“Switzy” by Emma Cline is a captivating exploration of an aging man’s final journey. Written by the award-winning author of “The Girls” and “The Guest,” the story follows David as he prepares to arrive in Zurich. Throughout the narrative, the story unfolds as a vividly rendered portrait of an unraveling mind. The tale is darkly humorous and deeply moving, presenting a mystery layered with others. The world, once so familiar, has become inscrutable.

Hypnotic and strikingly original, “Switzy” explores the depths of human consciousness, examining what remains for a man when the accomplishments and compromises that have defined him, along with the illusions he has relied on, vanish.

A private plane glides through the winter night, somewhere over Greenland. David, a retired executive, leans back in his leather seat and plays solitaire on his phone. Click. Click. Drag. Click. He has filled the notebook in his jacket pocket with familiar phrases and urgent reminders, but he struggles to recognize his own handwriting.

This is what David knows: Cody, his assistant, is asleep in the seat next to him and will guide him along the journey. He will stop in London, have dinner with his adult daughter, and meet an old friend in France he has been estranged from for decades.

David’s final destination is Zurich.

As he moves through hotel rooms, airports, and foreign cities, he feels his mortal life slipping away. His grip on the present weakens, and memories flood in: childhood Sunday roasts, stiff clothes reserved for church, and a summer spent at a friend’s house. He reflects on the losses and missteps that have marked his life.

Emma Cline is a New York Times bestselling author known for “The Guest”, “The Girls”, and the short story collection “Daddy”. “The Girls” was a finalist for several prestigious awards, including the Center for Fiction’s First Novel Prize, the National Book Critics Circle John Leonard Award, and the Los Angeles Times Book Prize. It was also selected as a New York Times Editor’s Choice and won the Shirley Jackson Award. Additionally, “The Guest” was longlisted for the PEN/Faulkner Award.

Cline’s stories have appeared in prominent publications such as “The New Yorker”, “Granta”, “The Paris Review”, and in “The Best American Short Stories” anthologies. She has received an O. Henry Award and the Plimpton Prize from “The Paris Review” and was recognized as one of Granta’s Best Young American Novelists.

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1978: It is the first Thursday in August, and temperatures are flirting with ninety when Mira Winston, eighteen years old, drives a golf ball from her tee toward the practice net near the clubhouse and caddy shack. The golf ball, weighing 1.6 ounces, tears through the net, traveling 150 miles per hour, and slams, with sickening force, into the temple of a high school junior named Kenny Foster, rupturing an artery and unleashing a torrent of blood.

Kenny brings his hand to the side of his head, then topples onto his side. He’s dead before the ambulance even arrives.

In the wake of this terrible accident—and everyone, at first, agrees it was an accident—Mira looks for comfort in all the wrong places: In her lover, Theo Catton, a married man three decades her senior. In her mother, a well-kept woman with secrets of her own. In the dead caddy’s little sisters, girls bewildered by grief. But when investigators look more closely at the torn net, when a detective recalls Mira’s history of recklessness, and when Kenny’s father spies Mira with her married lover, the affluent, mannered community turns on this once-promising young woman.

A gripping story that takes the reader from the sun-soaked greens of a tony Westchester country club to the fluorescent-lit stand of a county courtroom, The Amateur asks: What happens when one small moment—a swing, a ball, a piece of string—changes the course of an entire life?

Chris Bohjalian is the #1 New York Times bestselling author of twenty-five books, including The Princess of Las Vegas, The Lioness, Hour of the Witch, Midwives, and The Flight Attendant, which was a Max series starring Kaley Cuoco. His other books include The Guest Room; Close Your Eyes, Hold Hands; The Sandcastle Girls; Skeletons at the Feast; and The Double Bind. His novels Secrets of Eden, Midwives, and Past the Bleachers were made into movies, and his work has been translated into more than thirty-five languages. His novels have been selections of Oprah’s Book Club.

