“Switzy” by Emma Cline is a captivating exploration of an aging man’s final journey. Written by the award-winning author of “The Girls” and “The Guest,” the story follows David as he prepares to arrive in Zurich. Throughout the narrative, the story unfolds as a vividly rendered portrait of an unraveling mind. The tale is darkly humorous and deeply moving, presenting a mystery layered with others. The world, once so familiar, has become inscrutable.

Hypnotic and strikingly original, “Switzy” explores the depths of human consciousness, examining what remains for a man when the accomplishments and compromises that have defined him, along with the illusions he has relied on, vanish.

A private plane glides through the winter night, somewhere over Greenland. David, a retired executive, leans back in his leather seat and plays solitaire on his phone. Click. Click. Drag. Click. He has filled the notebook in his jacket pocket with familiar phrases and urgent reminders, but he struggles to recognize his own handwriting.

This is what David knows: Cody, his assistant, is asleep in the seat next to him and will guide him along the journey. He will stop in London, have dinner with his adult daughter, and meet an old friend in France he has been estranged from for decades.

David’s final destination is Zurich.

As he moves through hotel rooms, airports, and foreign cities, he feels his mortal life slipping away. His grip on the present weakens, and memories flood in: childhood Sunday roasts, stiff clothes reserved for church, and a summer spent at a friend’s house. He reflects on the losses and missteps that have marked his life.

Emma Cline is a New York Times bestselling author known for “The Guest”, “The Girls”, and the short story collection “Daddy”. “The Girls” was a finalist for several prestigious awards, including the Center for Fiction’s First Novel Prize, the National Book Critics Circle John Leonard Award, and the Los Angeles Times Book Prize. It was also selected as a New York Times Editor’s Choice and won the Shirley Jackson Award. Additionally, “The Guest” was longlisted for the PEN/Faulkner Award.

Cline’s stories have appeared in prominent publications such as “The New Yorker”, “Granta”, “The Paris Review”, and in “The Best American Short Stories” anthologies. She has received an O. Henry Award and the Plimpton Prize from “The Paris Review” and was recognized as one of Granta’s Best Young American Novelists.

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1978: It is the first Thursday in August, and temperatures are flirting with ninety when Mira Winston, eighteen years old, drives a golf ball from her tee toward the practice net near the clubhouse and caddy shack. The golf ball, weighing 1.6 ounces, tears through the net, traveling 150 miles per hour, and slams, with sickening force, into the temple of a high school junior named Kenny Foster, rupturing an artery and unleashing a torrent of blood.

Kenny brings his hand to the side of his head, then topples onto his side. He’s dead before the ambulance even arrives.

In the wake of this terrible accident—and everyone, at first, agrees it was an accident—Mira looks for comfort in all the wrong places: In her lover, Theo Catton, a married man three decades her senior. In her mother, a well-kept woman with secrets of her own. In the dead caddy’s little sisters, girls bewildered by grief. But when investigators look more closely at the torn net, when a detective recalls Mira’s history of recklessness, and when Kenny’s father spies Mira with her married lover, the affluent, mannered community turns on this once-promising young woman.

A gripping story that takes the reader from the sun-soaked greens of a tony Westchester country club to the fluorescent-lit stand of a county courtroom, The Amateur asks: What happens when one small moment—a swing, a ball, a piece of string—changes the course of an entire life?

Chris Bohjalian is the #1 New York Times bestselling author of twenty-five books, including The Princess of Las Vegas, The Lioness, Hour of the Witch, Midwives, and The Flight Attendant, which was a Max series starring Kaley Cuoco. His other books include The Guest Room; Close Your Eyes, Hold Hands; The Sandcastle Girls; Skeletons at the Feast; and The Double Bind. His novels Secrets of Eden, Midwives, and Past the Bleachers were made into movies, and his work has been translated into more than thirty-five languages. His novels have been selections of Oprah’s Book Club.

