, syllable by syllable. “Let the plural be a return of us,” the speaker of “On the Thirtieth Friday We Consider Plurals” says and this plurality is our tenuous humanity and the deep need to hang on to kindness in our communities. In these poems Khalaf Tuffaha reminds us that love isn’t an idea; it is a radical act. Especially for those who, like this poet, travel through the world vigilantly, but steadfastly remain heart first.
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by Philip Roth
Today, I started reading The Human Stain: A Novel by Philip Roth. This book is considered a masterpiece and has earned its place among The New York Times’ 100 Best Books of the 21st Century. The story takes place in 1998, a significant year marked by a presidential impeachment that affected the entire nation. In a peaceful New England town, the respected classics professor Coleman Silk is forced into retirement due to false accusations of racism by his colleagues.
This accusation triggers a series of events that bring to light shocking revelations about Coleman, revelations that carry a profound societal significance. Coleman Silk harbors a secret, a secret that is not about his affair with Faunia Farley, a woman half his age with a troubled past, or the alleged racism that led to his downfall at the college where he was once a respected dean. It’s not even about misogyny, despite Professor Delphine Roux’s attempts to portray him as such. Coleman’s true secret, a secret he has guarded for fifty years from everyone in his life, including his wife, children, colleagues, and friends, is a defining aspect of his character and his relationships.
The Human Stain is a compelling portrayal of 1990s America, a time of clashing moralities and ideological divisions. Through public denunciations and rituals of purification, it delves into how the nation’s destiny and the ‘human stain’ that marks human nature shape the lives of postwar Americans. This potent and captivating novel is a fitting continuation of Philip Roth‘s earlier works, each set in a distinct historical period.
by Franziska Gänsler
Today, I plunged into Eternal Summer, the captivating debut novel by Franziska Gänsler, beautifully translated by Imogen Taylor. Set against the urgent backdrop of a German spa town grappling with the harsh realities of climate change, this gripping story weaves a tale of trust, abuse, and solidarity. It explores the profound and unexpected bond that forms between two women, drawing readers into an intense emotional journey that’s both compelling and thought-provoking.
When Iris took over the family hotel from her grandfather, Bad Heim was still a popular spa destination. However, fierce wildfires rage in the area, filling the air with smoke. The summers have become dry and unbearably hot, seemingly endless. Guests have become a rare sight. Suddenly, a young mother arrives with her small daughter and asks for a room. Something feels off about her. Does she need help, or could she be a threat?
Franziska Gänsler’s debut novel vividly captures the intensity of the fires, the ashes falling on skin, and the pervasive smell of smoke. Despite the inhospitable setting, you will be inspired by the resilience of these women as they grow closer and prepare to fight for their freedom.
Franziska Gänsler was born in Augsburg in 1987. She studied art and English in Berlin, Vienna, and Augsburg. In 2020, she was short-listed for the Blogbuster Prize and was a finalist at Berlin’s 28th Open Mike competition. Gänsler lives in Augsburg and Berlin. Eternal Summer is her debut novel.
Imogen Taylor was born in London in 1978 and has lived in Berlin since 2001. She is the translator of Sascha Arango, Dirk Kurbjuweit, and Melanie Raabe. Her translation of Sasha Marianna Salzmann’s Beside Myself (Other Press, 2020) was short-listed for the 2021 Helen & Kurt Wolff Translator’s and 2020 Schlegel-Tieck prizes.
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by Claire Keegan
Claire Keegan‘s acclaimed novella, Foster, is now available in the US as a standalone book for the first time. Recognized as one of The NY Times’ Top 50 Novels Published in the 21st Century, it invites you to explore a powerful story of childhood, loss, and love that many readers have found moving and thought-provoking.
Set during a hot summer in rural Ireland, the story follows a child who is brought by her father to live with relatives on a farm, where she discovers warmth and affection she has never known. This tender portrayal of family bonds aims to evoke empathy and a desire to understand complex relationships.
Foster is a winner of the prestigious Davy Byrnes Award and was published in an abridged version in the New Yorker. This internationally acclaimed contemporary classic showcases Claire Keegan’s extraordinary talent and solidifies her as one of our most significant storytellers.
