Photo courtesy of Neeru and Asish Patel.
These ninety-six photos are courtesy of Neeru and Asish Patel. If you use them, please credit them as the photographers. Click here to view video clips from Celebrate Jan Day.
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
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by Joyce Carol Oates
Reading Breathe by Joyce Carol Oates was a book I knew I needed to read once Jan was diagnosed. Although the book might trigger negative memories, I finally read Breathe. It was what I needed to read at this point in my journey.
Ms. Oates wrote the book in 2019 after her husband, Charlie Gross, died. The novel is a story of love, loss, and loneliness, topics that I write about on this blog. I needed to read the book both for my mental health and for the readers of Sharing Jan’s Love.
The protagonist, Michaela, loses her husband while they are on a sabbatical in New Mexico. Her husband, Gerard, writes a book and teaches a class on memories. Jan and I never considered relocating before her illness, but this book convinced me that it would have aggravated my grief journey.
One of the parallels I observed while reading the novel is the similarity between Gerard’s reluctance to let family, friends, and co-workers know of his illness. Jan shared that reluctance in the early days, but I convinced her that the only chance of beating cancer was with the help of family and friends.
This dialogue could easily be one that Jan and I had.
Of course you want to summon his family—his (adult) children—but quickly, he says no.
Still waiting.
But – When?
Just not yet.
He is not an alarmist. (You are the alarmist.)
The novel is written in two parts – The Vigil and the Post-Mortem.
The opening paragraphs set the tone.
A Hand is gripping yours. Warm, dry hand gripping your slippery, humid hand.
Whoever it is urging you – Breathe!
Leaning over you begging you – Breathe!
As one mourning the death of the love of his life, I found several phrases in the book helpful in understanding what I have gone through and will continue to confront.
Among them is grief-vise, which I have written about in this stream.
In the grip of the grief vise, all that you will do, all that you even imagine doing, will require many times more effort.. Hardly daring to breathe for the grief-vise will tighten around your chest, squeezing the very air out of your lungs.
In the early stages of grief, the vise was strangling me. Breathing was impossible, and weeping was constant at times.
Michaela struggles with her grief. Seeing her husband every time she sees a man alone, even if they are older or younger than he was. I know I have felt Jan’s presence and still expect her to walk into our apartment.
Her struggles with a grief counselor and overly helpful friends are an experience I have not had but are familiar to those suffering from losing a loved one.
The last chapters are ones in which time becomes confusing and chaotic. At times, I was uncertain about which were real or imagined. The end, like all good novels, was ambiguous.
These are some of the other phrases I have found useful and will include in posts.
What you love most, that you will lose. The price of your love is your loss.
I recommend this book to all readers, even those struggling with grief.
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by Walt Hunter
The Singing Word: 168 Years of Atlantic Poetry, edited by Walt Hunter, celebrates the people, land, and spirit of America. This remarkable collection showcases a wide range of contemporary and historical poetry from the 168-year archive of The Atlantic magazine. Since its first issue in 1857, the poetry published in The Atlantic has drawn attention to the nation’s ongoing journey of self-discovery.
The magazine’s verse has featured odes to American leaders and landscapes, laments for the dead, and calls for change, appealing to the enduring ideals of Atlantic readers.
This one-of-a-kind collection selects poems of rousing optimism, clear-eyed realism, and moving lyricism—poems infused with the language of America’s songs, myths, and history, from the Civil War up through the present in three rich parts: National Anthems, Natural Lines, and Personal Mythologies.
Curated by The Atlantic’s Poetry Editor, this anthology features both world-famous poets—from Longfellow to Limón, including Robert Frost, W. S. Merwin, Sylvia Plath, and Adrienne Rich—as well as poets whose work has never before been published outside of the magazine.
Offering readers an essential understanding of American canon and the evolving nation, its poets have yearned to capture—the poetry of The Atlantic is the poetry of America.
Walt Hunter is a professor of twentieth- and twenty-first-century literature and chair of the English department at Case Western Reserve University. He is also the fiction and poetry editor for The Atlantic.
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by Phoebe Greenwood
Phoebe Greenwood‘s debut novel, Vulture, immerses readers in the dark heart of Western media and boldly questions its role in the tragedies it reports. This darkly humorous and emotionally charged satire exposes the inner workings of the war news industry. Set in the Middle East, Vulture is a fast-paced critique of war reporting, blending elements of satire with a tragicomic coming-of-age story.
In November 2012, Sara Byrne, an ambitious young journalist, is sent to Gaza to cover the war from The Beach. At the four-star hotel, the staff work tirelessly to provide safety, comfort, and generator-powered internet for the world’s media, all while their own homes and families are under threat.
Sara is determined to use this war to jumpstart her stalled career and win back her lover. When her fixer, Nasser, refuses to help her set up the dangerous story she believes will make her name, she turns to Fadi, the youngest member of a powerful militant family. Driven by the demons of a troubled and entitled childhood, Sara is willing to do anything to prove herself, even if it brings disaster to those around her.
