“John of John” is a captivating novel that explores themes of duty, passion, and the transformative power of truth. This remarkable literary work solidifies Douglas Stuart‘s reputation as one of the greatest contemporary novelists. The story follows a young man who returns to his home on a Hebridean island, depicting the complex relationship between a father’s expectations and a son’s desires.

Out of money and with little to show for his art school education, John-Calum Macleod takes the ferry back home to the Isle of Harris in the Outer Hebrides to find that little has changed except for him. He returns to the windswept croft and the two pillars of his childhood: his father John, a sheep farmer, tweed weaver, and lay preacher in the local Presbyterian church, and his maternal grandmother Ella, a profanity-loving Glaswegian whose steady warmth helped Cal weather the sudden departure of his mother.

Cal privately wonders if any lonely men might be found on the barren hillsides of home, while John is dismayed by his son’s long hair, strange clothes, and seeming unwillingness to be saved. But Cal isn’t the only one in the croft house who is keeping secrets. As lambing season turns to shearing season, the threads holding the community together become increasingly frayed, and nothing will remain as it was before.

Douglas Stuart is a Scottish-American author. His New York Times bestselling debut novel Shuggie Bain won prizes including the 2020 Booker Prize and the Sue Kaufman Prize from the American Academy of Arts and Letters, was a finalist for the National Book Award and the PEN/Hemingway Award, and was named one of the “25 Best Books of the 21st Century” by the Sunday Times (UK). His second novel, Young Mungo, was a national bestseller, longlisted for the Andrew Carnegie Medal and a finalist for the British Book Award, and one of the most highly acclaimed books of the year. His stories are published in The New Yorker, and his essays have featured on Literary Hub. He lives in New York City.

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An end-of-the-world love story, Earth 7 is filled with both pathos and humor, exploring what aspects of our planet can still be cherished. Unfortunately, the tale of planet Earth is disheartening; it has been diminished to little more than a lump of burnt coal. However, as Deb Olin Unferth demonstrates in her latest electrifying novel, life and love can endure even in the most unexpected and inhospitable circumstances.

Two women meet on a beach of artificial sand. One was raised in a pod in the ocean, and the other may or may not be a robot. Their love—or any love—seems so unlikely. Earth is severely depopulated. Some people have given up, gone off to Mars. Others pursue eternal life as digital code. And yet others, like Dylan and Melanie, are holdouts—and some of those holdouts are constructing a vast molecular collection in hopes that a future person may be alive to make a new Earth. Foolhardy? Misguided? Quixotic? Probably. But what can a human (or a robot) do?

By the end of Unferth’s wild, poetic, revelatory, and slyly philosophical novel, the reader has traveled to the very edges of the cosmos as a “soul globule” and between grains of sand as a microscopic tardigrade. A slim book tackling big questions (is all matter conscious? will we tech ourselves into salvation, or out of existence?), Earth 7 is a poignant inquiry into death, mourning, and indefatigable life, the most exhilarating work to date by one of our most original and beloved writers.

Deb Olin Unferth is the author of six books, including Barn 8 and Wait Till You See Me Dance. She has received a Guggenheim Fellowship and three Pushcart Prizes and was a finalist for the National Book Critics Circle Award. Her work has appeared in Granta, Harper’s, McSweeney’s, and The Paris Review.

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Elizabeth Strout, as we have come to expect, delivers a moving exploration of the human condition—one that brims with compassion for every one of her indelible characters. With exquisite prose and profound insight, The Things We Never Say takes one man’s fears and loneliness and makes them universal. And in the same breath, it captures the abiding love that sustains and holds us all.

Artie Dam is living a double life. He spends his days teaching history to eleventh graders, expanding their young minds, correcting their casual cruelties, and lending a kind word to those who need it most. He goes to holiday parties with his wife of three decades, makes small talk with neighbors, and, on weekends, takes his sailboat out on the beautiful Massachusetts Bay. He is, by all appearances, present and alive. But inside, Artie is plagued by feelings of isolation. He looks out at a world gone mad—at himself and the people around him—and turns a question over and over in his mind: How is it that we know so little about one another, even those closest to us?