He is also a playwright (The Club, Midwives, and Wingspan). He lives in Vermont with his wife, photographer Victoria Blewer, and can be found at chrisbohjalian.com or on Facebook, Instagram, Threads, TikTok, X (formerly Twitter), Litsy, and Goodreads, @chrisbohjalian.

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The Calamity Club is an emotional rollercoaster that promises to evoke laughter, tears, and resounding cheers. It is a stirring tribute to the resilience of underestimated women who discover that even amid chaos and misfortune, there is room for transformative new beginnings. Kathryn Stockett showcases her remarkable storytelling prowess, blending confidence, heartfelt emotion, and sharp humor.

This book marks the triumphant return of one of our generation’s most cherished authors, inviting readers into a world where calamity becomes a catalyst for growth and triumph.

Oxford, Mississippi, 1933.

Abandoned by her mother on Christmas Eve, eleven-year-old Meg Lefleur has learned to rely on no one. Now one of the unadoptable “big girls” at the Lafayette County Orphan Asylum, she fights each day to keep her spirit unbroken.

Birdie Calhoun, unmarried and outspoken, comes to Oxford seeking help from her socialite sister for their struggling family. However, as the Great Depression tightens its grip, Birdie discovers that her sister’s seemingly charmed life is actually a tapestry of lies.

Then, Birdie meets Charlie, a woman running low on luck with little left to lose. When their fates—along with Meg’s—converge, Charlie devises an audacious plan for them to take control of their lives. But in an era where hypocrisy is rampant, and women’s freedom is fragile, even the smallest act of defiance can have dangerous consequences.

Kathryn Stockett was born and raised in Jackson, Mississippi. After graduating from the University of Alabama, she moved to New York City, where she spent nine years working in magazine publishing and marketing. Her debut novel, The Help, has sold over 15 million copies worldwide. She currently divides her time between Mississippi and New York City.

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“John of John” is a captivating novel that explores themes of duty, passion, and the transformative power of truth. This remarkable literary work solidifies Douglas Stuart‘s reputation as one of the greatest contemporary novelists. The story follows a young man who returns to his home on a Hebridean island, depicting the complex relationship between a father’s expectations and a son’s desires.

Out of money and with little to show for his art school education, John-Calum Macleod takes the ferry back home to the Isle of Harris in the Outer Hebrides to find that little has changed except for him. He returns to the windswept croft and the two pillars of his childhood: his father John, a sheep farmer, tweed weaver, and lay preacher in the local Presbyterian church, and his maternal grandmother Ella, a profanity-loving Glaswegian whose steady warmth helped Cal weather the sudden departure of his mother.

Cal privately wonders if any lonely men might be found on the barren hillsides of home, while John is dismayed by his son’s long hair, strange clothes, and seeming unwillingness to be saved. But Cal isn’t the only one in the croft house who is keeping secrets. As lambing season turns to shearing season, the threads holding the community together become increasingly frayed, and nothing will remain as it was before.

Douglas Stuart is a Scottish-American author. His New York Times bestselling debut novel Shuggie Bain won prizes including the 2020 Booker Prize and the Sue Kaufman Prize from the American Academy of Arts and Letters, was a finalist for the National Book Award and the PEN/Hemingway Award, and was named one of the “25 Best Books of the 21st Century” by the Sunday Times (UK). His second novel, Young Mungo, was a national bestseller, longlisted for the Andrew Carnegie Medal and a finalist for the British Book Award, and one of the most highly acclaimed books of the year. His stories are published in The New Yorker, and his essays have featured on Literary Hub. He lives in New York City.

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An end-of-the-world love story, Earth 7 is filled with both pathos and humor, exploring what aspects of our planet can still be cherished. Unfortunately, the tale of planet Earth is disheartening; it has been diminished to little more than a lump of burnt coal. However, as Deb Olin Unferth demonstrates in her latest electrifying novel, life and love can endure even in the most unexpected and inhospitable circumstances.