Phoebe Greenwood is a writer and journalist based in London. From 2010 to 2013, she worked as a freelance correspondent in Jerusalem, covering the Middle East for publications such as The Guardian, The Daily Telegraph, and The Sunday Times. From 2013 to 2021, she served as an editor and correspondent at The Guardian, specializing in foreign affairs.
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by Zoe B. Wallbrook
In another life, I dreamed of becoming a history professor. When I opened “History Lessons: A Mystery” by Zoe B. Wallbrook, I discovered a story about a college history professor who must solve the murder of her renowned colleague before she becomes the next target. This humorous and romantic debut mystery, filled with witty banter and clever plot twists, is perfect for fans of Janet Evanovich, Kellye Garrett, and Ali Hazelwood.
As a newly minted junior professor, Daphne Ouverture spends her days giving lectures on French colonialism, working on her next academic book, and going on atrocious dates. Her small world suits her just fine until Sam Taylor dies.
The rising star of Harrison University’s anthropology department was never one of Daphne’s favorites, despite his popularity. But that doesn’t prevent Sam’s killer from believing Daphne has something that belonged to Sam—something the killer will stop at nothing to get.
Between grading papers and navigating her disastrous love life, Daphne embarks on her investigation to find out what connects her to Sam’s murder. With the help of an alluring former detective-turned-bookseller, she unravels a deadly cover-up on campus.
This well-crafted, voice-driven mystery introduces an unforgettable heroine in the crime fiction genre.
Zoe B. Wallbrook is a recently tenured professor whose academic research has appeared in outlets such as the New York Times and The New Yorker. She was selected for mentorship by LA Times bestseller Elizabeth Little, and History Lessons, her first novel, was a runner-up for the Eleanor Taylor Bland Award. Zoe’s hobbies include beginning all emails with “My sincerest apologies for my slow reply,” pretending to understand how astrological signs work, and crying at the end of every Call the Midwife episode. She and her husband live with their stalker, a black lab/pittie mix named Sophie.
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by Sarah MacLean
These Summer Storms by Sarah MacLean is a poignant and thoughtful story about the transformative power of grief, love, and family—the novel delves into past secrets, present truths, and futures shaped by wild summer storms. Alice Storm has not been welcome at her family’s magnificent private island off the Rhode Island coast for five years—not since she was cast out and built her life apart from the Storm name, its influence, and untold billions.
However, the shocking death of her larger-than-life father changes everything. Alice plans to keep a low profile, pay her final respects (as complicated as they are), and leave as soon as the funeral concludes. Unfortunately, her father had other plans. The eccentric and manipulative patriarch left his family a final challenge—an inheritance game designed to disrupt their lives. The rules are straightforward: spend one week on the island, complete their assigned tasks, and receive the inheritance.
Spending an entire week on Storm Island presents challenges for Alice. The old house is chaotic in every corner: her older sister’s secret love affair, her brother displays unwavering arrogance, and her younger sister is constantly analyzing the “vibes.” All of this is under the stern, watchful gaze of Jack Dean, her father’s intriguing and too-handsome second-in-command. It will take a miracle for Alice to escape unscathed.
Sarah MacLean is the author of sixteen New York Times bestselling novels, translated into more than twenty-five languages. She co-hosts the weekly romance novel podcast Fated Mates and is a prominent voice in the romance genre. A product of Rhode Island summers and New England storms, MacLean now lives with her family in New York City.
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by C.L. Polk
The Midnight Bargain by C.L. Polk is about Beatrice Clayborn, a sorceress, who was the next book to read. She practices magic in secret, terrified of being locked into a marital collar that will cut off her powers to protect her unborn children. She dreams of becoming a full-fledged Magus and pursuing magic as her calling as men do. Still, her family has staked everything to equip her for Bargaining Season, when young men and women of means descend upon the city to negotiate the best marriages. The Clayborn’s are in severe debt, and only she can save them by securing a good match before their creditors call.
In a stroke of luck, Beatrice finds a grimoire that contains the key to becoming a Magus, but before she can purchase it, a rival sorceress swindles the book right out of her hands. Beatrice summons a spirit to help her get it back, but her new ally exacts a price: Beatrice’s first kiss . . . with her adversary’s brother, the handsome, compassionate, and fabulously wealthy Ianthe Lavan.
The more Beatrice is entangled with the Lavan siblings, the harder her decision becomes: If she casts the spell to become a Magus, she will devastate her family and lose the only man to ever see her for who she is, but if she marries—even for love—she will sacrifice her magic, her identity, and her dreams. But how can she choose just one, knowing she will forever regret the path not taken?
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It was a great day,,, I still remember that day, very emotional
Hugo, it was a great day to remember Jan. Having you and Ana with me helped me get through that difficult day. I’m glad you can join me for the Mitzvah Day cleanup on March 30, 2025.