"Five" is an incredibly original novel that breaks the fourth wall, inviting the reader to serve as judge, jury, and executioner while exploring complex contemporary issues such as motherhood, disability, and addiction. Every stranger has a story, and in Ilona Banister's skillful hands, the tales of five individuals converge to create an unforgettable narrative.
by Ilona Banister
“Five” is an incredibly original novel that breaks the fourth wall, inviting the reader to serve as judge, jury, and executioner while exploring complex contemporary issues such as motherhood, disability, and addiction. Every stranger has a story, and in Ilona Banister‘s skillful hands, the tales of five individuals converge to create an unforgettable narrative.
Have you ever found yourself imagining the lives of strangers standing near you? In “Five,” Ilona Banister introduces readers to five seemingly random people waiting for a train. However, these are not just any five individuals; we know from the start that one of them will die very soon—within five minutes, in fact, when the next train to London arrives. Before this tragic event unfolds, you will learn each of their stories.
None of these characters is a saint. Readers might feel drawn to a handsome young man on the brink of gambling away his future. They may feel sympathy for a cantankerous older woman who has fallen but refuses help. Some may look away from a child throwing a tantrum, judging his mother as the cause of the chaos. Others will be intrigued by a successful yet troubled businessman who is entangled in their lives.
These are the candidates for this morning’s misfortune, though they remain unaware of their impending fate. Only you, the complicit reader, know what is about to happen. You will find it hard to resist the temptation to decide who deserves to walk away and who has only five more minutes to live.
Ilona Banister, who was born and raised in New York, currently lives in the UK with her husband and sons. Her debut novel, When I Ran Away, was longlisted for the Center for Fiction’s First Novel Prize.
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by Leigh Newman
Nobody Gets Out Alive: Stories by Leigh Newman, set in Newman’s home state of Alaska and an exciting virtuosic story collection about women navigating the wilds of a male-dominated society. Nobody Gets Out Alive is a collection of dazzling, courageous stories about women struggling to survive, not just grizzly bears and charging moose but the raw, exhausting legacy of their marriages and families.
There are moments when characters in a story leap off the page and become, for a few moments, our soul mates. Ms. Newman, in each of these memorable stories, engages so fully that each character becomes so alive that I wanted to know more about their lives.
The stores span both the recent past and the founding of Anchorage. I found all of them to be stories I would happily read again. The recent stories highlight the common desire for a freer, more inclusive world for women. A woman forced to sell her home or a new bride testing limits on her return home resonates as themes of the modern world.
The final story is set in 1915 in a railroad camp. The story highlights the founding of Anchorage. As one who likes historical fiction, I was so engaged that I could not take a break. I was not expecting the outspoken heiress would stage an elaborate theatrical to seduce the wife of her husband’s employer.
I may never visit Alaska at my age, but I now know enough to feel I have lived in Seward’s Folly.
I decided to read this book after reading Ms. Newman wrote a review of The Faraway World. Ms. Newman is a skilled writer, and I highly recommend this collection and look forward to reading more of her stories in the future.
The Goodreads summary provides an overview,
In “Howl Palace”—winner of The Paris Review’s Terry Southern Prize, a Best American Short Story, and Pushcart Prize selection—an aging widow struggles with a rogue hunting dog and the memories of her five ex-husbands while selling her house after bankruptcy. In the title story, “Nobody Gets Out Alive,” newly married Katrina visits her hometown of Anchorage. She blows up her wedding reception by flirting with the host and running off with an enormous mastodon tusk.
Alongside stories set in today’s Last Frontier—rife with suburban sprawl, global warming, and opioid addiction—Newman delves into the remote wilderness of the 1970s and 80s, bringing to life young girls and single moms in search of a wilder, more accessible, more adventurous America. The final story takes place in a railroad camp in 1915, where an outspoken heiress stages an elaborate theatrical to seduce the wife of her husband’s employer, revealing how this masterful storyteller is “not only writing unforgettable, brilliantly complex characters, she’s somehow inventing souls” (Kimberly King Parsons, author of Black Light).
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by N. K. Jemisin
The City We Became: A Novel by N. K. Jemisin is my first science fiction and urban fantasy novel in quite some time. It is a story of culture, identity, magic, and myths in contemporary New York City. Jan and I had lived in New York City, and the book brought back fond memories.
Every great city has a soul. Some are ancient as myths, and others are as new and destructive as children.
But every City also has a dark side. A roiling, ancient evil stirs beneath the earth, threatening to destroy the City and her five protectors unless they can come together and stop it once and for all.
As Jemisin writes:
A city is never alone, not really — and this city seems less solitary than most. More like a family: many parts, frequently squabbling … but in the end, against enemies, they come together to protect one another. They must, or die.
The challenge is when evil forces threaten the City; the entire community needs to unite, and the City’s avatars for each of the five boroughs.
Initially, this is supposed to be one for each borough and one for the entire City. In the end, one of the avatars for the five boroughs chooses not to unite with the others. Without all six, they stand no chance to defeat the forces of evil.
How do they solve this? By adding the sixth borough – Jersey City.
I recommend this book without reservation.