He is also a playwright (The Club, Midwives, and Wingspan). He lives in Vermont with his wife, photographer Victoria Blewer, and can be found at chrisbohjalian.com or on Facebook, Instagram, Threads, TikTok, X (formerly Twitter), Litsy, and Goodreads, @chrisbohjalian.

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The Calamity Club is an emotional rollercoaster that promises to evoke laughter, tears, and resounding cheers. It is a stirring tribute to the resilience of underestimated women who discover that even amid chaos and misfortune, there is room for transformative new beginnings. Kathryn Stockett showcases her remarkable storytelling prowess, blending confidence, heartfelt emotion, and sharp humor.

This book marks the triumphant return of one of our generation’s most cherished authors, inviting readers into a world where calamity becomes a catalyst for growth and triumph.

Oxford, Mississippi, 1933.

Abandoned by her mother on Christmas Eve, eleven-year-old Meg Lefleur has learned to rely on no one. Now one of the unadoptable “big girls” at the Lafayette County Orphan Asylum, she fights each day to keep her spirit unbroken.

Birdie Calhoun, unmarried and outspoken, comes to Oxford seeking help from her socialite sister for their struggling family. However, as the Great Depression tightens its grip, Birdie discovers that her sister’s seemingly charmed life is actually a tapestry of lies.

Then, Birdie meets Charlie, a woman running low on luck with little left to lose. When their fates—along with Meg’s—converge, Charlie devises an audacious plan for them to take control of their lives. But in an era where hypocrisy is rampant, and women’s freedom is fragile, even the smallest act of defiance can have dangerous consequences.

Kathryn Stockett was born and raised in Jackson, Mississippi. After graduating from the University of Alabama, she moved to New York City, where she spent nine years working in magazine publishing and marketing. Her debut novel, The Help, has sold over 15 million copies worldwide. She currently divides her time between Mississippi and New York City.

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“John of John” is a captivating novel that explores themes of duty, passion, and the transformative power of truth. This remarkable literary work solidifies Douglas Stuart‘s reputation as one of the greatest contemporary novelists. The story follows a young man who returns to his home on a Hebridean island, depicting the complex relationship between a father’s expectations and a son’s desires.

Out of money and with little to show for his art school education, John-Calum Macleod takes the ferry back home to the Isle of Harris in the Outer Hebrides to find that little has changed except for him. He returns to the windswept croft and the two pillars of his childhood: his father John, a sheep farmer, tweed weaver, and lay preacher in the local Presbyterian church, and his maternal grandmother Ella, a profanity-loving Glaswegian whose steady warmth helped Cal weather the sudden departure of his mother.

Cal privately wonders if any lonely men might be found on the barren hillsides of home, while John is dismayed by his son’s long hair, strange clothes, and seeming unwillingness to be saved. But Cal isn’t the only one in the croft house who is keeping secrets. As lambing season turns to shearing season, the threads holding the community together become increasingly frayed, and nothing will remain as it was before.

Douglas Stuart is a Scottish-American author. His New York Times bestselling debut novel Shuggie Bain won prizes including the 2020 Booker Prize and the Sue Kaufman Prize from the American Academy of Arts and Letters, was a finalist for the National Book Award and the PEN/Hemingway Award, and was named one of the “25 Best Books of the 21st Century” by the Sunday Times (UK). His second novel, Young Mungo, was a national bestseller, longlisted for the Andrew Carnegie Medal and a finalist for the British Book Award, and one of the most highly acclaimed books of the year. His stories are published in The New Yorker, and his essays have featured on Literary Hub. He lives in New York City.

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An end-of-the-world love story, Earth 7 is filled with both pathos and humor, exploring what aspects of our planet can still be cherished. Unfortunately, the tale of planet Earth is disheartening; it has been diminished to little more than a lump of burnt coal. However, as Deb Olin Unferth demonstrates in her latest electrifying novel, life and love can endure even in the most unexpected and inhospitable circumstances.