Two women meet on a beach of artificial sand. One was raised in a pod in the ocean, and the other may or may not be a robot. Their love—or any love—seems so unlikely. Earth is severely depopulated. Some people have given up, gone off to Mars. Others pursue eternal life as digital code. And yet others, like Dylan and Melanie, are holdouts—and some of those holdouts are constructing a vast molecular collection in hopes that a future person may be alive to make a new Earth. Foolhardy? Misguided? Quixotic? Probably. But what can a human (or a robot) do?

By the end of Unferth’s wild, poetic, revelatory, and slyly philosophical novel, the reader has traveled to the very edges of the cosmos as a “soul globule” and between grains of sand as a microscopic tardigrade. A slim book tackling big questions (is all matter conscious? will we tech ourselves into salvation, or out of existence?), Earth 7 is a poignant inquiry into death, mourning, and indefatigable life, the most exhilarating work to date by one of our most original and beloved writers.

Deb Olin Unferth is the author of six books, including Barn 8 and Wait Till You See Me Dance. She has received a Guggenheim Fellowship and three Pushcart Prizes and was a finalist for the National Book Critics Circle Award. Her work has appeared in Granta, Harper’s, McSweeney’s, and The Paris Review.

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Elizabeth Strout, as we have come to expect, delivers a moving exploration of the human condition—one that brims with compassion for every one of her indelible characters. With exquisite prose and profound insight, The Things We Never Say takes one man’s fears and loneliness and makes them universal. And in the same breath, it captures the abiding love that sustains and holds us all.

Artie Dam is living a double life. He spends his days teaching history to eleventh graders, expanding their young minds, correcting their casual cruelties, and lending a kind word to those who need it most. He goes to holiday parties with his wife of three decades, makes small talk with neighbors, and, on weekends, takes his sailboat out on the beautiful Massachusetts Bay. He is, by all appearances, present and alive. But inside, Artie is plagued by feelings of isolation. He looks out at a world gone mad—at himself and the people around him—and turns a question over and over in his mind: How is it that we know so little about one another, even those closest to us?

And then, one day, Artie learns that life has been keeping a secret from him, one that threatens to upend his entire world. Once he learns it, he is forced to chart a new course, to reconsider the relationships he holds most dear—and to make peace with the mysteries at the heart of our existence.

Elizabeth Strout is the #1 New York Times bestselling author of Tell Me Everything; Lucy by the Sea; Oh William!, which was shortlisted for the Booker Prize; Olive, Again; Anything Is Possible, winner of the Story Priz My Name Is Lucy Barton; The Burgess Boys; Olive Kitteridge, winner of the Pulitzer Prize; Abide with Me; and Amy and Isabelle, winner of the Los Angeles Times Art Seidenbaum Award for First Fiction and the Chicago Tribune Heartland Prize. She has also been a finalist for the PEN/Faulkner Award and the Orange Prize in London.

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Written with the same depth of character and insight that readers have come to expect from author Amy Bloom‘s novels and memoirs, “Blunt Instrument” is an engaging and entertaining mystery featuring a clever, complex protagonist. The case of the bludgeoned lecturer has left everyone at Cromwell University reeling, even though the elderly Professor Bullfinch wasn’t particularly well-liked.

His ornery nature and Old World approach to campus politics ruffled more than a few feathers over the years, and present tensions within his department mean there are more suspects than mourners in the wake of his death. And the murder weapon—a bronze bust of Nathaniel Hawthorne—does seem to indicate that the attack may have been academically motivated…

Enter Dell Chandler, the failed English professor turned self-taught private detective whom Dr. Cutty calls in to investigate the crime. She has the background to tease out the motives among the staff and just enough experience to conduct a thorough inquiry. If she solves the case before the cops do, the university could keep the whole thing quiet, avoiding sensational media about the dark side of campus life. But to do so, she’ll have to dodge her own demons from her past life as a disgraced academic.