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by Sophie Elmhirst
Taut, propulsive, and dazzling, A Marriage at Sea: A True Story of Love, Obsession, and Shipwreck by Sophie Elmhirst combines an adrenaline-fueled high-seas adventure with a poignant love story. The book examines our fascination with challenging individuals and how we grow under extreme conditions. The book was one of Barack Obama’s favorite reads of 2025. Additionally, it has been featured in The New York Times’ Top 10 Books of 2025 and has received accolades as a Best Book of 2025 from NPR, Vogue, Time Magazine, and The New Yorker.
Maurice and Maralyn make an odd couple. He is a loner—awkward and obsessive—while she is charismatic and ambitious. Despite their differences, they share a dread of wasting their lives and, like many of us, dream of escaping it all. What if they quit their jobs, sold their house, bought a boat, and sailed away?
While most of us only daydream about such adventures, in June 1972, Maurice and Maralyn actually set sail. For nearly a year, everything went well until a breaching whale struck their boat, sinking it in the deep Pacific Ocean.
What follows is a jaw-dropping fight for survival in the wild ocean, with little hope of rescue. Alone together for months in a tiny rubber raft, starving and exhausted, Maurice and Maralyn must find ways to stay alive while also coping with each other as their inner demons emerge. Their marriage is put to the ultimate test as they realize that, although they can run away from the world, they cannot escape themselves. A Marriage at Sea is a mind-blowing tale of obsession, survival, and partnership.
Sophie Elmhirst is an award-winning journalist who writes regularly for The Guardian Long Read and The Economist; her work has also appeared in The New York Times Magazine, The New Yorker, and Harper’s Bazaar, among other places. She’s the winner of the British Press Award for Feature Writer of the Year and a Foreign Press Award. She lives in London and is the author of A Marriage at Sea.
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by Anne Tyler
Celestial Navigation by Anne Tyler is a book I found on our bookshelf about a month after my wife passed away. The title and a mental note that my wife had recommended it made it an easy choice.
One of the main characters, thirty-eight-year-old Jeremy Pauling, had never left home. In the early stages of grief, I was nowhere near making a similar choice and remaining housebound. However, if I had been, this book would have caused me to reject that idea immediately.
After the death of his mother, he takes in Mary Tell and her daughter as boarders. The other boarders quickly realize that Jeremy is falling in love with Mary despite his fragility and inexperience with women.
To share more about the book would reveal details that might be spoilers.
For me, the book was a good read and one that reminded me that love is both beautiful and complicated. Although Jan and I shared passion was nothing like theirs, it was helpful to compare their love and ours when my loss seemed impossible.
by Rachel Kushner
Today, I started reading Creation Lake: A Novel by Rachel Kushner, a two-time finalist for the Booker Prize and the National Book Award. This novel follows a seductive and cunning American woman who infiltrates an anarchist collective in France. It is a gripping page-turner filled with dark humor. Creation Lake is Kushner‘s finest achievement—a work of high art, comedy, and unforgettable pleasure.
The story revolves around a secret agent, a thirty-four-year-old American woman who employs ruthless tactics and possesses striking beauty. She is sent to carry out covert operations in France. The narrator introduces herself as “Sadie Smith” when she arrives at a rural commune of French subversives, whom she is secretly monitoring, and to her lover, Lucien, a young and well-to-do Parisian whom she meets by so-called “cold bump”—making him believe their encounter was accidental. Like everyone else she targets, Lucien is helpful to her and ultimately manipulated by her. Sadie operates with strategy and deception, following instructions from her “contacts”—shadowy figures in business and government. Initially, these contacts want her to provoke reactions. As the story progresses, their demands become more complex.
In this region filled with ancient farms and prehistoric caves, Sadie becomes captivated by a mysterious figure named Bruno Lacombe. Bruno mentors young activists who believe that the path to emancipation lies not in revolt but in a return to the ancient past. Just as Sadie thinks she is the seductress and puppet master of those she surveils, Bruno enchants her with his ingenious counter-histories, poignant laments, and tragic narrative.
In brief, striking sections, Rachel Kushner‘s interpretation of “noir” is taut and dazzling.
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by Phoebe Greenwood
Phoebe Greenwood‘s debut novel, Vulture, immerses readers in the dark heart of Western media and boldly questions its role in the tragedies it reports. This darkly humorous and emotionally charged satire exposes the inner workings of the war news industry. Set in the Middle East, Vulture is a fast-paced critique of war reporting, blending elements of satire with a tragicomic coming-of-age story.
In November 2012, Sara Byrne, an ambitious young journalist, is sent to Gaza to cover the war from The Beach. At the four-star hotel, the staff work tirelessly to provide safety, comfort, and generator-powered internet for the world’s media, all while their own homes and families are under threat.
Sara is determined to use this war to jumpstart her stalled career and win back her lover. When her fixer, Nasser, refuses to help her set up the dangerous story she believes will make her name, she turns to Fadi, the youngest member of a powerful militant family. Driven by the demons of a troubled and entitled childhood, Sara is willing to do anything to prove herself, even if it brings disaster to those around her.
Phoebe Greenwood is a writer and journalist based in London. From 2010 to 2013, she worked as a freelance correspondent in Jerusalem, covering the Middle East for publications such as The Guardian, The Daily Telegraph, and The Sunday Times. From 2013 to 2021, she served as an editor and correspondent at The Guardian, specializing in foreign affairs.
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