And then, one day, Artie learns that life has been keeping a secret from him, one that threatens to upend his entire world. Once he learns it, he is forced to chart a new course, to reconsider the relationships he holds most dear—and to make peace with the mysteries at the heart of our existence.

Elizabeth Strout is the #1 New York Times bestselling author of Tell Me Everything; Lucy by the Sea; Oh William!, which was shortlisted for the Booker Prize; Olive, Again; Anything Is Possible, winner of the Story Priz My Name Is Lucy Barton; The Burgess Boys; Olive Kitteridge, winner of the Pulitzer Prize; Abide with Me; and Amy and Isabelle, winner of the Los Angeles Times Art Seidenbaum Award for First Fiction and the Chicago Tribune Heartland Prize. She has also been a finalist for the PEN/Faulkner Award and the Orange Prize in London.

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Written with the same depth of character and insight that readers have come to expect from author Amy Bloom‘s novels and memoirs, “Blunt Instrument” is an engaging and entertaining mystery featuring a clever, complex protagonist. The case of the bludgeoned lecturer has left everyone at Cromwell University reeling, even though the elderly Professor Bullfinch wasn’t particularly well-liked.

His ornery nature and Old World approach to campus politics ruffled more than a few feathers over the years, and present tensions within his department mean there are more suspects than mourners in the wake of his death. And the murder weapon—a bronze bust of Nathaniel Hawthorne—does seem to indicate that the attack may have been academically motivated…

Enter Dell Chandler, the failed English professor turned self-taught private detective whom Dr. Cutty calls in to investigate the crime. She has the background to tease out the motives among the staff and just enough experience to conduct a thorough inquiry. If she solves the case before the cops do, the university could keep the whole thing quiet, avoiding sensational media about the dark side of campus life. But to do so, she’ll have to dodge her own demons from her past life as a disgraced academic.

Amy Bloom is the New York Times bestselling author of novels, short stories, memoir, and nonfiction. She has written for magazines such as The New Yorker, New York Magazine, The New York Times Magazine, Vogue, Elle, The Atlantic, Slate, and Salon. Her work has been translated into seventeen languages. Blunt Instrument is her first crime novel. Amy resides in Connecticut and recently retired as Wesleyan University’s Shapiro-Silverberg Professor of Creative Writing, while continuing to work as a psychotherapist and a novelist.

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Whistler, by Ann Patchett, tells the story of two adults reflecting on the choices they made and those made for them. It explores themes of bravery, memory, and the often small yet significant moments that shape our lives, as well as the inevitable loss that eventually touches us all. Beautiful in its simplicity, the novel ultimately reveals how love endures and how the experience of being truly known by another person—even for a brief time—can change everything.

When Daphne Fuller and her husband, Jonathan, visit the Metropolitan Museum of Art, they notice an older gentleman with white hair following them. This man turns out to be Eddie Triplett, Daphne’s former stepfather. He had been married to her mother for just over a year when Daphne was nine. Now fifty-three, Daphne hasn’t seen Eddie in many years, not since the event that changed the course of both their lives. Upon reuniting, time seems to vanish; despite their brief relationship, it had a profound impact on both of them, and now that they are together again, they have no intention of ever being separated again.

Ann Patchett is an accomplished author known for her novels, nonfiction works, and children’s books. Her most recent novel, Tom Lake, became a #1 New York Times bestseller. Patchett has received numerous awards, including the PEN/Faulkner Award, the Women’s Prize for Fiction in the UK, and the Book Sense Book of the Year Award.

Her novel The Dutch House was a finalist for the Pulitzer Prize. Her works have been translated into more than thirty languages, and Time magazine recognized her as one of the 100 Most Influential People in the World. In honor of her contributions to American culture, President Biden awarded her the National Humanities Medal. She resides in Nashville, Tennessee, where she owns Parnassus Books.