Amy Bloom is the New York Times bestselling author of novels, short stories, memoir, and nonfiction. She has written for magazines such as The New Yorker, New York Magazine, The New York Times Magazine, Vogue, Elle, The Atlantic, Slate, and Salon. Her work has been translated into seventeen languages. Blunt Instrument is her first crime novel. Amy resides in Connecticut and recently retired as Wesleyan University’s Shapiro-Silverberg Professor of Creative Writing, while continuing to work as a psychotherapist and a novelist.

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In “Brawler: Stories,” Lauren Groff presents an electric collection in which each story stands as a powerful triumph—bold, agile, and intensely charged. When read together, these stories resonate in an exhilarating way. Spanning from the 1950s to the present and encompassing diverse ages, social classes, and regions—from New England to Florida and California—these nine stories reflect and explore a common theme: the ongoing struggle between the darker and lighter aspects of human nature.

“In every human being, there exists both an animal and a god, locked in a struggle for dominance,” one character tells us. Among those caught in this conflict are a young woman who suddenly becomes responsible for her disabled sibling, a hot-tempered high school swimmer in need of guidance, a mother grappling with the loss of her family, and a banking heir burdened by a different kind of inheritance. Motivated by love and hindered by the well-meaning intentions of others, they strive to do the right thing for as long as possible.

Brawler is precise, surprising, and thought-provoking, offering deep insights into human nature. It reveals the heartbreaking turning points between love and fear, compassion and violence, reason and instinct, altruism and the will to survive.

Lauren Groff is a three-time National Book Award finalist and the bestselling author of five novels, including Fates and Furies, Matrix, and The Vaster Wilds, as well as two story collections, including Florida. She has won The Story Prize and the Joyce Carol Oates Prize, and she has been a finalist for the National Book Critics Circle Award. Groff’s work frequently appears in prestigious publications such as The New Yorker and The Atlantic, and her books have been translated into 36 languages. She lives in Gainesville, Florida, where she and her husband own the independent bookstore The Lynx.

Discover your next favorite book and dive into a world of curated, exciting reads by purchasing through my links. You’ll have access to a diverse selection of books I’ve personally vetted for quality and enjoyment. Supporting these selections not only helps me continue to provide you with personalized recommendations but also ensures you have access to meaningful stories that enrich your life. Your support truly makes a difference in helping me share more books and insights with you!

I started reading The Fraud: A Novel by Zadie Smith today. The book is a kaleidoscopic work of historical fiction that revolves around a legal trial that divided Victorian England. The story is set in 1873, where Mrs. Eliza Touchet, a Scottish housekeeper and cousin by marriage of a once-famous novelist, William Ainsworth, lives with him for thirty years. Mrs. Touchet is interested in literature, justice, abolitionism, class, and her cousin’s wives.

However, she is skeptical of her cousin’s talent, Mr. Charles Dickens’ character, and England’s facades, in which nothing is as it seems.

On the other hand, Andrew Bogle grew up enslaved on the Hope Plantation in Jamaica. He knows that every lump of sugar comes at a human cost, that the rich deceive the poor, and that people are more easily manipulated than they realize. When Bogle finds himself in London, a star witness in a celebrated case of imposture, he knows that his future depends on telling the right story.

The “Tichborne Trial” captivates Mrs. Touchet and all of England. The trial involves a lower-class butcher from Australia who claimed he was the rightful heir of a sizable estate and title. The question is whether Sir Roger Tichborne is genuinely who he says he is or whether he’s a fraud. In a world of hypocrisy and self-deception, deciding what’s real is complicated for Mrs. Touchet and Mr. Bogle.

The Fraud is a dazzling novel about truth and fiction, Jamaica and Britain, fraudulence and authenticity, and the mystery of “other people.” It’s based on historical events.

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Written with subtle humor and warmth, Bryan Washington‘s Palaver weaves together the past and present across Houston, Jamaica, and Japan. This intricate story explores themes of family, love, and the beauty of coexistence. A finalist for the National Book Award for Fiction, this novel is a life-affirming tale about family, healing, and the ways we learn to love, showcasing the talent of the award-winning Bryan Washington.