Claire Keegan‘s works of fiction are internationally acclaimed and have been translated into thirty languages. Her collection Antarctica won the Rooney Prize for Irish Literature. At the same time, Walk the Blue Fields received the Edge Hill Prize for the finest collection of stories published in the British Isles. The novella Foster was honored with the Davy Byrnes Award, the world’s richest prize for a short story. Small Things Like These was shortlisted for both the Booker Prize and the Rathbones Folio Prize. Additionally, it won the Orwell Prize for Political Fiction and the Kerry Prize for Irish Novel of the Year. Keegan was recognized as Woman of the Year for Literature in Ireland in 2022 and was named Author of the Year in 2023.
Discover your next favorite book and dive into a world of curated, exciting reads by purchasing through my links. You’ll have access to a diverse selection of books I’ve personally vetted for quality and enjoyment. Supporting these selections not only helps me continue to provide you with personalized recommendations but also ensures you have access to meaningful stories that enrich your life. Your support truly makes a difference in helping me share more books and insights with you!
by Various Writers Under 40
The New Yorker’s collection of short stories – 20 Under 40 – is a collection of twenty writers “whose work will help define the future of American letters.”
Some of these I had read in The New Yorker and others I had missed. Either way, they were a pleasure to read.
As The New Yorker wrote,
The range of voices is extraordinary. There is the lyrical realism of Nell Freudenberger, Philipp Meyer, C. E. Morgan, and Salvatore Scibona; the satirical comedy of Joshua Ferris and Gary Shteyngart; and the genre-bending tales of Jonathan Safran Foer, Nicole Krauss, and Téa Obreht. David Bezmozgis and Dinaw Mengestu offer clear-eyed portraits of immigration and identity; Sarah Shun-lien Bynum, ZZ Packer, and Wells Tower offer voice-driven, idiosyncratic narratives. Then there are the haunting sociopolitical stories of Chimamanda Ngozi Adichie, Daniel Alarcón, and Yiyun Li, and the metaphysical fantasies of Chris Adrian, Rivka Galchen, and Karen Russell.
Each of these writers reminds us why we read. And each is aiming for greatness: fighting to get and to hold our attention in a culture that is flooded with words, sounds, and pictures; fighting to surprise, to entertain, to teach, and to move not only us but generations of readers to come. A landmark collection, 20 Under 40 stands as a testament to the vitality of fiction today.
I recommend this collection of short stories.
by Amy Jo Burns
Today, I started reading Mercury: A Novel about a roofing family. The family’s bond of loyalty is tested when they uncover a long-hidden secret at the heart of their blue-collar town. The book is written by Amy Jo Burns, the author of the critically acclaimed novel Shiner, which I read and enjoyed in 2022. I highly recommend it.
The story is set in 1990, and it follows the journey of a seventeen-year-old girl named Marley West, who arrives in the river valley town of Mercury, Pennsylvania. She is a loner who is looking for a place to belong. The first thing she sees when she gets to town is three men standing on a rooftop, and they soon become her whole world.
Marley becomes a young wife to one of the Joseph brothers, The One Who Got Away to another, and an adopted mother to all of them. Marley guides these unruly men as their mother fades away and their roofing business crumbles under the weight of their unwieldy father’s inflated ego. Years later, an eerie discovery in the church attic causes old wounds to resurface, and suddenly, the family’s survival hangs in the balance.
With Marley as their guide, the Joseph brothers must decide whether they can save the family they’ve always known or build something more substantial in its place.
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by Kate Atkinson
Today, I embarked on the journey of Kate Atkinson‘s ‘Life After Life,’ a novel that has secured its place among The New York Times 100 Best Books of the Century. The book presents a unique and thought-provoking premise: What if you could live multiple lives until you found the perfect one? With its darkly comic, startlingly poignant, and utterly original narrative, it’s a testament to Kate Atkinson‘s unparalleled storytelling prowess.
The story unfolds in a unique narrative structure, beginning on a cold and snowy night in 1910 when Ursula Todd is born to an English banker and his wife. She dies before drawing her first breath. However, on that same night, Ursula Todd is born again, lets out a loud cry, and starts a life that will be pretty unusual. As she grows up, she also dies repeatedly in various ways while the young century moves inexorably toward its second cataclysmic world war.
Could Ursula’s seemingly endless life be the key to altering the world’s inevitable destiny? The prospect is both thrilling and hopeful. Yet, the question lingers – if she possesses this power, will she choose to wield it?