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“Five” is an incredibly original novel that breaks the fourth wall, inviting the reader to serve as judge, jury, and executioner while exploring complex contemporary issues such as motherhood, disability, and addiction. Every stranger has a story, and in Ilona Banister‘s skillful hands, the tales of five individuals converge to create an unforgettable narrative.

Have you ever found yourself imagining the lives of strangers standing near you? In “Five,” Ilona Banister introduces readers to five seemingly random people waiting for a train. However, these are not just any five individuals; we know from the start that one of them will die very soon—within five minutes, in fact, when the next train to London arrives. Before this tragic event unfolds, you will learn each of their stories.

None of these characters is a saint. Readers might feel drawn to a handsome young man on the brink of gambling away his future. They may feel sympathy for a cantankerous older woman who has fallen but refuses help. Some may look away from a child throwing a tantrum, judging his mother as the cause of the chaos. Others will be intrigued by a successful yet troubled businessman who is entangled in their lives.

These are the candidates for this morning’s misfortune, though they remain unaware of their impending fate. Only you, the complicit reader, know what is about to happen. You will find it hard to resist the temptation to decide who deserves to walk away and who has only five more minutes to live.

Ilona Banister, who was born and raised in New York, currently lives in the UK with her husband and sons. Her debut novel, When I Ran Away, was longlisted for the Center for Fiction’s First Novel Prize.

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“Look What You Made Me Do” by John Lanchester is a darkly comedic tale that delves deep into the intricate web of love, trust, resentment, and entitlement. The narrative weaves the lives of two women from contrasting generations, drawing them into a thrilling conflict where wits and wills are tested to the limit. As tension mounts and secrets unravel, only one will rise to claim victory in this captivating showdown.

“Every successful marriage has its own private language.” So it is for baby boomer Kate and her beloved architect husband Jack, thirty years into their seemingly idyllic life in metropolitan North London. And so it is for spiky millennial screenwriter Phoebe and her charming loafer of a partner, Tony.

But when Phoebe’s steamy television series, Cheating, becomes the year’s most talked-about show, Kate thinks she sees details and intimacies of her marriage in it that only she and her husband could have known. Who has betrayed whom? Who has stolen whose story―and why?

John Lanchester is the author of five novels, including the best-selling *The Debt to Pleasure* and *Capital*. His works have received several accolades, including the Hawthornden Prize, the Whitbread First Novel Award, and the E. M. Forster Award. His books have also been longlisted for the Booker Prize and translated into more than twenty-five languages. Lanchester is a regular contributor to The New Yorker and The New York Review of Books. He resides in London.

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I Have Some Questions for You by Rebecca Makkai is a book that, from page one, pulled me into the story and made me believe I was embedded with Bodie Kane as she returned to her boarding school and worked with students to review the murder of her roommate twenty-three years ago. I Have Some Questions for You was more than a page-turner as I was an unnamed participant. I highly recommend this book and, as Ms. Makkai does, buy it at an independent bookstore.

I had not heard of the book until I read a review in The New Yorker by Katty Waldman, who writes, “The new book, a murder mystery set at an élite boarding school, is being marketed as an irresistible whodunnit. But it also joins a growing number of critiques of true crime.” Once I finished the review, I ordered the book and did not put it down until I finished the novel.

Do not “read this book if you”are looking for a whodunnit. It is a critique of true crime and an assessment of the “me too” era. How do we judge the past by the standards of the present?

Every book I have read since Jan died is one I wanted to discuss with her. But I Have Some Questions is one that would have been helpful for both of us to read simultaneously and share our thoughts. Jan’s work with the YWCA of Union County’s Domestic Violence program would have given her a unique perspective. But my lifetime efforts to free me from male blindness would have been a good counterpoint.

Please read this book, share it, and discuss it.