In Tokyo, a young man works as an English tutor and spends his nights out with friends at a gay bar. He is involved in a sexual relationship with a married man. Although he has formed a chosen family in Japan, he and his mother, who resides in Houston, are estranged from each other. Her preference for his troubled, homophobic brother, Chris, ultimately pushed him to leave home. Then, in the weeks leading up to Christmas—ten years after they last saw each other—his mother arrives uninvited at his doorstep.

With only the son’s cat, Taro, to mediate, the two clash immediately. The mother struggles with memories of her youth in Jamaica and her complicated relationship with her brother, as she attempts to reconcile her good intentions with past mistakes. Meanwhile, the son grapples with the challenge of forgiveness. However, as life takes unexpected turns—leading the mother to form a tentative friendship with a local bistro owner and the son to connect with a new patron at the bar cautiously—they begin to see each other more clearly.

Through shared meals, conversations, and an eventful trip to Nara, both mother and son try to determine where “home” truly is and whether they can find it in one another.

Bryan Washington is the author of the story collection Lot and the novels Memorial and Family Meal. He is a National Book Award 5 Under 35 Honoree. He has won several prestigious awards, including the Dylan Thomas Prize, the NYPL Young Lions Fiction Award, the Ernest J. Gaines Award, two Lambda Literary Awards, and an O. Henry Prize.

Washington has also been a finalist for various awards, such as the National Book Critics Circle Award for Fiction, the Aspen Words Literary Prize, the Center for Fiction First Novel Prize, the Andrew Carnegie Medal of Excellence, and the James Tait Black Prize. The New York Times referred to his writing as among the 25 Most Influential Works of Postwar Queer Literature, and he was a columnist for the New York Times Magazine.

As a frequent contributor to The New Yorker and The New York Times, his writing has appeared in other notable publications, including Granta, The New York Times Magazine, New York, Time, GQ, and Esquire, among others. He lives in Tokyo.

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Demon Copperhead: A Novel by Barbara Kingsolver is a must-read page-turner! Set in the mountains of southern Appalachia, this is the story of a boy born to a teenage single mother in a single-wide trailer, with no assets beyond his dead father’s good looks and copper-colored hair, a caustic wit, and a fierce talent for survival. Demon Copperhead speaks for a new generation of lost boys and all those born into beautiful, cursed places they can’t imagine leaving behind.

With more knowledge about the devastation of an economy that works for a few and the opioid crisis, I felt as if I was reading about people I knew. Although the book focuses on the impact on boys, it also details the devastation that girls experience.

If Jan had read Demon Copperhead, she would have encouraged me to read it. It reminds us of the work we must do to repair the world.

As a widow, it was a reminder of the long road that we must all take even after we have hit bottom.

WNYC’s All of it hosted an interview with Barbara Kingsolver in which she speaks about Demon Copperhead and her writing.

Demon Copperhead is one of the NYTimes’ top five fiction books of 2022. I have read three of them, The Candy House, The Furrows, and Checkout 19.

The Goodreads summary provides an overview.

In a plot that never pauses for breath, relayed in his unsparing voice, he braves the modern perils of foster care, child labor, derelict schools, athletic success, addiction, disastrous loves, and crushing losses. Through all of it, he reckons with his invisibility in a popular culture where even the superheroes have abandoned rural people in favor of cities.

Many generations ago, Charles Dickens wrote David Copperfield from his experience as a survivor of institutional poverty and its damage to children in his society. Those problems have yet to be solved in ours. Dickens is not a prerequisite for readers of this novel, but he provided its inspiration. In transposing a Victorian epic novel to the contemporary American South, Barbara Kingsolver enlists Dickens’ anger and compassion and, above all, his faith in the transformative powers of a good story. Demon Copperhead speaks for a new generation of lost boys and all those born into beautiful, cursed places they can’t imagine leaving behind.

The Jan Lilien Education Fund sponsors ongoing sustainability and environmental awareness programs. Gifts made this month; I will match dollar-for-dollar. All donations are tax-deductible.

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