Two women meet on a beach of artificial sand. One was raised in a pod in the ocean, and the other may or may not be a robot. Their love—or any love—seems so unlikely. Earth is severely depopulated. Some people have given up, gone off to Mars. Others pursue eternal life as digital code. And yet others, like Dylan and Melanie, are holdouts—and some of those holdouts are constructing a vast molecular collection in hopes that a future person may be alive to make a new Earth. Foolhardy? Misguided? Quixotic? Probably. But what can a human (or a robot) do?

By the end of Unferth’s wild, poetic, revelatory, and slyly philosophical novel, the reader has traveled to the very edges of the cosmos as a “soul globule” and between grains of sand as a microscopic tardigrade. A slim book tackling big questions (is all matter conscious? will we tech ourselves into salvation, or out of existence?), Earth 7 is a poignant inquiry into death, mourning, and indefatigable life, the most exhilarating work to date by one of our most original and beloved writers.

Deb Olin Unferth is the author of six books, including Barn 8 and Wait Till You See Me Dance. She has received a Guggenheim Fellowship and three Pushcart Prizes and was a finalist for the National Book Critics Circle Award. Her work has appeared in Granta, Harper’s, McSweeney’s, and The Paris Review.

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Elizabeth Strout, as we have come to expect, delivers a moving exploration of the human condition—one that brims with compassion for every one of her indelible characters. With exquisite prose and profound insight, The Things We Never Say takes one man’s fears and loneliness and makes them universal. And in the same breath, it captures the abiding love that sustains and holds us all.

Artie Dam is living a double life. He spends his days teaching history to eleventh graders, expanding their young minds, correcting their casual cruelties, and lending a kind word to those who need it most. He goes to holiday parties with his wife of three decades, makes small talk with neighbors, and, on weekends, takes his sailboat out on the beautiful Massachusetts Bay. He is, by all appearances, present and alive. But inside, Artie is plagued by feelings of isolation. He looks out at a world gone mad—at himself and the people around him—and turns a question over and over in his mind: How is it that we know so little about one another, even those closest to us?

And then, one day, Artie learns that life has been keeping a secret from him, one that threatens to upend his entire world. Once he learns it, he is forced to chart a new course, to reconsider the relationships he holds most dear—and to make peace with the mysteries at the heart of our existence.

Elizabeth Strout is the #1 New York Times bestselling author of Tell Me Everything; Lucy by the Sea; Oh William!, which was shortlisted for the Booker Prize; Olive, Again; Anything Is Possible, winner of the Story Priz My Name Is Lucy Barton; The Burgess Boys; Olive Kitteridge, winner of the Pulitzer Prize; Abide with Me; and Amy and Isabelle, winner of the Los Angeles Times Art Seidenbaum Award for First Fiction and the Chicago Tribune Heartland Prize. She has also been a finalist for the PEN/Faulkner Award and the Orange Prize in London.

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Written with the same depth of character and insight that readers have come to expect from author Amy Bloom‘s novels and memoirs, “Blunt Instrument” is an engaging and entertaining mystery featuring a clever, complex protagonist. The case of the bludgeoned lecturer has left everyone at Cromwell University reeling, even though the elderly Professor Bullfinch wasn’t particularly well-liked.

His ornery nature and Old World approach to campus politics ruffled more than a few feathers over the years, and present tensions within his department mean there are more suspects than mourners in the wake of his death. And the murder weapon—a bronze bust of Nathaniel Hawthorne—does seem to indicate that the attack may have been academically motivated…

Enter Dell Chandler, the failed English professor turned self-taught private detective whom Dr. Cutty calls in to investigate the crime. She has the background to tease out the motives among the staff and just enough experience to conduct a thorough inquiry. If she solves the case before the cops do, the university could keep the whole thing quiet, avoiding sensational media about the dark side of campus life. But to do so, she’ll have to dodge her own demons from her past life as a disgraced academic.

Amy Bloom is the New York Times bestselling author of novels, short stories, memoir, and nonfiction. She has written for magazines such as The New Yorker, New York Magazine, The New York Times Magazine, Vogue, Elle, The Atlantic, Slate, and Salon. Her work has been translated into seventeen languages. Blunt Instrument is her first crime novel. Amy resides in Connecticut and recently retired as Wesleyan University’s Shapiro-Silverberg Professor of Creative Writing, while continuing to work as a psychotherapist and a novelist.