The Goodreads summary provides an overview,

A successful film professor and podcaster, Bodie Kane is content to forget her past—the family tragedy that marred her adolescence, her four largely miserable years at a New Hampshire boarding school, and her former roommate, Thalia Keith, in the spring of their senior year. Though the circumstances surrounding Thalia’s murder and the conviction of the school’s trainer, Omar Evans, are online, Bodie prefers—needs—to let sleeping dogs lie.

But when the Granby School invites her back to teach a course, Bodie is inexorably drawn to the case and its increasingly apparent flaws. As she falls down the rabbit hole she was so determined to avoid, Bodie begins to wonder if she wasn’t an outsider at Granby as she’d thought, perhaps, back in 1995, she knew something that might have held the key to solving the case. In their rush to convict Omar, did the school and the police overlook other suspects? Is the real killer still out there?

In I Have Some Questions for You, award-winning author Rebecca Makkai has crafted her most irresistible novel yet: a stirring investigation, timely, hypnotic, and populated with a cast of unforgettable characters, I Have Some Questions for You is at once a compulsive page-turner and a literary triumph.

The Jan Lilien Education Fund sponsors ongoing sustainability and environmental awareness programs. Gifts made this month; I will match dollar-for-dollar. All donations are tax-deductible.

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In 1934, a young José Revueltas traveled to Tamaulipas to support the cotton workers’ strike in Estación Camarón, which would later serve as the foundation for his landmark novel, Human Mourning. In her groundbreaking novel Autobiography of Cotton, Cristina Rivera Garza recounts her grandparents’ journey from mining towns to those same cotton fields. Her narrative intersects with Revueltas’s life and offers a vivid and evocative account of the history of cotton cultivation along the Mexico-U.S. border.

Through archival research and personal narrative, Rivera Garza explores how cotton transformed the borderlands by recounting the story of the cotton workers’ strike. She reveals how cycles of deprivation and environmental destruction continue to affect generations. Rivera Garza skillfully creates a new kind of border novel that illustrates how a fragile landscape drastically changed her grandparents’ lives and the territories they helped to develop. In this intimate fictionalization, Autobiography of Cotton offers a rich social history that encompasses agricultural colonization, labor activism, environmental degradation, and cross-border migration.

I recommend “Autobiography of Cotton,” but readers should be patient as the book shifts back and forth in time. Everything becomes clear as you continue reading.

Cristina Rivera Garza is the Pulitzer Prize–winning author of Liliana’s Invincible Summer. A MacArthur Fellow, she is the Hugh Roy and Lillie Cranz Cullen Distinguished Chair and founder of the University of Houston’s PhD in Creative Writing in Spanish.

Christina MacSweeney is the award-winning literary translator of works by Julián Herbert, Valeria Luiselli, and Elvira Navarro. She received the 2024 Sundial Literary Translation Award for her translation of Verónica Gerber Bicecci‘s The Company.

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Intimacies: A Novel by Katie Kitamura is about an interpreter who has come to The Hague to escape New York and work at the International Court. A woman of many languages and identities is finally looking for a place to call home.

Intimacies: A Novel is the second book by Ms. Kitamura that I have read this year. The multiple intimacies of the novel overlap and at times seem confusing, but in the end, it makes sense even if it is unclear how or where she will live the next phase of her life. A Separation is also written hypnotic, making it difficult to stop reading.

I not only highly recommend Intimacies: A Novel but have become a fan of Katie Kitamura and look forward to reading more of her books.

Goodreads summary provides a good overview.

She’s drawn into simmering personal dramas: her lover, Adriaan, is separated from his wife but still entangled in his marriage. Her friend Jana witnesses a seemingly random act of violence, a crime the interpreter becomes increasingly obsessed with as she befriends the victim’s sister. And she’s pulled into explosive political fires: her work interpreting for a former president accused of war crimes becomes precarious as their relationship is unbound by shifting language and meaning.

This woman is the voice in the ear of many, but what command does that give her, and how vulnerable does that leave her? Her coolly impassioned views on power, love, and violence, are tested, both in her personal intimacies and in her role at the Court. She is soon pushed to the precipice, where betrayal and heartbreak threaten to overwhelm her; it is her drive towards truth, and love, that throws into stark relief what she wants from her life.