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Flight: A Novel by Lynn Steger Strong is a novel about family, ambition, precarity, art, and desire, forming a decisive next step from a brilliant chronicler of our time. The book has been on my to-read list for a few months. A New Yorker Best Books of 2022, it seemed like a good start on my 2023 Goodreads Reading challenge. Flight is the first book I read in 2023. Last year I read seventy-four books, and each helped me with my grief journey.

I recommend this novel as it is a page-turner highlighting the difficulty families experience after a loss. As a culture, we are experiencing declining social connections, including within families. Flight is an excellent effort to define the crisis.

Although several possible resolutions to the conflict became clear by the middle of the novel, Ms. Strong told the story so that until the end, it was unclear how or if it would be resolved. In addition, enough unresolved issues remained so that.

The Goodreads summary provides an overview,

It’s December twenty-second and siblings Henry, Kate, and Martin have converged with their spouses on Henry’s house in upstate New York. This is the first Christmas the siblings are without their mother, the first not at their mother’s Florida house. Over the course of the next three days, old resentments and instabilities arise as the siblings, with a gaggle of children afoot, attempt to perform familiar rituals, while also trying to decide what to do with their mother’s house, their sole inheritance. As tensions rise, the whole group is forced to come together unexpectedly when a local mother and daughter need help.

With the urgency and artfulness that cemented her previous novel Want as “a defining novel of our age” (Vulture), Strong once again turns her attention to the structural and systemic failings that are haunting Americans, but also to the ways in which family, friends, and strangers can support each other through the gaps

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In This Is Not About Us, master storyteller Allegra Goodman—who received praise for her previous collection in the Boston Globe as “one of the most astute and engaging books about American family life“—explores familiar themes and styles that have captivated countless readers. The New York Times has listed it as one of “The Novels Everyone Will Be Talking About in 2026.”

When their beloved sister passes away, Sylvia and Helen Rubinstein are unmoored. A misunderstanding about apple cake turns into a decade of stubborn silence. Busy with their own lives—divorces, dating, career setbacks, college applications, bat mitzvahs, and ballet recitals—their children do not want to get involved. As for their grandchildren? Impossible.

Sharply observed and laced with humor, This Is Not About Us is a story of growing up and growing old, the weight of parental expectations, and the complex connection between sisters—a big-hearted book about the love that binds a family across generations.

Allegra Goodman is the author of seven novels, including the national bestseller Isola, selected as a Reese’s Book Club pick. She has also written two collections of short stories and a novel for young readers. Her fiction has appeared in The New Yorker and elsewhere, and anthologized in The O. Henry Awards and Best American Short Stories. She lives with her family in Cambridge, Massachusetts.

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Today, I explored “We Do Not Part,” the latest novel by Han Kang, the 2024 Nobel Prize in Literature laureate. Translated by the talented e. yaewon and Paige Aniyah Morris, this book offers a remarkable journey. The New York Times has called it Kang’s most revealing work since her acclaimed novel, “The Vegetarian.” What captivates me the most is how it intricately weaves the story of two women’s friendship while shedding light on a hidden chapter of Korean history.

One winter morning, Kyungha receives an urgent message from her friend Inseon, asking her to visit a hospital in Seoul. Inseon has injured herself in an accident and begs Kyungha to return to Jeju Island, where she lives, to save her beloved pet—a white bird named Ama. A snowstorm hits the island when Kyungha arrives. At all costs, she must reach Inseon’s house, but the icy wind and blizzards slow her down as night falls. She wonders if she will arrive in time to save the animal—or even survive the terrible cold that envelops her with every step. Lost in a world of snow, she does not yet suspect the vertiginous plunge into darkness that awaits her at her friend’s house.

Blurring the boundaries between dream and reality, “We Do Not Part” powerfully illuminates a forgotten chapter of Korean history buried for decades, bringing to light the lost voices of the past to prevent them from fading into oblivion. It is both a tribute to enduring friendship and a plea for remembrance. The novel tells a story of profound love in the face of unspeakable violence and celebrates life, however fragile.

Han Kang was born in 1970 in South Korea. She is the author of The Vegetarian, which I have read, and winner of the International Booker Prize,  Human Acts, The White Book, Greek Lessons, and We Do Not Part. In 2024, she received the Nobel Prize in Literature.

e. yaewon is based in Korea and translates from and into Korean, including titles by Hwang Jungeun, Deborah Levy, and Samuel Beckett.

Paige Aniyah Morris divides her time between the United States and Korea. Recent translations include works by Pak Kyongni, Ji-min Lee, and Chang Kang-myoung.

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I started reading Monica Wood‘s “How to Read a Book: A Novel” today. It’s a heartfelt and uplifting story about a chance encounter at a bookstore—the novel delves into themes of redemption, unlikely friendships, and the life-changing power of sharing stories. With Monica Wood’s characteristic heart, wit, grace, and understanding, the novel illuminates the decisions that shape a life and the kindnesses that make life meaningful.

The story revolves around three characters: Violet Powell, a twenty-two-year-old from rural Abbott Falls, Maine, who is being released from prison after serving twenty-two months for a drunk-driving crash that killed a local kindergarten teacher; Harriet Larson, a retired English teacher who runs the prison book club and is facing the prospect of an empty nest; and Frank Daigle, a retired machinist who is struggling to come to terms with the complexities of his marriage to the woman Violet killed.

Their lives unexpectedly intersect one morning in a bookstore in Portland, Maine. Violet buys the novel she read in the prison book club before her release, Harriet selects the following title for the remaining women, and Frank fulfills his duties as the store handyman. Their encounters set off a chain of events that will profoundly change them.

How to Read a Book“ is a candid and hopeful story about releasing guilt, embracing second chances, and the profound impact of books on our lives.

The novel Commitment by Mona Simpson delves into the complexities of family and duty when a parent falls ill. It sheds light on the significant impact of untreated mental health crises and highlights the under-appreciated role of friends in shaping the lives of children left to their own devices.

A hardworking single mother, Diane Aziz falls into a deep depression after dropping off her oldest son, Walter, at college. Despite her struggles, her closest friend is vital in keeping the family together and their mother’s dreams alive.

This is a story of one family’s struggle to navigate the crisis of their lives, a struggle that may resonate with many readers. Walter discovers a newfound passion for architecture, but financial struggles threaten his academic pursuits. Meanwhile, Lina fights to attend an Ivy League school, and Donny, the youngest sibling, battles a dangerous drug addiction.

As someone with different personal experiences, I still found Commitment to affirm the importance of biological and chosen families.

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I began reading Charlotte Mendelson‘s novel, The Exhibitionist, today. The book tells the story of Lucia and Ray, two artists whose marriage starts to fall apart over a weekend. It explores themes such as art, sacrifice, family dynamics, queer desire, and personal freedom. Charlotte Mendelson has created yet another exceptional novel with The Exhibitionist, ranked as the year’s novel by The Times of London, and described as “furiously funny.”

The Hanrahan family is coming together for an important weekend. Ray Hanrahan, a well-known artist with a big ego, is preparing for his first exhibition in many years. His eldest daughter, Leah, is his biggest supporter. His son, Patrick, has decided to pursue his own path. His youngest daughter, Jess, has a big decision to make. Ray’s wife, Lucia, is also an artist but has always prioritized her roles as a wife and mother. She is keeping secrets of her own and must decide which desires to pursue as the weekend progresses and the exhibition approaches.

The Jan Lilien Education Fund sponsors ongoing sustainability and environmental awareness programs. Gifts made this month; I will match dollar-for-dollar. All donations are tax-deductible.

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I receive a commission when you buy a book or product using a link on this page. Thank you for supporting Sharing Jan’s Love blog.