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The Testaments: The Sequel to The Handmaid’s Tale by Margaret Atwood is a sequel worth reading.

The novel alternates between the perspectives of three women presented as portions of a manuscript written by one (the Ardua Hall Holograph) and testimonies by the other two. Being an amateur historian, I found this a fascinating way for Ms. Atwood to write this book.

Aunt Lydia is the author of the Ardua Hall Holograph, which is a surprise based on her role in The Handmaid’s Tale. It is a surprise that she is a mole who despises Gilead and works for the resistance.

The other characters are young women who, along with Aunt Lydia, are forced to come to terms with who she is and how far she will go for what she believes.

Agnes Jemima was born in Gilead and is being educated not to be literate but to be a wife. She finds out her parents are not who she thought they were when Agnes discovers she is the daughter of a Handmaid.

Daisy was raised in Toronto, lives with her adoptive parents, and is an educated woman. As noted in most reviews, Daisy is also the daughter of a Handmaid. She is Baby Nicole from the original book, and Gilead wants her to return.

I started reading The Liberators by E. J. Koh today. The book is a debut novel about Insuk, a 24-year-old Daejeon, a South Korean college student who falls in love with her classmate, Sungho. They get married with her father’s blessing. Still, things take a turn for the worse as the military dictatorship, martial law, and nationwide protests bring the country to the brink of collapse, and Insuk’s father mysteriously disappears.

After her father’s disappearance, Insuk escapes to California with Sungho, their son Henry, and his overbearing mother. Struggling to adapt to their new life, Insuk mourns the loss of her past and her homeland, only to find solace in an illicit affair that sets in motion a chain of events that will reverberate for generations.

The Liberators is a powerful family saga that spans four generations and two continents. E. J. Koh expertly captures the lives of two Korean families as they navigate love, war, trauma, and empathy. This debut novel is a gripping testament to the consequences of inheritance and the power of memory.

The Jan Lilien Education Fund sponsors ongoing sustainability and environmental awareness programs. Regarding gifts made this month, I will match dollar for dollar. All donations are tax-deductible.

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I receive a commission when you buy a book or product using a link on this page. Thank you for supporting Sharing Jan’s Love blog.

Salvation by C. William Lanksfield is a remarkable debut novel that explores profound themes through evocative prose and a compelling plot, all set against the breathtaking yet often intimidating backdrop of the Rocky Mountain West. This emotionally charged Western noir examines father-son relationships, masculinity, and spirituality, centering around a shocking event: the murder of one man’s best friend by another.

A small rural Colorado town is in crisis at the height of winter. Tom Horak has just murdered his best friend, Rust Hawkins. Morris Green, the town’s Lutheran pastor, is experiencing a profound crisis of faith, questioning the very existence of God. And Marshal Thomlison, the local peace officer, looking forward to retirement, is now thrown into the middle of a murder investigation.

Following his violent act, Tom retreats to a cabin in the hills, remembering the events of his hardscrabble childhood—a rural upbringing on a ranch with a distant mother and abusive father.

Pastor Green takes in Rust Hawkins’s son, since the boy has nowhere else to go. Thomlison’s murder investigation acts as a kind of Greek chorus commenting on the various threads of this moving novel: What could cause a man to commit such a violent act? What does this isolated community owe to one another? Can Tom find the peace he is searching for, even with blood on his hands? Can Pastor Green find enough faith in our human condition to help Rust’s orphaned son, and can their growing bond perhaps offer the family life each sorely lacks?

C. William Langsfeld lives in a small town on the Western Slope of Colorado.

Discover your next favorite book and dive into a world of curated, exciting reads by purchasing through my links. You’ll have access to a diverse selection of books I’ve personally vetted for quality and enjoyment. Supporting these selections not only helps me continue to provide you with personalized recommendations but also ensures you have access to meaningful stories that enrich your life. Your support truly makes a difference in helping me share more books and insights with you!